Good News for Branson and Branson Landing – We still love Branson!

My wife, son, son’s girlfriend and I visited Branson the week of March 11-17. My wife and I have visited Branson at least a dozen times in the past, but this was the first time for the young ‘uns. They were actually awe struck by all that your little town had to offer, and being they are only 19 & 23 years of age, it takes some doing to impress them. We saw some old shows and a couple of new ones (we especially enjoyed "Six"). We also visited Branson Landing. Many of the editorials I read are negative, so I want to be different. First of all, thank you Branson for being, for the most part, a very friendly group of people. We love you and your town. Branson Landing was absolutely beautiful, especially at night.
Yes, I know there’s some varied opinions as to whether it was a good idea or not, and I am somewhat undecided myself. However, now that it’s in place, just let me say, "Nice job". This year, I noticed, by far, more people visiting Branson at this time of year than I’ve noticed in the past. Judging by the fact that more theaters seemed to be opening earlier, I guess the entertainers have noticed too. I know it’s not easy being responsible for all of the decisions that need to be made, but with the increased number of people on the streets and in the theaters, someone must be doing something right. Congratulations and keep up the good work. Michael, Zumbrota, MN.

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Yet another vestige of Branson’s past disappears as the backhoe destroy the Sammy Lane Pirate Cruise Riverboat

After the damming of the White River by the Power Site Dam in 1912, and the formation of Lake Taneycomo, it became feasible to operate a riverboat between Branson and the dam. For decades, prior to the construction of the Branson Landing, the Sammy Lane Pirate Cruise was an attraction that took Branson visitors on a leisurely hour an a half cruise along that portion of the White River that lies beneath Lake Taneycomo. Leaving from its dock at the lake front the cruise included a narration of Branson’s history, the birds and wildlife seen on the cruise, and the set up for the visit to the gold mine and the pirate cannon attack near the end of the voyage.

Some say that the riverboat tradition of the Sammy Lane Pirate Cruise dates back to 1917 and that it was the longest continually running riverboat operation in the Branson Region. Whatever it was, it is, in reality no more.

As the pictures taken by local resort owner and fishing guide, Phil Lilly, testify, the backhoe and progress have irrevocably and silently claimed yet another piece of Branson’s history and tradition. These pictures were taken on the evening of Mar. 19, 2007 off of Roark Creek.

another piece of Branson History disappears.

The dock and Lake Taneycomo lakefront that the Sammy Lane Pirate Cruise operated was part of the Branson Landing Redevelopment Project that opened in the late spring of 2006. It has quickly become a favorite place for locals and visitors alike to shop, be entertained, and dine. The sounds of the fire balls coming out of the new fountain during the fire and light show have replaced the sound of the pirate galleons small cannon and the new Branson Landing development shares the Lake Taneycomo lakefront with hundreds of thousands more than ever before. Yet, it is sad that the price of such progress is the destruction of the icons, history, and tradition that helped make Branson what it is today.

Photos furnished by Phil Lilly of Lilly’s Landing Resort.

The backhoe goes for the stern and…
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BRANSONFEST 2007 Boasts hundreds of entertainers

One of the top 100 events in North America, BransonFest 2007 kicks off the spring season April 10-14 at the Welk Resort Theatre with world-class performers, genuine Ozarks cuisine, and a host of local artisans and craftsmen. This 15th annual event will truly give visitors a taste of what Branson is all about.

The Welk Resort Theatre hosts daily concerts, featuring some of the best entertainment in Branson, including Yakov Smirnoff, The Gatlin Brothers, Jim Stafford, Mickey Gilley, The Lennon Sisters, Darren Romeo, The Baldknobbers, Acrobats of China, Best of Motown and many more. Each showcase concert will feature 10 Branson shows and the lineup of stars is added to daily. Click here for latest line up.

The talent overflows into the outside tents where the stage at the Real American Entertainment tent offers a variety of free performances by local and regional entertainers. For kids of all ages, there’s lots of fun with costumed characters and an array of street performers.

The Expo Area displays 50 booths featuring show information, contests and giveaways, and autograph sessions with Branson’s most popular stars and performers. The Taste of Branson food tent gives guests a sample of traditional Ozarks’ cuisine and food from Branson’s finest restaurants. The Arts, Culture and Heritage tent provides visitors the opportunity to observe the work of nationally recognized Branson personalities, and features artists, authors and musicians.

