Month: October 2006

  • Is Missouri’s Stem Cell Initiative Amendment using an elephant gun to hunt mice?

    It seems that Missouri’s “Constitutional Amendment 2 – Stem Cell Initiative” is taking on national significance. As an Ole Seagull tries to analyze it all, he is constantly reminded of the old adage, “You don’t use the same gun to hunt elephants and mice.”

    The front page of a major website supporting Amendment 2, www.missouricures.com, proclaims that the passage of Amendment 2 “ensures that Missouri patients will have equal access to any federally approved stem cell cures that are available to other Americans.” Yet, as one goes though the site, they will not find one instance where it is even alleged that Missouri patients do not currently, today and now, have “equal access to any federally approved stem cell cures that are available to other Americans,” not one!

    Even more ludicrous however, is the site’s answer to the question, “Are the research and cures protected by the Initiative already allowed under federal and state law?” Incredulously, the answer to the question is “Yes. Current federal and state law allows stem cell research involving all types of stem cells – including adult stem cells and early, or embryonic, stem cells.”

    If Missouri’s Stem Cell Initiative passes on Nov. 7, exactly what type of stem cell research will be permitted on Nov. 8 that was not permitted on Nov. 6 or, asked another way, what stem cell research is prohibited on Nov. 6 that will be permitted on Nov. 8? May an Ole Seagull suggest that the answer to both of those questions is zero, nada, none.

    Why do supporters of the initiative say that Missourians need a constitutional amendment to give them equal access to that which they already have? According to the same www.missouricures.com website it is because some attempts have been made to try to regulate stem cell research in Missouri’s legislature. Information on the site says, “Making the Initiative a state constitutional amendment is the only effective way to ensure that the legislature cannot override the will of the people by passing some unfair ban on stem cell research and cures in the future.”

    Now let’s get this straight, Missouri needs an amendment to its constitution to give the people of Missouri rights that they already have and to protect them from the very people that they, “the people” have elected to represent them. And what is it that they are being protected against; some possible “unfair” ban that those same elected representatives may or may not enact in the future. Its nuts!

    When one thinks about whom will best represent “their will” and where they have the best chance of being represented, is it through their elected representative, be it at the city, county, state or national levels or through lawyers, judges and courts. Once passed, what the amendment means, its scope, and what is actually permitted and prohibited will be interpreted by lawyers, judges, and the courts at both the state and federal level and can have unintended consequences.

    As but one example, when passed, soon after the Civil War, the intent of Fourteenth Amendment to the U.S. Constitution was to give former slaves United States citizenship and all the rights associated therewith. In the years since its passage however, lawyers, judges, and courts have judicially expanded, interpreted and used that amendment to permit abortion, ban prayer from schools, try to take “Christ” out of “Christmas,” promulgate the alleged doctrine of separation of church and state and otherwise involve the federal government in state and local issues far beyond that intended by the original framers of the Constitution.

    In an Ole Seagulls mind there is no doubt that, in terms of a “legal gun,” a constitutional amendment is an elephant gun. The question that he, and other Missouri voters, have to answer as they vote on Nov. 7 is whether or not they “want to hunt” stem cell research in Missouri with that gun.

    “But Seagull isn’t it about the potential cures that can happen through stem cell research? About saving lives, eliminating pain, the difference between adult stem cell research and embryonic stem cell research, when life starts, harvesting eggs from women, human cloning, and all the other things that the different ads, both for or against the initiative tout?”

    To an Ole Seagull, the central issues on Nov. 7 are not those issues. To him the primary issue is how those very important, and complex, issues are best addressed. Is it through the “one amendment covers it all approach,” as interpreted by the courts, or the through his elected representatives and the legislative process? Also of significance, is the answer to the question, “If I vote ‘No’ on amendment 2 on Nov. 7 won’t Missouri’s patients still have the same equal access to any federally approved stem cell cures that are available to other Americans that they have always had?”

  • Moe Bandy to perform at Starlite Theatre in 2007

    Branson, Missouri ­ October 25, 2006. Starlite Entertainment, a leading producer of entertainment and first-class theatre management in Branson, Missouri, announced today their plans of producing "Moe Bandy in Concert" in the Starlite Theatre for a 2 p.m. matinee in 2007.

    Moe Bandy has had 5 Gold Albums, 40 Top Ten Hits and 10 #1 Hits during his illustrious country music career. He has received awards for AMC Most Promising Male Vocalist of the Year, CMA Song of the Year, ACM Duet of the Year and ACM Video of the Year. Visitors will enjoy his famous hits including “Americana”, “Bandy the Rodeo Clown”, “It’s a Cheatin’ Situation”, “Just Good Ol’ Boys” and “Till I’m Too Old to Die Young”.

    Moe Bandy in Concert also includes one of the funniest guys in Branson, Mike Nichols. Mike will keep you laughing with the hilarious characters “Tater Chip Patches”, “Posture Pedic” and others in unbelievable, side-splitting impersonations.

    Starlite Entertainment had previously planned to combine Moe Bandy with The Country Tonite Show, but after hard work trying to combine the shows, it became clear that Moe Bandy in Concert is stellar on its’ own. “We will miss The Country Tonite Show,” said Chris Dodson, Starlite Entertainment Sales Manager, “they had a great 13 years, but change is sometimes inevitable”. We hope all the Country Tonite fans have a chance to bid farewell before it closes December 9, 2006.

    Moe Bandy in Concert will take advantage of the Starlite Theatre complex known for its unique atrium style lobby and state of the art sound and lighting. Lost in the Fifties with The Platters will continue at 10 a.m. and 7:30 p.m., Moe Bandy in Concert at 2:00 p.m. will open April 3, 2007. Call 417-337-9333 for information or reservations

  • Rockaway Beach gambles between choices, infighting and whining?

    The continual and seemingly never ending quest for a casino in Rockaway Beach is trying at best, disgusting at worst.

    The people of the state and community have spoken. We do NOT want gambling in Taney County and that is that. The proponents delight in deception and harping about job creation and revitalization is a weak case made poorly.

    Casinos do in FACT bring increases in family problems, financial problems and criminal involvement in a community.

    But rather than repeat all of the arguments of the past, one needs to ask the question that if they truly want revitalization and job growth, why is a casino the only way to do it? We hear nothing of an industrial development effort to bring in light industry or other significant non gambling attractions.

    In the last three years or so a gentleman from Hollister was interested in building a Winston Cup class, national class race track for the automotive sports. He was turned down by the City of Hollister I believe due to location and possible noise concerns of a couple of neighbors to his proposed location. The folks in Rockaway should have been on his doorstep to entice his plan to the Rockaway Beach area but we don’t hear of that either, do we? Such a development would have created untold spin off opportunities.

    But all we hear from Rockaway is more crowing about casinos. Maybe there is more than may meet the eye here. Maybe there IS a reason after all that the "developers" of the lake front shopping mall have purchased the Lake Queen paddle wheeler and have it mothballed for future use. Maybe the water on Taneycomo is navigable all the way from Branson to the proposed casino site. hmmmmm??????

    Rockaway Beach is not having problems because of Branson’s success but rather in spite of Bransons’ success. The city government and business leaders did not keep pace with the rest of this area and allowed the community to degrade. It is now time to grow up, solve your internal city government infighting and examine viable, well grounded growth solutions for your community. And please, quit the whining. [Tom, Branson]

  • NAMEgate Abuse Grows in Branson

    This editorial cartoon, by Branson’s favorite editorial cartoonist, illustrates the current situation where the City of Branson is trying to assert that it has a legitimate right to the service mark Branson after the term has been in the public domain for over 120 years. For an additional editorial perspective two recent editorials appearing in the Branson Daily Independent and on line in the Branson Courier entitled, “Give us a break, the City of Branson can keep the term ‘Dodink’ but leave ‘Branson’ alone, please!” and “Wouldn’t it be better for ‘Branson’ if the City of Branson changed its name to the ‘City of New Branson?’” might be helpful.

  • Rose Petal Ceremony honors women veterans

    Army nurse recently returned from Iraq guest speaker
    She was part of the last MASH Unit in the United States Army, is recently returned from Iraq and now stationed at Ft. Leonard Wood. 1st Lt. Laura Schlenker will share her experiences as part of the Army Nurse Corp at a Rose Petal Ceremony and Luncheon on Monday, Nov. 6, at 10:30 a.m. at the Settle Inn in Branson as part of Veterans Homecoming events sponsored by the Branson Veterans Task Force (BVTF).

    "The Rose Petal Ceremony is a moving tribute to all women who have given the ultimate sacrifice in service to their country. The Branson Veterans Task Force has as part of its mission to promote an environment of patriotic pride and dignity to recognize and honor our nation’s veterans and their families. As a division of the Task Force, the Women Veterans Committee is dedicated to being an avenue through which women veterans receive the long overdue recognition for their contributions and sacrifices to this nation. We are honored to have Lt. Schlenker as our guest for the Rose Petal Ceremony," said Mary Slivka, chairman of the Women Veterans Committee and a member of the BVTF Board of Directors.

