Month: September 2003

  • HCW invests $180 million in what “has been likened to San Antonio’s Riverwalk” or, is it the Titanic?

    An August 15 article in the Wichita Eagle, entitled “Opportunities lure local businessmen to Ozark Resort,” reported on the connection between, what it, among other names, refers to as the “Wichita Mafia,” and the Branson Landing project. It said that the “Wichita Mafia” is simply “a bunch of guys who gradually switched from doing business in Wichita to developing in — and finally moving to — Branson, Mo.”



    In keeping with its theme, the article describes some of the people who can make things happen in Branson and their financial commitment to making them happen. It said, “Chief among the movers and shakers in the development community are [Rick] Huffman, Santo ‘Sam’ Catanese and Marc Williams of HCW LLC.”



    It further reported that “The development company won a major bid for the Branson Landing project, a $300 million public-private partnership to develop retail, hotel and convention center space on Lake Taneycomo.” The article continues, “HCW’s financial investment in the project, which has been likened to San Antonio’s Riverwalk, is $180 million.” Oh, really!



    In actuality, “the development company” that won the bid for the Branson Landing project was not HCW LLC it was an entirely different company. The company mentioned in the article, HCW L.L.C., was created in May of 2000. HCW Development Company, L.L.C. (HCW), the company that won the bid for the Branson Landing project on August 27, 2002, was created on April 3, 2002. Both corporations have the same registered agent, Marc Williams and the same mailing address.


    If “HCW’s financial investment in the project…is 180 million” where has it been spent? The Ole Seagull is aware of tens upon tens of millions of dollars being spent by the citizens and businesses of Branson on the Branson Landing project through their Board of Alderman and city administration. He has yet to see a report indicating that HCW has spent or invested $180 million in the project.



    If the public record is any indication, one could almost get the impression that the only money being spent by HCW is money for which they get reimbursed by the city. Wouldn’t it be interesting to see a comparison of how much of its own funds HCW has “invested” or will invest, as compared to the tens of millions that the city has spent thus far and the tens of millions both HCW and the city will borrow to complete the project?



    The article also states that the Branson Landing project “has been likened to San Antonio’s Riverwalk.” Who can honestly compare the history, intimacy, atmosphere, design, pedestrian flow, tenant mix, and the water feature of the San Antonio Riverwalk, with the projected Branson Landing project? Could it be some of the same people who describe it as a “world class attraction?”



    How “world class” can it be, if people are concerned that competition from a “regional shopping center” in Branson Hills could effect its success? In the opinion of an Ole Seagull, the Branson Landing Project is about as close to being “world class” as the investment of HCW in it to date, is to $180 million. Oh, it will more than likely be built. The only question is, whether five years after it opens, will it be “likened to San Antonio’s Riverwalk” or the “Titanic?”



    Gary Groman, a.k.a. “The Ole Seagull,” is an independent columnist and the editor of the Branson Courier. He may be reached by clicking here or by calling 417-339-4000.

  • 30th Annual Autumn Daze Craft Festival September 18-21, 2003

    The 30th Annual Autumn Daze Arts and Crafts Show and Sidewalk Sale will be held in the heart of Historic downtown Branson at the Awbery Parking Lot, at North Commercial and Atlantic Streets. The hours of the Festival are from 9 a.m. to 6 p.m. Hand made Arts and crafts are exhibited under tents as over 200 crafters from all over the United States display their crafts and give demonstrations. Admission is free! For further information please contact the Downtown Branson Main Street Association (DBMA) by phone at 417-334-1548.

  • The Elvis Presley Story Starring Ronnie McDowell

    (BRANSON, MO) – A limited engagement of The Elvis Presley Story starring Ronnie McDowell at The Will Rogers Theater in Branson is set for Friday, October 31 and Saturday, November 1, 2003 at 8 p.m..The show is a celebration of Elvis’ life and music featuring his former backup singers and band members The Jordanaires, guitarist Scotty Moore,drummer D.J. Fontana and soprano Millie Kirkham.



    The Elvis Presley Story starring Ronnie McDowell is a revival of Elvis’ great music, not a note-for-note re-creation of it.There are no Elvis impersonations here…no sideburns, no shades and no jumpsuits.McDowell and company present Elvis’ songs in chronological order, tracing the King’s music as it took him from Memphis to Nashville and then on to New York, Hollywood and Las Vegas.The show includes many of Elvis’ hit songs, including That’s All Right Mama, Blue Moon Of Kentucky, Heartbreak Hotel, Don’t Be Cruel, How Great Thou Art and more.



    A key aspect of the show is audience participation with the performers who knew him best and loved him most taking questions from the audience about Elvis.McDowell also offers selected fans the once-in-a-lifetime opportunity of coming on stage and singing an Elvis song with The Jordanaires backing them.