BransonFest 2007 runs daily, April 10-14. Free outdoor tent activities are noon to 6 p.m. on Tuesday, April 10; and 9 a.m. to 6 p.m. Wednesday – Friday, April 11-13 and 9 a.m. to 3 p.m. on Saturday, April 14. Daily concerts in the Welk Resort Theatre are at 7 p.m. Tuesday, April 10; and at 2 p.m. Wednesday – Saturday, April 11-14. The Welk Resort Theatre is located on State Hwy 165 in Branson. For tickets and schedule information call 417-337-7469 or 800-734-5515 or log on at www.sullivanshows.com. Tickets are $34 each, or a five-show package is available for $150 per person.

BransonFest 2007 is sponsored by the Branson/Lakes Area Chamber of Commerce/CVB. As one of the country’s leading tourism destinations, Branson offers visitors of all ages a wide variety of entertainment throughout the year. Someone you love is always playing in Branson. For more information about the Branson/Lakes area, contact the Chamber of Commerce at 800-214-3661 or visit the website, www.explorebranson.com.

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In dealing with the leadership of the city of Branson, do a fire hydrant and the U.S. Army Corps of Engineers have some …

The Ole Seagull really wasn’t surprised when he received information from a confidential source this week indicating that the city of Branson had failed to comply with one or more of the conditions they agreed to with the U.S. Army Corps of Engineers as part of the process it went through to get the necessary approvals to build Branson Landing. Some might ask, “But Seagull, why weren’t you surprised?”
Based on some of their current and past actions, why would anyone expect the current leadership of the city of Branson, it’s current Mayor, Board of Aldermen, and City Administrator, Terry Dody, along with whatever “legal munchkin” he has currently hired, to treat the U.S. Army Corps of Engineers with any less arrogance or more respect, compassion, and common sense than they treat the citizens and businesses of their community? Is it even reasonable to expect a leadership that apparently will not honor and respect its own ordinances when it chooses not to, and will stretch and abuse state law when it chooses to do so, to honor the conditions and requirements of its agreement with U.S. Army Corps of Engineers under similar circumstances?
Let’s look at a few examples. Is it just possible that the city of Branson has abused the Tax Increment Financing, (TIF) laws of the State of Missouri to the point where it could serve as the poster child for TIF law reform? Did not Alderman Ron Huff, in a public meeting, state words to the effect that if the city of Branson didn’t pass a TIF that the development would go to Hollister instead of Branson? Is that what the TIF laws were designed for? State wide, TIFs normally finance what percentage of the total development cost as compared to what percentage at Branson Hills? The TIF is reimbursing the developer how much per acre for the “blighted land” serving as a substantial part of the legal justification for the TIF in Branson Hills?
Did not the vast number of the city of Branson’s tourism businesses receive a letter from the city telling them that the Branson city code required them to submit their customer lists to the city when there was no such requirement? Was not a citizen, and not for profit business, in our community blatantly and falsely accused by the city of Branson of being in violation of federal statutes for using the term “Branson” in their business name? For the umpteenth time did not the mayor and board of aldermen let Branson’s City Administrator Terry Dody violate Subsection 2-55(2) of the Branson Municipal Code again at their Mar. 12 meeting?
What makes this latest occurrence particularly ironic is that not ten minutes before, when someone who had not signed up to speak wanted to speak, they were told they could not do so because it was a violation of the ordinance. Yet, the mayor let Dody violate the very same ordinance not ten minutes later. Some might ask, “But can’t the mayor exempt senior city staff officials like Dody from complying with city ordinances?” To put it simply, the mayor has about as much authority to exempt them from complying with city ordinances as he does to exempt the city from complying with the conditions and requirements they agreed to with the U.S. Army Corps of Engineers.
“But Seagull, you haven’t said whether or not there was any substance to the allegations about the city of Branson failing to comply with the conditions and requirements they agreed to with the U.S. Army Corps of Engineers.” That’s right, but were the Ole Seagull a betting Seagull he’d bet that this time, by apparently treating the U.S. Army Corps of Engineers in the same manner as it treats some of its citizens and businesses, the current leadership of the city of Branson has done, in their morning bowl of cornflakes, what a male dog does to a fire hydrant.
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Alleluia brothers and sisters, will Branson’s TIFs save us all?