    Schlenker is the assistant head nurse at Ft. Leonard Wood Army Community Hospital Emergency Department. She joined the Army Nurse Corps in 2004 as a certified emergency nurse with four years of emergency room experience. She holds a Bachelor of Science in Nursing with a minor in chemistry. Prior to joining the Army she had worked all over the country as a travel nurse and teaching at the University of Wisconsin. Soon after officer basic training she was stationed in Wuerzburg, Germany. Three months later she joined the 67th Combat Support Hospital in Mosul, Iraq for Operation Iraqi Freedom II. In January of ‘05 she returned to Germany to work in the Wuerzburg Army Community Hospital Emergency Department.

    Eight months later Schlenker went to Muzzafrabad, Pakistan, on a humanitarian mission in support of Operation Earthquake Relief where she worked in the Emergency Department of the last MASH Unit in the United States Army, the 212th MASH. In Pakistan the MASH saw and treated more than 300 earthquake victims a day. After four months Schlenker returned to the 67th in Germany and the MASH Unit returned home. Less than 90 days later, Schlenker moved to her assignment at Ft. Leonard Wood.

    "Lt. Schlenker will be a part of the Rose Petal Ceremony and speak at the luncheon. Women veterans, active duty service women and members of the community are invited to attend the event. It will be held at Settle Inn at 3050 Green Mountain Dr. and begin at 10:30 a.m. The ceremony is free. Lunch, for which reservations are required, will immediately follow the service at the hotel restaurant. To make reservations call me at 417-334- 4084 ext. 317," said Slivka.

    "This year, the service will be combined with the Two Bell Ceremony, a naval tribute, scheduled to be conducted by the Fleet Reserve of Springfield, Mo. The ceremony and luncheon are part of ‘Branson doesn’t forget’ the 13th annual Veterans Homecoming. For the third year the Task Force has set aside a day to recognize the contribution women veterans have made – Branson doesn’t forget women veterans," she said.

  • Combined Branson Junior High and High School Choirs Present “How Can I Keep from Singing Songs of Joy and Celebration?”

    Combined Junior & High School Choirs
    performing in the Finale.

    The educational opportunities available to students in the Branson School District, in the area of fine arts, was musically demonstrated in a dramatic and beautiful manner on the evening of October 17 as the Branson Junior High and Branson High School Music Departments combined to present a concert entitled “How Can I Keep From Singing Songs of Joy and Celebration?” The concert was presented in the Branson High School Theatre.

    The Branson Junior High Choir under the direction of Erika O’Bryant and accompanied by Ruth Abbott sang “Gifts of Life” by Brad Printz and “Love is a Song” by Natalie Sleeth. The choir was supplemented by their three A+ Mentors/Aides from the Branson High School Choir who have been working with them this year, Kim Herchenroeder, Austin Wilson, and Courtney Leist.

    The Branson High School Chamber Choir under the direction of Bob Abbott and accompanied by Margaret Erickson presented a program consisting of “Te Invocamus” by Johann Georg Albrechtsberger, “Stomp Your Foot!” From “The Tender Land” by Aaron Copeland, Theme from “New York, New York by John Kander with the arrangement by Philip Kern and a fun audience participation piece called “Football!” by Mignon Dobbins and Bayne Dobbins, complete with its own referees.

    One of the evening highlights was when the two choirs combined, under the direction of Bob Abbott to perform “The First Song of Isaiah” by Jack Noble White and “God Is Our Refuge” by Allen Pote. John Kerley and Kevin Fearn provided additional accompaniment on the trumpet.

    The evening’s finale was “When the Saints Go Marching In,” an American traditional song arranged by John Rutter presented by the combined choirs under the direction of Bob Abbott. The combined voices, piano accompaniment with instrumental support by Grant Maledy on the sax, John Kerley and Kevin Fearn on the trumpets, Carter Winn on trombone, Austin Wilson on bass and Ian Erickson on drums provided a spectacular end to a wonderful musical night as these young men and women shared their gifts and talents with the community.

    %%%%Members of Branson Junior and High School Choirs%% Musicality of the type demonstrated at the concert only happens through concerted effort and dedication. The members of the Branson Junior High and High School Chamber Choir are as follows:

    Junior High Choir

    Andrea Alexander
    Shayla Bales
    Tiffany Bright
    Kari Carmen
    Jessica Chinn
    Michael Cuthberson
    Megan Daly
    Madison Deputy
    Nicole Edens
    Kala Edmonds
    Jennifer Eggebrecht
    Taylor England
    Bre Ferrrell
    Michelle Gamez
    Alexis Gingell
    Tiffany Groman
    Skylar Hall
    Kristina Hector
    Ashley Henderson
    Katrina Johnson
    Judy Jordon
    Harlee King
    Samantha Knight
    Sydney Larkin
    Jenna Murphy
    Erikka Nielson
    Abraham Pascoe
    Brittany Ransom
    Nichelle Ross
    Kirsten Rydeen
    Lindsey Salinas
    Victoria Sanderson
    Judea Schwanke
    Ashley Scott
    Joseph Sharon
    Cecelia Shay
    Amber Smith
    Danielle Smith
    Ashley Stein
    Levi Sutton
    Lilian Toohey
    Ramsey Vaughan
    Ashley Warden
    Jessica Winger
    Skylar Wright

    High School Chamber Choir

    Kambria Arjes
    Austin Baker
    Brittany Barnhart
    Willie Bauer
    Megan Bergold
    Victoria Billington
    Kat Blasi
    Alyssa Boen
    Jake Brown
    Courtney Button
    Hunter Coldren
    Kyle Cravens
    Afton Cunningham
    Kaleigh Davis
    Ashley Dean
    Sara Dern
    Katie Edelheit
    Jordon Eldridge
    Cameron Emery
    Ericka Fetner
    Nicole Flannery
    Kym Forester
    Sarah Foster
    Bonnie Fredenburg
    Sara Freeman
    Kate Fulton
    Valentina Garvilova
    Brittany Genua
    Shane Gray
    Andrea Harding
    Jennifer Harding
    Kim Herchenroeder
    Patrick Hickerson
    Cyna Houseman
    Leslie Knight
    Aimee Lambeth
    Courtney Leist
    Amy Leverton
    Nicole Lindsey
    Vicky Love
    John Lowery
    Kristin Mackey
    Evan Marsh
    KatrinaMaxwell
    Jordon McNew
    Cassandra Mease
    Bly Miller
    Jessica Mink
    Jacqueline Parker
    Ryan Pratt
    Tierra Ragan
    Breana Reyes
    Alyssa Rice
    Tawy Robinson
    Ali Robison
    Erica Sanders
    Stephen Schaeperkoetter
    Ivory Scrivens
    Leilani Sees
    Daniel Seitz
    Taylor Seitz
    Callie St. George
    Tiffany Steen
    Mallory Strand
    Jade Sullivan
    Stephen Swenson
    Ethan Sykes
    Sara Thigpen
    Coy Dale Thomas
    Luke Treat
    Jordan VanHorn
    Guy Walker
    Claire Wheeler
    Tzeitel White
    Carter Winn
    Kayileigh Wirges
    Bri Woelick
    Jessy Zeppenfeldt

  • Silver Dollar City’s nationally “An Old Time Christmas” starts Nov. 4

    Holiday Light Parade

    It’s Christmastime throughout the City when Silver Dollar City presents one of the nation’s most spectacular holiday festivals, profiled as one of the top Christmas celebrations in the country by USA Today and People Magazine, spotlighted in the Wall Street Journal, and named the “USA’s Best Holiday Light Show” two years in a row by America’s Best Online. An Old Time Christmas, November 4 – December 30, features a dazzling Holiday Light Parade, a dramatic five-story Special Effects Christmas Tree, and one of the park’s biggest production shows ever, A Dickens’ Christmas Carol.

    During An Old Time Christmas, the theme park is transformed into an evening wonderland with over four million lights and 1,000 decorated Christmas trees. The colorful Holiday Light Parade, with musical floats covered in bright lights, winds through the streets of the City each evening. Lighting up the Square is the five-story Special Effects Christmas Tree, with over 250,000 lights blazing with the musical movements of Christmas songs.

    Silver Dollar City’s acclaimed production, A Dickens’ Christmas Carol, presents an all-new scene set inside a snow globe. This original musical adaptation of the famous classic by Charles Dickens features elaborate sets and stunning visual effects, with flying spirits, vanishing ghosts, revolving scenery and pyrotechnic special effects. The production showcases a talented cast of 14 actors, accompanied by a live band.

    Silver Dollar City aglow with millions of lights

    A returning favorite feature of the festival is a dramatic presentation of the
    Living Nativity, presenting an inspiring look at the story of the birth of Christ.