    McDowell’s voice bears an uncanny resemblance to Presley’s and producers of movies have turned to McDowell time and again for his remarkable voice.His ability to sound exactly like the King has been showcased on the soundtracks of the highly rated 1979 Kurt Russell film Elvis, 1981’s TV movie Elvis and the Beauty Queen, the 1988 ABC-TV mini series Elvis and Me, the 1989-90 TV series Elvis Aaron Presley and 1997’s Showtime cable movie Elvis Meets Nixon. Drawing on this rich background, McDowell performs Elvis’ songs with incomparable understanding and authority.



    Ronnie McDowell never met Elvis, but he so loved his music that when Elvis died in 1977, McDowell wrote and recorded The King Is Gone.The song sold more than 3 million copies and reached #13 on both the Country and Pop music charts.McDowell went on to a distinguished career in country music, releasing 30 albums and 20 singles.He has more than a dozen Top10, Top 5 and Number 1 hits including Older Women, You’re Going To Ruin My Bad Reputation, Wandering Eyes, Watchin’ Girls Go By and I Love You, I Love You, I Love You.



    The Jordanaires met Elvis in Memphis in 1954, just before he left Sun Records to go with RCA. He admired their gospel sound and asked if they would record with him when he moved to a major label.They agreed and continued to record and tour with Elvis from his signing with RCA until 1970.They also worked with him in the movies Loving You, Jailhouse Rock, King Creole and G.I. Blues.



    Guitarist Scotty Moore and drummer D.J. Fontana were with Elvis from the start.Moore was Elvis’ first manager, well before Col. Tom Parker came along.The inventive guitar licks heard on Elvis’ career-making singles came from Moore’s bottomless imagination.In recognition of his musical skills and imagination, the Rock & Roll Hall of Fame inducted Moore in its first class of “sidemen” members.Fontana joined Moore and other members of Elvis’ band in 1954 and stayed on until 1968.He played on more than 460 of the King’s RCA recordings.



    Millie Kirkham, whose high soprano pipes can be heard on such classics as Blue Christmas and My Wish Came True was one of Elvis’ favorite vocalists.She began singing on recording sessions with the Jordanaires even before they teamed up with Elvis.


  • The “Odyspin Virus” – Part 2 – Liquor regulation in Branson is what “Odyspin” dictates

    Last weeks column entitled, “The ‘Odyspin Virus’ – Part 1 – Silence the public,” which can be viewed on the internet by clicking here, discussed how the Odyspin Virus has infected the public’s ability to speak at City council Meetings.This week’s column explores how it has infected the City’s ability to regulate the expansion of the drinking of alcoholic beverages into its theatres, theme parks, and amusement parks.



    The issue isn’t whether or not there should be expanded regulation.That is something that is between the community and those elected to represent them.Rather, it is an issue of whether or not the community even gets to discuss such expansion in a meaningful way with their elected representatives.That’s kind of difficult to do when the Odyspin Virus has so infected City Hall and the Board of Aldermen that the prevailing attitude, regardless of existing state law, is that, “The City does not have the ability to regulate alcohol in theatres.It is a state issue to be taken up with the State of Missouri.”



    Why is it even an issue in Branson?Over the years, a large part of Branson’s promotional “brand” has been the wholesomeness, Christian values, patriotism, and family values associated with its entertainment environment.Mr. Ross Summers, Chamber Executive-Vice President, was recently reported as having said, “Branson is family-friendly, wholesome entertainment. It’s based on Christian values and patriotic themes, and we believe gambling doesn’t represent those values.”



    “Alleluia brother.” But neither does the spread of the sale, serving, and consumption of alcoholic beverages, from their traditional venues, into our theatres, theme parks, and amusement parks where, traditionally, they have not been served.Does it?



    At the August 25, 2003, meeting of the Branson Board of Aldermen, regarding what the Ole Seagull calls the “Purvis Ain’t No Alcohol Here Resolution,” the Ole Seagull, as others before him, wanted to encourage that the Resolution address the expansion of the drinking of alcoholic beverages into our theatres, theme parks, and amusement parks.Then the “Odyspin Virus,” in the form of Terry Dody, City Administrator and City Attorney, Daniel Wichmer, started its “spin.”



    When the “spin” fell short on the procedural aspects, the tape of the meeting shows that Wichmer, said, “Actually Mr. Groman, what I am trying to point out to you, since you raised the question, is that the City does not have the ability to regulate alcohol in theatres.It is a state issue to be taken up with the State of Missouri.”As one who would walk into a room full of “dribble” and ask where the “dribbler” was, the Ole Seagull instantly knew he was standing knee deep in “Odyspin Virus Dribble.”



    In response, the Ole Seagull stated words to the effect, that although the State controls the initial licensing, there are statutes that permit the Cities to regulate the sale of alcoholic beverages within their jurisdictions and “you are aware of them.Aren’t you?”Never answering the question directly, a distinct symptom of the “Odyspin Virus,” Wichmer said, “I stand by my opinion.”



    Among other things, Section 311.220 of Missouri’s Liquor Control Law authorizes the Board of Alderman of a City to “make and enforce ordinances for the regulation and control of the sale of all intoxicating liquors within their limits.”Further it permits them to “provide for penalties for the violation of such ordinances, where not inconsistent with the provisions of this law.”