As one listened to the city of Branson’s administrator, Terry Dody, during the Public Comment portion of the March 12 meeting of the city of Branson’s board of aldermen, it was hard to constrain one’s self from jumping up and saying “Alleluia, Branson’s incubator TIFs will save us all. How did Branson ever get along without them?”

What did Dody say? As relates to what he said regarding the increase in property tax assessments and tax revenues for the city of Branson and Taney County, the following will indicate Dody’s comments in italicized type, followed by the The Ole Seagulls comments in non italicized type. Dody made his comments during the time allotted to the ex city of Branson Finance Director, Deanna Schlegel.

So what happened is that all the activity that kicked in 2003 and 2004 started coming onto the books in 2006 … the school district still realized a five and half percent increase in its property tax revenues…

It makes sense that it takes a couple of years for construction to be completed, assessed, and be put on the tax rolls.

So all of that is attributable back to the growth that was created when the city council decided to move forward with a TIF in the downtown area and began to kick in the new construction in 2003 and 2004 … and so in 2006 we saw a lot of that coming into fruition a lot of the boom in 2005 and 2006 that we set all new records in hasn’t even hit the books yet…

Is it not more reasonable to attribute what happened in 2003 through 2006 to the same thing that made it possible to build the downtown TIF project in the first place, the millions of visitors coming to Branson? Aren’t those visitors directly attributable, not to government incentives and TIFs but to the investment, work, and entrepreneurship of all those who have invested their own money, sweat, and effort into creating the Branson that draws the millions of visitors that the downtown TIF is counting on to be financially successful?

So when we say that there is a benefit by the creation of those TIF Incubators, the proof is in the pudding we don’t have to guess or make estimates it’s already happened and we know it’s going to get even better in the next couple of years as those bigger projects kick in.

Yes, things are going to continue to improve, that’s not the question; the question is why are they going to improve?

There is only one change that has occurred in our local economy and that is the creation of the two incubator TIFs that are out there right now is that correct? Schlegel responds, “That have any real effect today I would agree” Thank you.

“The two incubator TIFs” are the only changes that have “any real effect today.” Give me a break! Can we all step back and spell the word “m-a-r-k-e-t-i-n-g” very slowly. There was a huge change made in the way that Branson was marketed about three years ago. Is there just the possibility that the results of that change have played at least some small roll in Branson’s improving economy?

Wasn’t there a substantial increase in the percentage of visitors etc. for the first few months of 2006 before the TIF financed Branson Landing even opened up? Of the new things being built in Branson to bring more visitors to the area how many of them have been built and are being built because of the TIF incubators and how many of them are being built because of the millions of visitors coming to Branson each year?

In the majority, it is the sweat and financial equity of Branson’s stake holders and the marketing of that effort that is the incubator for the growth that Branson has had in the past, experienced in recent years, and will continue to have. To say that Branson’s TIFs are the only changes having any real effect today on Branson’s economy shows a total lack of appreciation and understanding for what made Branson what it is and what is necessary for its future success. Not for the financial success of a few but for the whole community that is “Branson.”

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Keeping an Ole Seagull in perspective

“The Ole Seagull,” more formally know as Gary J. Groman, is a 66 year old grandfather living in “Branson,” just outside of the thriving community of Hollister, Missouri. He is the editor and publisher of the Branson Courier, an online newspaper about the live family entertainment capital of the world, “Branson, Missouri,” loves to trout fish his beloved Lake Taneycomo, has been married to his bride, Lois, for over 43 years, and publishes a weekly column in the Sunday edition Branson Daily Independent entitled, “Seagull Musings” which is also published on line, each Sunday, as the editorial in the Branson Courier .

He and his family moved to Branson in 1986 after vacationing in the area for one week a year for about a decade. He is blessed with three children, two daughter in laws, an ex son in law, his wife, and son, and seven of the greatest grandchildren in the world, all of whom currently reside within 50 miles of Branson.

About six years ago, as he decided to make a commitment to writing about the things that concerned him he also decided that a “brand” would be helpful. “The Ole Seagull” evolved from a speech given by Jim King, past National Transportation Safety Board Chairman, during the Carter administration. At a presentation given at the FAA Center in Oklahoma City, Jim characterized his position within the political hierarchy of the day as that of, “a lowly seagull walking along after the horse in the parade picking at the droppings.” Even as it gave Jim perspective at that time so too does it keep the Ole Seagull’s roll in perspective today.