    The traditional lighting of the five-story Special Effects Christmas Tree takes place each evening at 5:30 p.m. on the Square. Silver Dollar City’s unique creation, the Special Effects Christmas Tree presents classics such as “Carol of the Bells” and Handel’s “Hallelujah Chorus” in a spectacular light and sound show. Performances begin with the tree-lighting ceremony and continue every 15 minutes until park closing.

    The tastes of the season are in abundance throughout the park, from a Prime Rib Buffet at the Mill Restaurant to traditional favorites such as Turkey and Gravy with Cran-Apple Raisin Dressing. Festive holiday treats include old-fashioned Chocolate and Marshmallow S’Mores, Gingerbread Cookies, Apple Dumplings, Hot Wassail, Cappucino and creamy Hot Chocolate.

    Holiday shows include Cedric Benoit and the Cajun Connection performing in a Cajun-style holiday show, and the rollicking Christmas comedy “Frontier Fa-la-la- Follies” in the Silver Dollar Saloon. The Cumberland Quartet with Tracy Heaston returns in “A Christmas Homecoming.”

    Especially for kids, Tinker, the 17-foot Talking Christmas Tree talks, sings and interacts with kids. Santa himself is available to hear requests, and kids can make ornaments, create Christmas cards and decorate Christmas cookies. Guests are invited to join in the singing of Christmas carols at the historic Wilderness Church and ride the Silver Dollar Sing-Along Steam Train.

    During An Old Time Christmas, Silver Dollar City is open Wednesdays through Sundays through December 3, 1:00 p.m. to 9:00 p.m., and Saturdays, noon to 10:00 p.m. The park is also open on Thanksgiving Day, Nov. 23, from 4:00 p.m. to 10:00 p.m. and on November 24, noon to 10:00 p.m. The park is open Thursdays through Sundays December 7 – 23, closed December 24-25 and open December 26-30, 1:00 p.m. to 9:00 p.m., and Saturdays, noon to 10:00 p.m. For ticket information and schedules, call 1-800-831-4FUN. Information and tickets are also available through the web site at www.silverdollarcity.com.

  • Indian Point’s Enchanted Forest features the “Freedom Tree”

    60,0000 red, white and blue lights adorn
    the Enchanted Forest’s "Freedom Tree."

    Beginning in the 1980’s, Indian Point’s Enchanted Forest was the first drive-through holiday light display in the Branson/Lakes Area. Today, it is the only one that remains free to the public. In the early years, the display included only ground-mounted colored spotlights shining up into the trees. This year, the mile-long drive has hundreds of thousands of lights including tunnels, whimsical animated woodland creatures and a few new surprises.

    The focal point is the now famous “Freedom Tree”. Just after the 9-11 terrorist attacks occurred, the volunteers decorating a crooked old Osage orange tree decided to wrap it in red, white and blue lights to express the Village’s patriotism and support for the country. A picture of the tree was put on the Indian Point Chamber of Commerce’s web site (www.indianpointchamber.com) and positive comments were received from across the nation and several foreign countries. The tradition continues this year as the tree’s 60,000 plus red, white and blue lights send forth visual support of our troops abroad and emergency workers here at home. An estimated hundred thousand people came to see the lights last year and this year promises to be even bigger and better.

    This annual event is not a commercial enterprise however donations are gratefully accepted. The Forest is the annual “Christmas Card” from the Village (the largest resort area on Table Rock Lake) to the residents and visitors to this area. It is a partnership of the Village, the Indian Point Chamber of Commerce, the U.S. Army Corps of Engineers and the many volunteers, without whose help the event would not be possible.

    The Enchanted Forest is located three miles south of Highway 76 on Indian Point Road (the entrance to the Silver Dollar City Theme Park) between Branson and Branson West. It will be open from dusk until midnight each evening from Nov. 11 through January 1.

    For further information, visit the Indian Point Chamber of Commerce’s web site or call 800-888-3313.

  • Branson Historic District has free trolley system to and from Branson Landing

    The Downtown Branson Main Street Association, DBMA, is starting a free trolley service between the City of Branson’s Historic District and Branson Landing on October 20. In a recent email, Gayla Roten, the Executive Director, of DBMA said, “The purpose is to encourage all visitors downtown, including Branson Landing visitors, to also visit the Historic District. The need is to create walkable and seamless districts without the diversion of the incline of the hills we have downtown.” Roten continued, “We are truly excited about offering this service and experience to Branson residents and guests.”

    Roten pointed out that the trolleys will operate daily from 8.00 a.m. to 7:00 p.m. and that there will be two stops in the Historic District, one at Main and Commercial and the second at College and Commercial. There will also be two curb stops at Branson Landing, Bass Pro Shops at the south end of the Landing and Belks at the north end. The trolleys are enclosed and have heating and air conditioning and will operate at a frequency of about every 10 to 15 minutes.

    Passengers parking in the Historic District and taking the trolleys down to Branson Landing should be aware of the fact that there is a two hour parking limit in most of the Historic District and plan accordingly. The better option would be to park at Branson Landing and take the trolley up the hill to the Historic District.

    The revised expected starting date is October 23, 2006. For further information call the Downtown Branson Main Street Association at 417-334-1548.

  • A “Git R Done” interview with the “All American Bluegrass Girl,” Rhonda Vincent

    Rhonda Vincent during her first performance
    at Silver Dollar City’s 2006 Festival of
    American Music & Crafts.

    Hundreds of outstanding musicians are appearing as part of Silver Dollar City’s traditional fall Festival of American Music & Crafts, Sep. 14 – Oct. 28, 2006. One of those musicians is the lady some call “the queen of modern bluegrass” and the winner of the International Bluegrass Music Association’s Female Vocalist of the Year for the last seven consecutive years, Rhonda Vincent.

    Although she had a harried schedule because it was her first day performing at the festival she not only made time for an interview but was very gracious and forthcoming during the interview. In all honesty, it was like talking with a friend for a few moments.

    When asked, “If this was your last performance what one song that you have written and/or performed would you want Rhonda Vincent to be remembered by and why?” Without hesitation she replied, “Is the Grass Any Bluer on the Other Side,’ because it is a tribute to Bill Monroe the father of bluegrass.” Then, in an almost reverent tone she continued, “The song asks ‘so tell me Bill, is the grass any bluer on the other side?’”

    Research on that song revealed that the line previous to the one she quoted says, “The music from your mandolin, spread like wildfire in the wind, And echoed through the hollows and the hills, [so tell me Bill, Is the grass any bluer on the other side?”] Interestingly, although Rhonda plays different instruments well, by far the one she is the most noted for is the mandolin.

    A recent news article said, “The queen of modern bluegrass is a traditionalist named Rhonda Vincent.” When asked “What one number in today’s show best demonstrates the traditional aspects of bluegrass music and how does it do it?” Vincent replied, “Quite possibly the song “All American Blue Grass Girl” because it has a Jimmy Martin feel and he was considered the king of bluegrass. The song is the title track of Rhonda Vincent’s new album “All American Bluegrass Girl” and was written with her life in mind as a kind of musical autobiography about her life.

    In discussing the “All American Bluegrass Girl,” her newest album, Rhonda said, “Collectively that whole project describes the style of music and the whole collaboration that we have.” She pointed out that she grew up in a musical family, that her brother and she have been producing music together for a long time, and that although recording technology changes, what has to be done to make a successful record has not. You start with the best songs, music and musicians possible, add your own distinctive style, and present it in a way that pleases your audience. [Author’s note: Since the interview Rhonda Vincent’s newest album entitled “Beautiful Star –A Christmas Collection” has been released.]

    %%%%Rhonda Vincent- "Git R Done and The Rage%%

    Rhonda Vincent and The Rage, left to right
    banjo player Kenny Ingram, Rhonda, fiddler
    Hunter Berry, ,bassist Mickey Harris and
    guitarist/mandolinist Josh Williams.

    Originally Published In the Branson Courier on Oct. 2023, 2006.

    In researching for the interview there was a news story that quoted Vincent as saying, “If something needs to be done, do it.” When I first read that it reminded me of Larry the Cable Guy’s “Git R Done.” I shared that with her and asked, “Was there a turning point in either your career or music where something needed to be done and you had to do it?”

    She smiled, kind of nodded her head in agreement, and said, “Git R Done, that’s exactly right but there was no big moment or turning point. It’s a day to day reality thing. If it needs to be done just do it” She applied it to the circumstances of traveling together with her band in a bus and said, “I can’t ask these guys to do anything that I’m not willing to do myself. If I expect them to take out the trash or set up the merch [cds, pictures, etc. they have available for sale after each performance] then I have to be willing to do that too.”

    Rhonda continued by pointing out that it’s an expectation and a respect for yourself and others that enables you to approach tasks with a willingness to do them. As she put it, “Instead of I don’t want to do this, let me do this.”