    In May of 2001, in the case of “State of Missouri, Respondent v. Entertainment Ventures I, Inc,” the Missouri’s Supreme Court specifically addressed the application of Section 311.220 to local regulation.In discussing the application of Section 311.220 to Section 311.095, the very statute authorizing the liquor licenses to the businesses that Wichmer says “the City does not have the ability to regulate,” the court said, “Put simply, the two sections are not contrary to or inconsistent with each other. Indeed, the two sections are entirely compatible and are part of a complementary system of state and local regulation of businesses that sell intoxicating liquor.”



    Evidently they didn’t put it simply enough. At least not for the “Odyspin Virus” that seems to thrive on an environment of created confusion, “smoke and mirrors,” making the simple complex, and the controlling of public input into the processes of government.Whether or not Branson chooses to exercise the authority given to it by statute is one thing but having that authority is a matter of law and even the “Odyspin Virus” cannot change that!

  • Number One Hits of the Sixties

    Review excerpts of the “Number one hits of the Sixties” from the article and review entitled, “Number one hits of the Sixties, what were we thinking?” appearing in the Branson Daily Independent.



    “With all the bad of the decade, there had to be some good.There was.The sixties brought us Teflon pots and pans, Elvis was discharged from the Army, Rod Sterling created the “Twilight Zone,” the sitcom entered our TV lives, we launched our first communications satellite, Houston built their Astrodome and we crowded around the TV to witness and cheer the first ever Super-Bowl.



    “Number One Hits of the Sixties,” now playing at the Welk Resort Center, tries to recapture the mood and the essence of the sixties through song.We all have certain mental hooks where our memories lay.Music has a definite way of hooking us to the past through sound and word.The Number One Hits of the Sixties Show has a way of taking us back to the confused and dangerous decade of the sixties through musical memories and all of us saying, “I can remember that song and this is what I was doing then.”All of us can remember what we were doing when Camelot came crashing down.



    The cast and crew of the show take you on a ride in song and dance through the most turbulent time of our lives.You will hear songs such as, “The Lion Sleeps Tonight,” “I Got You Babe.” “When A Man Loves A Woman,” “Kathy’s Clown” and many more hits that depict the changing mood of a nation.Stars like Dusty Springfield, the Beatles, Roy Orbison, Petula Clark, the Four Seasons, the Beach Boys and many, many others are represented onstage and bring a cornucopia of memories.



    The only thing I found to be missing from the show was any reference to Elvis Presley.Elvis, probably more than anyone else in that era, shaped the musical mores of several generations.Other than that, I thought the show was good in its presentation of the sixties.I think you too will enjoy re-living the memories of a decade that was lost to infamy, distrust and confusion.This show brings out the best in the decade and spares us the sadness and bitterness, so that joy is its number one theme. Again, I would ask, what were we thinking, or, were we thinking at all?”



    For additional information or to purchase tickets either on line or via phone, through Ozark Ticket and Travel, click here or call 1-888-493-1222 or call 1-417- 337-7469.



    Courtesy of Branson Daily Independent



    Editors Note:Edited for online use and expanded ticket information.

  • Larry Gatlin & The Gatlin Brothers Shows To Feature More Music, New Look

    Larry Gatlin & The Gatlin Brothers return for their third season in Branson at The Will Rogers Theater on Thursday, September 4th.The Grammy Award-winning trio will perform 75 shows from September 4 to December 13.This year audiences will hear even more famous Gatlin Brothers music and signature harmonies accompanied by a spectacular new stage set and lighting.



    “This year we are enhancing the production aspect of the show with significantly more stage lighting that is totally computerized, a new stage set created by a nationally recognized designer and upgraded sound,” said Joe Sullivan, president of SullivanShows. “Larry, Steve and Rudy are adding some new musical segments that Branson audiences have never seen before and are expanding their signature gospel music segment to include Jericho Road, I’ll Fly Away, Prodigal Son, and New Hope Road. And of course their show has all of the Gatlin’s greatest hits including All The Gold In California, Houston (Means I’m One Day Closer To You), Broken Lady, I Don’t Wanna Cry, Night Time Magic and more,” he said.



    One of the first-class acts in Country Music, Larry Gatlin and The Gatlin Brothers have forged a new musical standard for vocal harmony, raw talent and showmanship while topping the music charts with hit-after-hit. The brothers have been performing since they were youngsters in Texas, entertaining around the world, from Texas to the White House, to Broadway and beyond. They’ve recorded over 24 albums including country music, gospel, classics and big band, appeared on over 75 national television shows and performed at inaugural ceremonies for President George W. Bush.



    The Gatlin’s received national TV exposure last month when Great American Country broadcast for 10 consecutive days “An Evening With Larry Gatlin and The Gatlin Brothers,” a one-hour special recorded live at the Ryman Auditorium in Nashville.GAC, a 24-hour country music video network, reaches over 20 million subscribers throughout the United States.



    “We anticipate a number of sold out performances again this year for the Gatlin Brothers,” said Sullivan. “Good seats are still available for most performances; early reservations are recommended for the best seating.”