On occasion, the Ole Seagull has been asked what his qualifications are to his write his opinions and why anyone should pay any attention to them. In order, the answers are “only his life’s experience” and “they shouldn’t unless, one way or the other, they have evaluated those opinions and find them useful in their own decision making process.”

It’s easy to want to spew forth a list of qualifications but, in the final analysis it is a useless act and a waste of time. Abraham Lincoln said it best when he said, “If the end brings me out all right, what’s said against me won’t amount to anything. If the end brings me out wrong, ten angels swearing I was right would make no difference.”

Gary a.k.a. The Ole Seagull can be contacted via phone at 1-417-339-4000 or via email by selecting “The Ole Seagull” from the drop down dialogue box accessible through the “Submissions/Contact” box in the lower left hand corner of the front page of the Branson Courier.

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Lake Taneycomo Fishing Report – The size 16 Red Bead Head Midge starts the season off with a bang!

March 13, 2007 After a couple of months without fishing the Ole Seagull went out to fish for about a half hour. In that half hour he caught 18 Rainbows and missed another 7 to 10. Even though they were all small, the biggest about 15 inches, it was a lot of fun.

All the fishing was done from a boat just above the Fall Creek Marina fishing into the condo, channel side, in about 7 feet of water. He used one of his favorite standards, the size 16 Red Bead Head Midge exclusively and fished it at about 4 1/2 feet under an indicator using 6x Orvis Mirage tippet (fluorocarbon). The water was off, very little, if any wind, it was noon, and the sky was a light to medium overcast. Simply put it was a great day for fishing interlude and just perfect for the Red Bead Head. The size 16 Red Bead Head Midge is available at River Run Outfitters.

Other Lake Taneycomo Fishing Reports

River Run Outfitters – For their latest fishing report click here.
Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
Lilly’s Landing – For the latest fishing report click here.
Scotty’s Lakefront Trout Dock – For latest fishing report click here.
Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

Dam Generation and Water Levels – Critical Considerations

There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water conditions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

Special Regulations in Trophy Trout Area

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

Red Bead Head Midge
16 Red Bead Head Midge
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Review – Branson’s “Legends in Concert” is a legend in the making

Justin Clark & Bucky Herd as "The Blues Brothers

There are tribute shows where performers perform the hits of the artists that they are paying tribute to and then there is Branson’s Legends in Concert. Oh, the show is no less a tribute, with the performers singing the songs that made their artists famous, but it is so much more.

It is a recreation of the artists and their performances. From looks, to performance characteristics, moves and mannerisms, but most important, the actual sounds of their voices, the audience will experience something unique as the performances of some of America’s greatest super stars are recreated by the incredibly talented sound alike and look-alike entertainers recreating those performances. What’s amazing is that the voices being heard are the performer’s actual voices, no tapes or karaoke here.

The Ole Seagull and his bride of 43 years, Lois, attended the Mar. 9 performance of the “Legends in Concert.” The experience was best summed up by Lois when she said all that most people will ever have to know about the show, “It was very enjoyable and filled with enthusiasm and talent. I loved it. The dancers, band, and Liza were exceptional, and Elvis was top rate.” Of course he was, he kissed her on the cheek.

Steve Fairchild as "Garth Brooks"

Each of the stars did a set of at least five numbers with all of them joining together with the rest of the cast for a short Finale using “Rock-n-Roll Heaven.” But this show is more than just stars being recreated, it is a total unique integration of the talent of the show’s dancers, singers, and band, with the super star recreations into a unique entertainment production.

Special mention must be made of the Legends Orchestra composed of Kevin Allen on Lead Guitar, Michael Wagner on Electric Bass Guitar, Darrell Croy at Keyboards, and Lynn Brown on Drums. Not only are they extremely talented musicians but the flexibility they display in playing the number of pieces they do and integrating different songs and types of music seamlessly into the super star act being recreated at the time is amazing.

The majority of the numbers were accompanied by the “Legends Dancers,” Stephanie Drey, Cindy Dardas, Kelly Nolte, and Dana Murphy and the “Legend Singers,” Jackie Brown and Tiffany Powers. The quality of the choreography, dancing and singing, along with its variety and seamless integration into the acts of the superstars being recreated just adds to the whole Legends in Concert experience. Couple that with great costuming, the band, and the recreations and the result is a production that is as unique as it is dynamic and entertaining.