    A news account of Rhonda’s band “The Rage” said that it “is now considered among bluegrass music’s most impressive ensembles.” When asked “What is it about them that most impresses you?” Vincent replied, with obvious affection and pride, “My goal when I first started the band ten years ago was to put together the ultimate group. First of all you want great musicians who are incredibly talented on their instruments but it goes beyond that. I have great musicians who are great people and everybody shares the camaraderie of each other. To me it’s that unique combination of everything together that makes it a magical unit.”

    The performance that I had just seen and heard was testimony to just how magical. As to be expected from a band with this reputation, the musicianship of each member, fiddler Hunter Berry, banjo player Kenny Ingram, bassist Mickey Harris and guitarist/mandolinist Josh Williams was flawless. Yet, it was the way that individual musicianship was combined with their ability to interact with their audience, each other and Rhonda and she with them that resulted in a very special entertainment experience that was over too quickly.

    As the time for her next performance drew near I asked, “What one thing do you want people who attend your show to remember most when they leave?” Without hesitation she replied, “You hope that each song will touch someone and make a difference in their life. You want them to take something that is going to touch them and that they can carry with them.”

    Authors note: Rhonda Vincent is scheduled to be back at Silver Dollar City, May 15-16, 2007, for Silver Dollar City’s “Bluegrass and BBQ Festival.” As part of her current 2006 tour she will be appearing at Remington’s in Springfield, MO on November 12. For the remainder of her 2006 schedule and 2007 schedule click here.

  • Branson’s 13th Veterans Homecoming Nov. 5 – 11

    More than 50,000 veterans and their families are expected to attend the nation’s largest Veterans Day event to be held Nov. 5-11 in Branson, Mo.

    With the theme of ‘Branson doesn’t forget’ the 13th annual Veterans Homecoming includes a record-breaking list of new and free events. Attending will be many dignitaries and distinguished guests among them former POWs from World War II and the Korean War, a former member of the Ugly Angel Squadron in Vietnam, Tuskegee Airmen and a representative of the Army Nurse Corp recently returned from Iraq. Celebrities making special appearances include Pat Boone, Moe Bandy, Barbara Fairchild and Lee Greenwood.

    Sponsored by the non-profit group Branson Veterans Task Force, Veterans Homecoming is a tribute to all veterans and active military and those who support them. A committee of volunteers headed by Steve Weyher and Marlyce Stockinger, both Task Force board members, developed the theme and selected the colors of navy and orange. They have organized events to emphasize support of soldiers who are located in all parts of the world, especially the Middle East, and the veterans before them.

    "Special guests who will be sharing the week’s events with us are Billy Templeton, a POW captured by the Japanese and a survivor of the Bataan Death March who did slave labor for three years at Mukden, Manchuria and Ed Slater, a POW captured by the Koreans and a survivor of the Sunchon Tunnel Massacre. Tuskegee Airmen Harvey Bayless and Judge Robert Decatur will also join us during the week. We are honored that these and others will be here in Branson with us," said Stockinger.

    Among the new events are a troop ship, a troop train, a day room, a red, white and blue style show, a Branson Doesn’t Forget Ball and a USO-style big band dance. Free events include the Branson Veterans Task Force Tactical Operations Center (TOC) Headquarters and Vendor Village at Celebration City Convention Hall where an All-American lunch will be served 11:30 a.m.-1 p.m. free to veterans and active duty personnel Monday through Friday. Also new and free at the Factory Merchants Mall are flag raising ceremonies, Reveille at 7 a.m. and Retreat at 5 p.m. Monday through Friday.

    The new Day Room is also free with refreshments and snacks available and is a place to relax, visit, share stories with buddies or bring acoustic instruments to jam, according to Stockinger who said, "You never know who or what entertainers might show up to play, jam or just to visit."

    Among other free events are the Vietnam Traveling Wall, Veterans Patch Wall, Hall of Heroes and church services. Events also include the annual Korean War Veterans Association Mini-Reunion, a blood drive, the Red, White and Blue Style Show that will feature veterans and family members in their patriotic colors, the second annual Candlelight Military Memorial Service for all military and guests, the annual Gold Star and Blue Star Mother’s Brunch and the annual Honor and Integrity Luncheon honoring youth military groups.

    The Veterans Registry and participating in the Veterans History Project are optional and free and an important part of the week. The Veterans History Project is sponsored by the Branson Veterans Task Force, as a partner with the Library of Congress American Folklife Center. The personal stories of veterans of all branches and all eras are videotaped free of charge for future generations. The Veterans Registry is a continuing project the BVTF where veterans may register for free and may conduct buddy searches among the 60,000 plus database.

    The week officially begins on Nov. 5 with a church service honoring at Hamner/Barber Theater formerly the Braschler Theater at 10 a.m. followed by opening ceremonies at 2 p.m. at the White House Theater. Hosted by Branson celebrity Dalena Ditto, the line-up includes Ft. Leonard Wood’s U.S. Army Band and special guest appearances by Greenwood and Bandy.

    Nov. 6, is highlighted by the Woman’s Veterans Rose Petal Ceremony and Luncheon where each branch of service and the women who have served and given their lives for their country will be remembered. From Ft. Leonard Wood, Mo., 1st Lt. Laura Schlenker, who recently returned from deployment to Iraq, will represent the Army Nurse Corp as the guest speaker.

    Veterans Day, Saturday, Nov. 11, at 11 a.m. the 72nd annual Veterans Day Parade sponsored by American Legion Post #220 will go through downtown Branson. At 3 p.m. closing ceremonies will be held at the White House Theater featuring Barbara Fairchild’s salute to "Branson Doesn’t Forget" with her wonderful style of love for veterans, God and Country. Closing ceremonies will include a premier by Boone of his new song For My Country: Ballad of the National Guard. To be released in November, Boone featuring the singing group Valor pays tribute to the United States National Guard and the nation’s troops in this moving music video that also includes touching interviews with brave soldiers overseas and families back home. Sales proceeds will go to Paralyzed Veterans of America, an organization that assists veterans of the armed forces who have experienced spinal cord injury or dysfunction.

    Veterans Day and the week come to a close with the "Branson Doesn’t Forget" Ball with dinner, entertainment and dancing with Les Brown and the All Stars. The ball is in honor of Pat Boone, American Legion Post # 220 and the College of the Ozarks plus other special guests, according to organizer Weyher.

    During closing ceremonies the recipient of the 2006 Veteran of the Year Eagle Award sponsored by the BVTF and The Avenue of Freedom LLC will be announced. The recipient will be honored at the "Branson Doesn’t Forget" Ball. The Avenue of Freedom LLC has created the Eagle Award as a way to honor veterans (active or retired military) in Stone and Taney counties.

    Many Branson performers, theaters and attractions offer special events, free admissions to veterans and or special pricing in honor of the special week. For instance at the Titanic Museum America’s veterans will receive a Heroes Honor on Nov. 8 and internationally-known illusionist Justin Flom will admit veterans and active military free to his show Nov. 7-10 at 7:30 p.m. where he will pay tribute to veterans and active military by presenting each with a special lapel pin and present a special military tribute illusion by special permission of the U.S. Army.

    The Branson Veterans Task Force works to promote an environment of patriotic pride and dignity to recognize and honor the Nation’s veterans and their families. For more information call 417-337-VETS.

    "Because the schedule of events for an event of this magnitude often changes, be sure to go to bransonveterans.com for updates," said Weyher.

  • Branson’s Lowe Family is not just another family variety show

    The Lowe Family

    Lots of families in Branson have great family shows, each with their own unique talents, however, the Lowe family presents to the audience, a group of classically trained, multitalented singers, dancers and instrumentalists that are way above and beyond the norm. This family performance is one to see. The entertainers consist of mom LeeAndra, dad Robert, son Doug, and daughters Korinne, Kami, Kayli and Kara. Two other daughters, Kendra and Keisha are not performing currently in the show, but both have the same disciplined musical background and Kendra helps Doug with the musical arrangements.

    The family starts out with a contemporary song and dance routine to "On A Wonderful Day Like Today," dad, Robert plays “Hello Dolly” on the trumpet and from there the show continues with a violin and xylophone duet of "Flight of the Bumblebee." Throughout the show, the types of music range from contemporary to bluegrass to musicals to classical, while the dancing goes from jiving to salsa to ballroom to Irish clogging.

    The family pays tribute to their family tradition and roots from Wales and Ireland, by doing authentic dances, singing authentic songs, and playing authentic instruments and music from both countries. One section of the show is dedicated to playing and singing music from "The Phantom of the Opera" and "Les Miserables." In a classical section of the show, while all of the family participates with tremendous talent, Korinne Hamblin, oldest daughter of the performing group and Doug Lowe, the only son, showcase their musical training while performing on the violin and grand piano respectively. Either of these two could perform as solo artists.