Suzann Goulet as "Liza Minelli"

Steve Fairchild did a great job as “Garth Brooks.” The Ole Seagull has had the pleasure of seeing Garth in person and Steve’s performance mannerisms and sound recreation is remarkable. The integration of the dancers into the first number “Ain’t Goin Down” makes it clear that this show is a production. The thunder and rain sound effects added a nice touch to “Thunder Rolls” and “The Dance,” where audience members were invited to get up and dance, were two personal favorites.

Bobby Brooks as "Stevie Wonder"

Suzann Goulet as a mature “Liza Minnelli” opened her set with what else but “Cabaret.” She was, according to the Ole Seagull’s bride, “exceptional” and the integration of the dancers into numbers such as “Bye-Bye-Blackbird” just seemed to fit so well. Her set ended with an excellent rendition of “New York New York”

Justin Clark and Bucky Heard as “The Blues Brothers,” opened their set with a very fast-paced, entertaining, and appropriately costumed version of “King Bee.” They closed it with one of the most energetic and exciting renditions of “Shout” you will ever see or hear. Their performance of “Lookin For a Fox” and “Everybody” with the Legend Dancers was exceptional. One almost wouldn’t mind getting a speeding ticket from one of these “cops.”

Bobby Brooks opened the second half of the show in an exciting manner with his recreation of “Stevie Wonder.” Among others, his performance included “Sir Duke, “Sunshine, “I Just Called,” “I Wish” and “Signed, Sealed, Delivered.” A particular favorite was his performance of “I Just Called” with the addition of the talented voices of the Legend Singers.

Dean Z as "Elvis"

Dean Z as a young “Elvis Presley” was outstanding. The Ole Seagull went through his teen years, yes he’s that old, listening to Elvis sing “Blue Suede Shoes.” “Heart Break Hotel, “Don’t Be Cruel,” etc. As he sat there, looked and listened, it was as if he was watching the Elvis he remembered. The look, mannerisms, moves, and charisma were all there. Personal highlights were “Teddy Bear” with a transition into “Don’t be Cruel” and the love song “Love Me Tender Love Me Sweet.” “Baby Let’s Play House,” done in combination with the Legends Dancers had everybody wanting to dance. “Elvis,” closed the set with a high energy performance of, what else, but the “Jail House Rock” and let me tell you, the jail house wasn’t the only thing rockin.

The concession stand does not serve alcohol and has a full selection of non alcoholic drinks serving Pepsi products, water, coffee, hot dogs, ice cream, popcorn etc. It was efficiently run by personable people who seemed to genuinely enjoy what they were doing. The ticket booth was quick and efficient and we observed a number of people processed through in a very efficient manner. The restrooms, conveniently located at either end of the lobby, were clean and appeared to have enough facilities to handle their average audience

In closing, if the Ole Seagull may paraphrase his bride, “The show was very enjoyable and filled with enthusiasm and exceptional talent. We loved it.”

To purchase tickets or get further information, on line click here or, by phone, please call 800-451-3791.

More photos of Branson’s Legends in Concert can be found here.

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Branson’s newest show “Music Makes the World Go Round” opens in April

Kim, Dan, Cerissa, & Camille Christian
and Travis Lantz

It’s been said that love makes the world go round, and for National and International accordion champions, Kim and Dan Christian it’s also music that makes their world go round.

Because of their shared love of music and their undeniable talents, the two have launched a musical journey to the live entertainment capital, Branson, Mo., where they are opening their original show, Music Makes the World Go Round in April.

"We’ve worked many years to bring the production of Music Makes the World Go Round to Branson. This became a goal for us after we performed at Silver Dollar City. Since Branson is the live entertainment capital of the United States, a virtual playground designed for people who really love music, it is the perfect location for our family and show," said Dan Christian. He and his wife, Kim, have written, produced and star in the show that features the entire Christian family along with a cast including a drummer and dancers.

The show is an interactive production, a visual and audio tour around the world featuring the music, dances and vistas of several of the most beautiful countries of the world. The second half shows the diversity of several different styles of American music. The production presents the versatility and virtuosity of the accordion through songs such as Danny Boy, White Cliffs of Dover, Lady of Spain, Can Can, Santa Lucia, Zorba the Greek, Sabre Dance, Malaguena, Tea for Two, Aaron Copland’s Hoe Down, Old Time Religion, Rock Around the Clock, and God Bless America.

The Christians share a deep love for each other and a passion for their music. The selections for their show reflect their vast experience of performing for all different types of audiences throughout the United States and abroad.