    That does not mean that the others aren’t extremely talented as well, as shown by the audience response throughout the whole performance. During one section, Doug, Kayli, Kara and Kami split into pairs and play duets on two different grand pianos, together. During another section, all the girls show that they can play violins well while having fun—playing their own plus each other’s instruments. Throughout the show, they trade off playing drums, xylophone, violins, piano, electronic keyboards, bass fiddle, and other instruments. Doug even plays Amazing Grace on the bag pipes. Mom, LeeAndra, Korinne and Kara perform a clever skit called "Channel Flipping" representing what you could have heard (before remotes) by flipping channels during commercials.

    At the end of the show, the Lowe family pays tribute to America’s heroes, the veterans, widows and children of veterans. Robert Lowe (dad) plays "Taps," as they show a video of important moments in American history on the big screen. They also perform the songs "America," "Dixie," and "God Bless America," and in an unusual but extremely moving display, bring out all twenty-seven flags that have flown over our country during its history. Finally, the Lowe family ends the show with a fitting rendition of "When There’s Love At Home."

    If you are interested in seeing the Lowe family perform, or would like more information, please call the Welk Resort Theatre at 337-7469.

  • Bigger was better for Lake Taneycomo today

    Gary’s Big Four

    For the past month or so I have let the Lake Taneycomo Fishing Report Slide while we worked on the update of the Branson Courier web site. That is done now so there will be, hopefully, a lot more fishing.

    I went fishing with my good friend Howard this morning. The company was great but it was about 37 degrees and windy. Boy did my fingers get frozen and stiff. But the good news was the water was a tad choppy and that gave the jig a lovely action.

    We both had the best luck using the 100th ounce olive green Bassnapper Jig from Gary’ Big Four. I caught one small Rainbow on a 100th ounce River Run Peach Furbug but the lure of the day was olive green jig and even that was relative. Between us we only caught about 10 fish in an hour and a half, picked and rolled about three and missed about 10 hits. The biggest was about a 15-17 inch Brown. We fished between 0730 and 0900 down the east bank starting a Point Lookout and were fishing 6x Orvis Mirage tippet at a depth of about four to five feet.

    I was kind of surprised they were hitting the big stuff because that hasn’t been the case lately. It seems that small was better. Not today but then that’s what makes it fishing.

    Other Lake Taneycomo Fishing Reports


    River Run Outfitters
    – For their latest fishing report click here.
    Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
    Lilly’s Landing – For the latest fishing report click here.
    Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
    Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

    Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

    Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

    General Information on Lake Taneycomo

    Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

    Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

    History of Lake Taneycomo – .

    More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

    Other Lake Taneycomo Fishing Reports


    River Run Outfitters
    – For their latest fishing report click here.
    Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
    Lilly’s Landing – For the latest fishing report click here.
    Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
    Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

    Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

    Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

    General Information on Lake Taneycomo

    Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

    Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

    History of Lake Taneycomo – .

    More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

  • Wouldn’t it be better for “Branson” if the City of Branson changed its name to the “City of New Branson?

    At the October 10 meeting of Branson’s board of aldermen, Alderman Ron Huff read a statement about the City of Branson’s September 15th letter to the Branson Sports Club demanding that it take the word “Branson” out of its name because the City of Branson allegedly has the legal control of that term. One can only wonder and ponder how “Branson” ever got from its meager beginnings at Marble Cave in the late 1800s to the seven million plus visitors it had in 2005 without the City of Branson.

    But not to worry, the City of Branson is here now to take control of the term “Branson.” This, in spite of the fact that the term “Branson” is, and has been, an economic development tool, in the public domain, that has been used by the entire “Branson” area for over 120 years. Is it not “Branson” that has made the City of Branson relevant?

    Huff wondered whether or not those concerned about the actions that the City of Branson was taking against the Branson Sports Club would have been as concerned if, instead, the business had been named “Branson Exotic Dancers.” To an Ole Seagull that was an onerous Freudian slip evidencing the value system, he believes, is employed by the majority of the City of Branson’s elected leaders and its highest ranked unelected official.

    Let’s not respond to the right or wrong or reality of the actions that the City of Branson took against a local business and the public embarrassment that those actions caused. Instead let’s attack those who dare to question those having the responsibility for what happened. A responsibility that, in the opinion of an Ole Seagull, rests solely with the City of Branson’s elected leadership and their failure to control the actions of the city’s highest ranked unelected official, city administrator Terry Dody and hold him accountable for what happens on “his watch.”

    Was it an Ole Seagull or the media that sent the September 15, letter to the Branson Sports Club or was it the City of Branson? A letter that most reasonable people would say appears to be designed and created to give the clear impression that because the City of Branson “owns the federally registered service mark BRANSON, MISSOURI (and design) Reg. No. 2,594,679 for use with municipal services” that it also had the right to prohibit or control the use of the word “Branson.” Incredibly, the words “Branson, Missouri” were specifically disclaimed in very registration cited in the letter.

    The letter demanded that the Branson Sports Club formally change the name of their business to delete all references to “Branson.” It accused them, of among other things, deceptive trade practices, trademark infringement and false designation of geographic origin under various cited provisions of the federal “Lanham Act,” merely because the term “Branson” was used in their business name. Some people, an Ole Seagull included, might get the impression that the letter reeks with the stench of attempted intimidation and coercion but then, one person’s stench is another’s perfume.

    Speaking of stench, recent news reports indicate that City of Branson officials announced that they were dropping the demand that the Branson Sports Club remove the word “Branson” from its name. The reports indicate that, according to city administrator Terry Dody, the city has recently determined that they had the name registered with the Missouri’s Secretary of State longer than 24 months which is beyond the period the city is going to enforce its alleged right to the term “Branson.”

    Please, give an Ole Seagull a break! Can any reasonable person doubt, that prior to sending out the September 15, 2006 letter, that the City of Branson either knew or should have known that the Branson Sports Club Inc. had been in business since April 9, 2003? Isn’t it basic Research 101 stuff? Is there any reason to believe that the city’s research in other areas has been any better? If the answer is “No” what does that bode for the City of Branson’s future?

    To an Ole Seagull, it bodes about the same thing as being down wind and close to the tail end of an agitated skunk as it raises its tail, very little good for anyone except, possibly, the skunk. One could wonder if it would be better for the “Branson” that seven million visitors came to visit in 2005 if the “City of Branson” would change its name to the “City of New Branson” and leave “Branson” alone.

  • Mea culpa, couldn’t a 25 story skyscraper symbolize the experience and expectation that is “Branson?”

    In his Sep. 24 column entitled, “At least ten things that the Ole Seagull is positive about,” the Ole Seagull said, “He is positive that if people don’t turn out for the Branson Board of Aldermen’s meeting at 7:00 p.m. on Monday, Sep. 25, and express their opinion, that the board will act on the planning and zoning changes for the erection of a 300 foot, 25 story cement and glass symbol to the New Branson, located at the very gateway to Branson, without their opinion being heard.”

    The column continued, “He is positive that some believe it is ‘an affront to anyone with respect for the land,’ that it is not consistent with ‘maintaining the quality and beauty of our areas landscape,’ or the ‘natural beauty of this area’ that is so ‘extremely important to our tourists and residents and must be protected if we are to continue to be a top tourist destination.’” He should have stopped there but, he didn’t. He went on to state that “He is positive that he agrees with those statements.”

    Mea culpa, subsequent events have convinced the Ole Seagull that he was wrong. “Mayor Lou” was closer to being right than he was when he said that if it was up to him that he’d build it 35 stories high instead of the 12 stories that the Branson Board of Aldermen compromised on.

    At that meeting, one of the very first things pointed out by Mr. Rick Huffman, the CEO of HCW, one of the projects developers, was that there would be no TIF or other public funds requested by the developers for the project. That’s right folks, all their own money with no government subsidy! Now there’s a refreshing difference between this and most other “New Branson” projects. Isn’t that the way Old Branson grew and prospered, individual investment, effort, and risk?

    When the issue of fire safety was raised, Branson Fire Chief, Carl Sparks, addressed the question in a professional manner that left no doubt in this Ole Seagull’s mind that fire safety would not be an issue because of the buildings height. Branson is blessed with a great fire department and personnel who are constantly training for the changing environments that they might encounter. A high-rise over ten stories is just one other situation that they will train for and handle in the same professional manner they would handle any other situation. When that factor is coupled with the increased fire safety building requirements for high-rises, where’s a legitimate concern?

    By far, the biggest concerns related to the effect of the development blocking the view, effecting our natural beauty and the land, and the initial impression that people would get as they came into Branson. Things really fell into perspective when, while sitting at River Run Outfitters drinking coffee, a fellow fly fisher, local businessman, entrepreneur, and restaurateur, laughingly, asked two simple questions, “What view?” and “What first impression do people get now as they drive into Branson?”

    As one drives into Branson from the north they get quick glimpses of the Branson Tourism Center and Branson One Stop. Of course that’s only after getting an eyeful of the Home Depot, perched high a top the nakedness of the Branson Hills “rock pile.” What’s the next thing they see? Is it not a big head with a funny fur cap on it at the north end of Yakov’s Theatre? One can only wonder how many drive by each day and think “What a view!”

    Exactly what view or Ozark beauty will the project be blocking that the current development on the property is not currently blocking? From what an Ole Seagull has seen, especially while driving in from the north, not much.

    In terms of its effect on, or respect for, the land; is the development being developed on virgin Ozark hills and woodlands or is it being built by replacing the asphalt, cement, and development that has already taken place? Even a cursory drive by the site will show the obvious.

    As to the first impression on visitors, is it not just possible that, while serving as the “25 story cement and glass symbol to the New Branson,” the building could also generate excitement and symbolize the constantly evolving entertainment experience and expectation that has come to be known as “Branson?”

    Some might ask, “Why bring it up, isn’t it a done deal at 12 stories?” Sure it is and what are the odds that Rockaway Beach will have casino gambling approved in 2008.

  • The Promise Returns To Branson- A Review

    Many will remember one of the most popular shows in Branson. The Promise had a long and successful run in town. Personally I was very sad to see it close a couple years ago. When I discovered rumors on www.1Branson.com that it might be one of the new productions for 2006, I had to do some investigating.

    Sure enough the musical production was headed back to Branson. It was slated to replace Joseph and the Amazing Technicolor Dream Coat at the Mansion America Theatre. The show was not up and running when I was in Branson for my first trip of the season. However, when we made it back in mid May (2006) it was off to a great start.

    I had the opportunity to see The Promise several times when it was in Branson on it’s last run, so I knew what to expect. But let’s face it, most people who come to Branson on vacation are at least familiar with the story, whether they know it or not. We are in the Bible belt and The Promise unashamedly recreates some of the powerful events in the life of Jesus Christ.

    Even though I had seen the show before, I was in for an afternoon filled with real surprises. Though the story is the same, this production is very different from the one in Branson several years ago. I loved the previous production. I would have described it with words like pageantry and extravagant. Though the production value of this show is just as big, I felt that there was less spectacle. Yet it was a more powerful and moving experience.

    Each scene seemed well thought out and played an integral role in telling the story of Jesus’ life. Of course the whole thing starts with the birth of the baby Jesus complete with angels and live animals. This scene really sets the stage for the powerful drama to come.

    Next we skipped to a scene where the wild and untamed man, that is John the Baptist, was going about his work of baptizing those that chose to follow the ways of the Lord. The culmination came when Jesus entered through the audience to be baptized. Tears welled up inside of me several times that afternoon. This powerful foreshadowing of Jesus’ death, burial and resurrection was the first of many tears.

    Much time and detail was spent on the call of the 12 closest to Jesus. The audience was able to look into the eyes of those men and see why they would just leave everything to follow this great leader.

    One of my favorite scenes of the production included Jesus and his disciples as they traveled the rough sea. With just his voice the violent sea settled, and the goose bumps on my arm flared to attention as they sang about the power of Jesus. Another miracle was the raising of Lazarus from the dead. The anguish and desperation in Mary and Martha’s voice was easy to identify. You could even see that Jesus was heartbroken by their loss. But tears in my own eyes clouded my view as Jesus called his friend out of the tomb, where he had been for several days.

    %%%%The Promise: Part 2%% The story continues to unfold in the second half and culminates with the trial, death and resurrection of Jesus. The scorn in the voice of the Pharisees as they sent him to this death made my blood boil.
    Though it had been a few years since I had seen the Promise, I had fresh images in my mind about the crucifixion from the motion picture The Passion of the Christ. I prepared myself for what I might soon witness. Thankfully, the producers of this production were sensitive to the varied ages of those in the audience. While the crucifixion was very powerful and moving, it was not especially gruesome or drug out. They made the point very clear without upsetting anyone.

    Finally the most powerful images of the production came at the resurrection. I can still see the Jesus character as he powerfully ascended to heaven.
    This production of The Promise is so moving. Christians will leave with a newfound revitalization of their spirit. Nonbelievers who are fortunate enough to see it will find themselves staring into the face with a decision that offers hope for their future.

    To change the tone of this review a bit, let’s discuss the theatre. Traveling with a baby has made attending shows more difficult for my family. I prefer to sit near the front, but often the music is so loud that Jaron gets upset or scared. I knew that the Mansion America Theatre was one of the largest venues in Branson. So I felt confident that we would be able to find great seats where Jaron would not distract others and we could also protect his ears. There were about 125 people at the show that afternoon so we did decide to sit at the back of the front section. I would say that we were at least 20 rows back, but I still felt like we had great seats. Other than not having a lot of extra leg room, we thought our seats were perfect.

    If you get to the theatre a little early, they do have an exhibit in the front lobby that features the camel that you will see in the show. The entire cast also greets you in the lobby as you leave. This offers a great opportunity to meet the cast and see the costumes up close.

    As I prepare to close. I hope that you can read from the passion in my words that I think that this is a phenomenal production. I was touched by the powerful performances of the actors on stage. They gave such heart to the roles. I think this show offers what no show in Branson does. You truly get a fresh take on this timeless story that can change your life forever. If you will you let it.

    The Promise is performed at the Mansion America Theatre. The theatre is a little hard to find. Take the Gretna Rd exit off Hwy 76 and follow it all the way to the corner of Gretna and Hwy 248. The show is performed Monday through Saturday in the 3:00 p.m. time slot throughout the season. For more information visit www.mansionamerica.com or to reserve tickets or check the show schedule call the theatre at (417) 239-1333. Tell them that Heath from the 1Branson sent you.

  • Pam Tillis: A Family Legacy

    Pam Tillis did not disappoint with her very
    entertaining show at the Welk Resort Theatre.

    I recently had the honor of attending a performance by Pam Tillis at the Welk Resort Theatre. This would be my first time seeing her give a solo performance with her own band. My anticipation of a great evening was imminent.

    As I entered the doors of the Welk Resort Theatre I headed straight to the ticket counter to pick up my ticket. There was some mix up in my reservation but everyone involved handled the matter in the utmost professional manner and I left the counter with nothing but gratitude for the impeccable staff at the theater. With the few minutes I had before show time, I explored the theatre lobby a little bit. The lobby itself is very open and spacious. It would be very easy to sneak away with your friends and have some private time without worrying whether you are disturbing the person next to you. The spaciousness is something that is very important to me. I almost feel claustrophobic in some lobbies waiting for a show to begin with everyone crowded around me. The theatre is named after the famed bandleader, Lawrence Welk. In addition to Welk related productions, the theater hosts a plethora (don’t you just love that word J) of other entertainers as well. Some of the entertainers even have displays set up in the lobby to let you know more about who they are incase you didn’t already know. One interesting treasure that I found was Lawrence Welk’s personal golf cart that is on display in the lobby (Tidbit: The golf cart is tucked away under the stairs, you will have to look for it).

    Carrie Tillis shows off her amazing vocal talents with a rendition of "HIs Eye Is On The Sparrow"
    Carrie Tillis shows off her incredible vocal talents
    with a rendition of "HIs Eye Is On The Sparrow"

    The time had come to make my way into the theatre for the big show. Upon entering the theater guests are treated to a sampling of music by Pam Tillis while images of her are displayed on screens located on opposite sides of the theater. I must admit that I’ve seen Pam Tillis a few times before but it had always been with her famous dad, Mel Tillis, and his band. This time I wanted to see just how Pam throws it down in her very own production. I was not to be disappointed because the show not only gave me more insight into the talent of Pam Tillis herself but also into the talent of others in the Tillis clan. Pam was joined on stage by her brother, Mel Tillis Jr. (MJ), and her sister, Carrie Tillis. If Mel ever decides to step away from the spotlight, rest assured these ‘younguns’ would make sure and carry on the Tillis family name.

    %%%%Pam, Carrie, & M.J. Tillis Perform%%

    Tillis siblings Mel Jr., Pam and Carrie deliver
    their version of "Uncle Penn".

    We all know that Pam sings primarily country music while infusing soulful, jazzy licks into her songs but what about her brother and sister? MJ is a singer and songwriter in his own right. He even worked with the "material girl" herself, Madonna. His singing style is very reminiscent to his father’s. You can definitely tell they are related. He’s written several songs for many artists including, Jamie O’Neal’s "When I Think About Angels", which he performed in the show. Carrie on the opposite end of the spectrum is now living in New York City and pursuing an acting career. In addition to acting she is also trained in the singing art of Opera. She displays her magnificent ability to the songs, "His Eye Is On The Sparrow", and to an aria set to Beethoven’s "Moonlight Sonata".

    I’ve seen Carrie perform many times and this was the first time for me to see her really show off her operatic devices. Bravo! Other standout moments for me from this show included the trio made up of Pam, MJ, and Carrie singing, "Uncle Penn", Pam’s funky rendition of, "Ring Of Fire", complete with an equally funky banjo accompaniment.(Pretty fly for a white girl, LOL!), Comedy erupted in this show when Pam and her female back up singers get together around a campfire to discuss every ladies favorite topic, MEN. While performing "Cleopatra, Queen Of Denial", Pam enlisted the help of the male ushers to "shake their groove thang’" or lack thereof, LOL!

    Pam Tillis Performs in Branson MO
    Pam brings the male ushers on stage
    to "shake their groove thang’"

    My favorite Pam Tillis songs are her ballads where she pierces even the darkest of hearts with her angelic vocals. The fashion show she gives her audience is definitely not one to miss. (Eat your heart out Paris Hilton–Ha!) One final thing that really made the night special for me was the fact that she took the time to arrange some of her familiar songs differently so that she could insure giving her audiences something extra special when they come to see her. When you go see some artists’ perform you might as well stay at home and listen to their CD because you will be getting a note for note repeat performance. This CANNOT be said of Pam Tillis.

    If you are ever out and about and happen to have the great fortune of seeing any of these fine performers, make certain to go and see them and support the Tillis family legacy. You’ll be glad that you did.
    Tidbit: Hang around after the show and Pam will come out and sign autographs for her fans.

    Editors Note: October 10, 2006, Pam Tillis is currently in Branson appearing with Larry Gatlin and the Gatlin Brothers until October 20.

  • We are the “New “Hillbilly”

    Generations removed from our original Ozarkian immigrant ancestors, we didn’t necessarily grow up in a log cabin or attend school in a one-room school building (although some of our school districts weren’t much bigger). Most of our roads were paved, and some even had the curves taken out and, except during ice and other storms most of us don’t remember going without electricity. Water wasn’t gathered at the creek for drinking, but was drawn from wells found by "water witches."

    Some of us only spent summer vacations and Christmas at the "old home place," the home of our grandparents and great-grandparents. That was when we learned about outhouses (if they didn’t yet have indoor plumbing), how to ride, both horses and tractors; put hay up, or help out at the "family business." It was during these times that we picked ‘maters; caught fireflies and put them in old Mason jars with holes punched in the lids; went swimming in the creeks; and learned what poison ivy and sumac (often pronounced "shewmake") looked like, and that calamine pink qualified as a new skin tone.

    Each generation’s exodus to the big cities for economic reasons also marked those who stayed behind. The feelings for extended family members didn’t get lost, but did change and as aunts, uncles, and cousins had to miss annual trips "back home" for various reasons, their own feelings changed.

    As I sit here, listening to classic 70s rock and looking south over land that my people and my husbands knew so well, I ponder these things and more. It is undoubtedly their voices guiding my pen–they’re yelling over the music today.

    We, the descendants of those who defined hillbilly in the early 20th century, feel a common tug to the hills, hollers and curved roads. Like those before us, some of us attend church for social reasons–in the busyness of life, there are times church is the only time to see friends and family.

    But most of us find the Creator in each curve of a road snaking up the bench of these ancient mountains. We find Him in each ridge sloping—or starkly dropping, as the case may be–down to the hollers. We rejoice in the different seasons, so that no two months affect our senses the same. We feel a sense of rightness in the creeks that flow, be they wet or dry weather creeks; their purpose is self-evident in the sycamores and other trees lining their banks, and the narrow valleys they’ve created.

    Some would call this communing with nature, but it’s more than a hike or a ride to the back forty. It doesn’t matter who holds title to the land, as long as you’re looking and admiring from afar–it’s all ours, this scenery designed by Someone much smarter than those of us enjoying it. We sorrow every time the land is disrespected. In discussing it with another, we mention some landmark, some geological feature forever disfigured, some beloved building torn down; we feel the same sorrow and sense of loss for a few seconds.

    By the same token, we go together down the back roads, and not a word is said in our joy that we have this privilege of sharing what these things of our heritage bring us. These emotions are so deep, we often turn from them, both in feeling and in conversation. A people can only feel so much before the strength of the feelings overcome even the strongest.

    We are beginning to recognize that much is gone, to be replaced by a new way of looking at things, a new way of life. But some things never change. We believe our children should work for what they want. These days, children don’t necessarily work for their family’s survival–but maybe they should.

    We believe that each hill, each valley, is important. Curves in roads are there for a reason–straight roads cannot give you the same satisfaction that comes with successfully reaching a small village via the only road in, which climbed mountain shoulders and ran alongside creeks, crossed creeks, and held the excitement of what was just around the next curve.

    We believe that we don’t have to be a part of the rat race any more than we want to and that a person a person should do what is important to them, as long as it is responsible and non-interfering.

    We don’t mess with another’s belongings, in the belief that what goes around, comes around.

    We like neighborhoods over subdivisions.

    We prefer bonfires on the creek banks, with a cooler of soda and/or beer and the car radio playing over the light shows, dancing and champagne found in "civilization".

    We want to be buried in the small, quiet cemeteries with century-old pillars and real flowers whenever someone feels like visiting.

    We attend family gatherings and potlucks instead of socials with diamonds and silk.

    We don’t have to have our name emblazoned on every surface to know we exist.

    We are computer-savvy, but our work clothes are usually made by Big Smith,
    Wrangler, and Levi Strauss, not Donna Karan, Escada, or Calvin Klein.

    We pick up arrowheads and fossils from creek banks, pick greens and boil sassafras from the hills, and we send emails to cousins in Japan or wherever their lives take them.

    We adopt personas for the people who don’t "know" us, and can’t really define what it is we show the people who do.

    Our ancestors sometimes believed "hillbilly" was a derogatory term. Most of us don’t feel that way. We know the truth behind the word, and it is only fools that think the stereotype truly exists. If a person looks down on a hillbilly, we know that person is only seeing what we want him or her to see– and to our glee, they’ll never know that we’re "gulling" them.

    We are at the forefront of a new movement, a focus on who we are and how we came to be here. A belief is being born again, one that states that our past is important, and maybe it’s time we stood up and said, "No more!"

    Some of us are slowly coming to realize that the value of our ancestral lands isn’t determined by the price the highest timeshare builder can bid for it–the value is in the land just being there, a treasure to behold every season of the year, with a minimum of "use" by "progress".

    One tradition that we should no longer hold dear is our apparent passiveness and helplessness in the destruction of our past. That history is largely symbolic now, for the way of life our grandparents, even our parents, led, is gone–and it can’t be restructured or restored. We really don’t want to lead it again, for the most part, for like them, we go about our lives finding a bridge between what we hold dear and what the future holds in store.

    But we are still here, tied to the land, and continuing to hold it in our hearts and our connections with each other.

    The author, Vonda Wilson Sheets, is a 6th generation Taney County native. She has a background in geneology, history, theatre, and film and a deep appreciation for these Ozark Hills she calls home.

  • From Pierce Arrow Roadsters to Chevy Bel Airs -the Branson Collector Car Auction has it all

    Celebrating 25 years of service to the collector, Jim and Kathy Cox will host their twice annual event, for collectors, the

    57 Chevy Bel Air Convertible

    Branson Collector Car Auction on October 20- 21, 2006 at Celebration City, in Branson, Missouri. Offering collectible cars as varied as a 1930 Pierce Arrow Roadster to a 1957 Chevrolet Bel Air Convertible, and other collectibles such as a 1947 Alis Chalmers Tractor, memorabilia, motor cycles, jeeps, and trucks this auction has something of interest to just about any collector and provides an opportunity for the general public to see collectible car, trucks, motorcycles, and other items that they would not normally get to see outside of a museum.

    1947 Alis Chalmers Tractor

    The auction will start at Noon on October 2, and 10:00 a.m. on Saturday, October 21. To auction is open to the public with General Admission tickets going on sale at Noon on Friday, October 20 and 8:00 a.m. on Saturday, October 21. The cost is $10 per day for Adults with children under 10 being admitted free when accompanied by a paying adult. It should be noted that the Celebration Theme Park will be closed during the auction weekend.

    Those wishing to bid during the auction must pay a Biddr’s Fee of $50.00. The fee includes a bidder paddle, 2 VIP guest passes, preferred seating, and parking and a hosted bidder bar.

    In describing the auction in Branson, Jim Cox extended an invitation to “our hometown not only for the auction, but to experience Branson like we get to every day.” He also attributes the success of the auction and 25 years of success to his belief that “the owners truly believe their success is due to one thing, ‘Service to the Collector.’”

    For further information call 1-800-335-3063 of visit the auctions website WWW.BransonAuction.Com.

  • Give us a break, the City of Branson can keep the term “Dodink” but leave “Branson” alone, please!

    On Sep. 15, the attorney for the City of Branson, Paul Link, under the leadership responsibility of the City of Branson’s highest ranked unelected official, city administrator Terry Dody, sent a letter to the “Branson Sports Club, Inc., c/o Pamela Sue Dapprich, 414 Buchanan Rd., Branson, MO 65616.” In the letter Link said, “The City of Branson, Missouri owns the federally registered service mark BRANSON, MISSOURI” and that the purpose of the letter was to “protest your [her] unauthorized use [of] ‘Branson’ in connection with a business not located within the city limits of Branson, Missouri.”

    Link’s letter then calls the business’s use of the common term “Branson” in its name a “deceptive trade practice” and alleges, among other things, the violation of federal statutes relating to the “false designation of geographic origin” and trademark infringement.” It goes on to say that “Within 10 days of the date of this correspondence, we expect to receive from you a written undertaking that you will formally change the name of your business to delete all references to ‘Branson.’”

    But not to worry; the letter goes on to say that all can become wonderful again if Dapprich “would consent to annexation into the City of Branson when the City is ready to take you [her] in, then we would not prohibit the use of ‘Branson’ in your name.” Dapprich said that she was an outspoken opponent of the City of Branson’s recent failed attempt to force the annexation of the area that the Branson Sports Club is on into the City of Branson. She also pointed out that she had called a number of businesses with the term “Branson” in their names, located outside the city limits of the City of Branson, and that none had received a similar letter.

    At about this point, to an Ole Seagull, the resulting stench is starting to grow and is eerily reminiscent of what he calls “Dodink Law.” In the instant case it’s the kind of law that appears to try to intimidate and coerce by alleging that the use of “Branson” in its name is a crime related to the “false designation of geographic origin” even while ignoring the fact that the very letter making the allegation is being mailed to a specific “Branson, MO” address.

    It’s the type of law where the City of Branson can take, what it alleges is a proper service mark, “BRANSON, MISSOURI,” and say that it gives them the right to prohibit the use of the single word “Branson.” What’s next, a prohibition against a business using the word “Missouri” in their business title if they don’t meet some condition that the City of Branson establishes?

    Dodink Law appears to delight in going after individual small businesses; it intimidates and coerces them to give into the demands of the city or face the alternative of fighting its unlimited resources and people, like Dody and Link, who receive their fat salaries regardless. It’s a choice that causes a lot of small businesses to give in simply because they don’t have the time or money to fight “city hall.” One can only wonder, although not for too long because of the obvious, why the City of Branson didn’t go for the maximum deterrent effect by sending letters to the City of “Branson” West and the owners of the Showboat “Branson” Belle with the same demands.

    Was it because they would have probably told the City of Branson what to do with their demands? Surely the failure to do so had nothing to do with the fact that they have the resources to, not only fight them on its frivolous assertion that, based on the alleged validity of having the service mark “BRANSON, MISSOURI,” it also has the right to the term “Branson” but to challenge the validity of the City of Branson even being able to register the term “BRANSON, MISSOURI.”

    Isn’t “Branson” a surname and the name of the post office that Ruben S. Branson started decades before there ever was a City of Branson? Would not most people say that the term “Branson, Missouri” is a post office address or is “primarily geographically descriptive?”

    “Branson’s” biggest and longest running attraction, Silver Dollar City, is located where? Oh, and last but not least, doesn’t the fact that the City of Branson’s registration for the service mark upon which its letter is based, Registration Number 2594679, contains a disclaimer stating that, “No claim is made to the exclusive right to use ‘Branson, Missouri’…” mean, at least as to the service mark covered under that registration, that any one is free to use those phrases as is otherwise permitted?

  • America’s Presidents have a new Branson Home

    Branson’s “American Presidential Museum” closed in May of 2006 but most of its collection was purchased by a new not for profit educational organization called the “National Center for Presidential Studies. The museum and gallery collection is operated under the name, “America’s Presidency” and is located on the top floor of the Majestic Building, located at the corner of Gretna Road and Roark Valley Road, in the same building houses the Majestic Steak House and Justin Flom’s Magic Parlor Theater.

    Stormy Lynn Snow, the CEO and Founder of CEO and of the National Center for Presidential Studies said, “We are so pleased with our new home” and that “We are going to house here while we raise awareness and funds to grow our museum and collection, and construct our own building and educational center.” Storm further stated that, “We hope to raise enough funding to build a center here in the Ozarks that houses a more expansive collection, classrooms, an auditorium, and research library. The new center would have a special hall for traveling exhibits from the Smithsonian and the Presidential Libraries.”

    Although the current museum does not have the mockup of the Presidential plane and the limousine that was in the other museum Storm said that the “America’s Presidency” museum will “have more artifacts than before,” including a “a replica Oval Office, significant artifacts from past presidencies, the Documents of Freedom collection, and other antiquities and memorabilia.”

    Storm said that the museum is opened Monday 12noon until 7pm; Tues-Sat 9am – 5pm; and closed on Sundays and will have extended hours November and December for “Christmas at the White House,” a fabulous museum wide exhibit.” Admission to “America’s Presidencyis $10 for adults, $9 for seniors, and children 16 and under are free with a paying adult. School groups are $3 per student.

    For additional information call 417-334-8683.

    Originally Published In the Branson Courier on Oct. 8, 2006.

    Replica of Oval Office
  • The New Branson philosophy: Build for “Those who come, not those that are here.”

    At the Sep. 25 meeting of the Branson Board of Aldermen, while public discussion was being held on the plans to build a 25 story skyscraper, one of the projects developers, Rick Huffman, the CEO of HCW, used a quote, attributed to Walt Disney. He said words to the effect that, “We build this for those who come, not those that are here.” Unfortunately, for the fortunes of the 25 story building, a number of “those that are here,” not only showed up for the meeting but contacted their elected representatives about the proposed project prior to the meeting.

    The net result is that “those who come” will be seeing, at least for the moment, if anything, a much shorter building. By a 6-0 vote, in spite of the mayor’s “in your face” gratuitous comments that he would like to see the building built to a height of 35 stories, the board honored the wishes of those they represent and voted to limit the size of the building to 12 stories.

    Why would any reasonably thinking community, let alone one who already had the best of both worlds, adopt an economic development, or any other philosophy for that matter, that ignores the needs of its own citizens and existing businesses by espousing the concept that “We build this for those who come, not those that are here?” It’s a “Mickey Mouse” philosophy that flies in the face of the “Old Branson” philosophy that brought over 7 million people to Branson last year. A philosophy based on the concept of, “We build this for those we hope will come with those that are here.”

    In an email that Branson City Administrator Terry Dody sent out to a number of people, including the Ole Seagull, on Sep. 21, he said, among other things, “It is unfortunate that you choose to carry Groman’s water for him in your e-mail by perpetuating his tag line of the ‘New’ Branson;’ a divisive term that he and a few others like to exploit to further there (their) hope of causing discord and conflict within the community.” Interestingly, the email Dody was responding to was from a local Branson business person expressing their concern about the city’s use of the City Tourism Tax to promote the convention center.

    What caused Dody to divert his efforts from the “New Branson” to a lowly Ole Seagull and make the arrogant, condescending, and oh so inappropriate comment to the business person who sent him the email? Well, in an Ole Seagull’s opinion, as to the arrogance and condescension part of the question, some people just have the gift.

    Knowing the person to whom he sent the email, Dody was as wrong about that person “carrying anyone’s water” for them as he was about the fact that only the Ole Seagull “and a few others” are using the term the “New Branson.” The term “New Branson” did not originate with the Ole Seagull and, as indicated in the email he was responding to, means different things to different people.

    Despite its different potential meanings, can any reasonable person doubt that there is a “New Branson” being created under the orchestration of the City’s chief unelected official, Dody, and certain developers as they direct the City of Branson’s elected officials in a stirring rendition of the “New Branson Hip Hop?” Is there just the possibility that the decision of the City of Branson’s chief unelected leader, and its elected officials, to ignore the united appeal of “Old Branson,” to locate the convention center closer to the theatres, attractions, retail, lodging, and restaurants that built Branson might be considered divisive and causes “discord and conflict within the community?”

    The initial decision by City of Branson’s chief unelected official and its elected officials to use taxpayer, TIF, financing to make sure Branson’s neighbor, Hollister, did not get a Target and Home Depot helped eliminate community divisiveness and discord and conflict within the community how? Would the “New Branson” be coming into existence without the seven million plus visitors that the blood, sweat, tears, and financial investment of the “Old Branson” generates?

    It’s not a matter of economic development; it’s a matter of how that development takes place. Under the “New Branson” philosophy, the “We” seems to be the City of Branson’s chief unelected official, its elected officials, the big developer(s) and others who need to create a “New Branson,” with a new different clientele to be successful. On the other hand, the “We” of the “Old Branson” philosophy is based on the very community that has made Branson what it is today and already has an existing clientele. Which philosophy is more likely to cause less discord and conflict within the community or be more divisive?