Kim Christian comes by her talent naturally. She is the daughter of successful accordion teachers, performers and retail accordion entrepreneurs Mike and Alice Aman of Denver and Colorado Springs. In addition to her US National Championship and World bronze medal, she has won the Accordion Federation of North America Virtuoso Solo and won the Rocky Mountain Accordion Society (RMAS) Virtuoso Solo twice. Her students have won full music scholarships to Denver University and her accordion bands have won numerous awards also.

Dan Christian has established himself as being the best of the best in competitions across the United States and is the winner of the prestigious Galla-Rini Award that requires a three-time consecutive win of the RMAS Virtuoso Solo category. As one of the premier directors of accordion orchestras in the nation, he has an unparalleled record of first place wins including National Champion Orchestra. His experience of arranging and transcribing hundreds of pieces for the accordion including entire symphonic scores such as Tschaikovsky’s Symphonies 4, 5 and 6, Dvorak’s New World Symphony and many others is evident in the arrangements for Music Makes the World Go Round.

The Christians unique ability to play together with exact precision is inimitable. Among the finest accordionists in the world, the Christians have built a reputation of having excellent technique and mastery of the accordion. From Beijing and Puerta Vallarta to Las Vegas, Disney Land and Silver Dollar City, hundreds of thousands have been intrigued with the fascinating finger and bellows techniques displayed by these accordion maestros.

Daughter Cerissa Christian, 17, has been performing since she was three. She has won dozens of first place trophies on the accordion, and has been extensively involved in choirs. She is a member of the Colorado Springs Children’s Chorale and has been section leader for her high school madrigal choir. She also plays the piano and drums.

Daughter Camille Christian, 14, has also been performing since a very young age. She has won several awards as an accordionist, and has become a great trumpet player. Camille was honored to be part of an audition only choir, and was commended for being a leader in her section.

Watch for baby Quintin’s appearance in the show in kilts and lederhosen.

Drummer/Percussionist Travis Lantz of Colorado Springs is making the move to Branson as well. He has an extensive musical background including performing with accordion bands as a child. He earned a Bachelor of Music Degree from Colorado Christian University. He did a summer tour performing on the Princess Cruise Line and has extensive performance experience with college and church bands.

Music Makes the World Go Round is a 2 p.m. show at Branson’s new and exciting Tower Theatre at the Shoppes at Branson Meadows, 4600 Gretna Rd., Branson, Mo. Call toll free 1-888-4MUSIC9 (1-888-468-7429).

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Public Transportation for disabled in Branson?

I am writing to let you know of my extreme disappointment in the city of Branson. I have been coming to your city as a tourist for years. I was planning a trip in May only to find out that your city has no accommodations for the transportation of your adult guests who have the misfortune of being handicapped and spending their lives in a wheelchair. I have been told that Branson has no vans or vehicles for the transportation of these individuals. For a city who relies on tourism for your economic base I find this unbelievable if not actually against the law. You say you welcome tourists and especially our nations veterans………or does that just mean able bodied tourists and veterans? Janis, Olathe, KS

I will be contacting all Missouri government officials about this.

SHAME ON YOU BRANSON!!!! Janis, Olathe, KS

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Whisper Cove – Branson’s newest and most unique Table Rock Lake development

Myer Land Development Company is pleased to announce the Branson area’s first new development of 2007. Whisper Cove is a mixed-use residential resort development on Table Rock Lake off Highway 265 between Table Rock Dam and Highway 376. The development is only two miles from Branson’s entertainment and attractions and provides the closest Table Rock Lake area access point from Branson.

The development, upon completion, will include 12 estate lots within a private gated subdivision, 99 mountain villa townhomes and 216 condominiums. Additionally, initial plans call for a chapel, clubhouse and lake access available to residents of Whisper Cove.

“The development rests in an ideal location: close to Branson’s entertainment, yet quiet and secluded with great Table Rock Lake views and access,” observed Gail Myer, President. “The planned community layout, unique artistically styled architecture and quality construction will complement this gorgeous vista to create timeless beauty.”

Lake views, lake access and luxury will give Whisper Cove the flavor of a permanent vacation lifestyle. Imagine coming home to a stunning view, leisurely strolling to the boat dock, fishing or boating before supper and watching the sunset over Table Rock Lake at the end of the day.

Whisper Cove will feature countless attributes including:

Lake access with 2,500 feet of shoreline
Master planned layout
Branson school district
Walking trails to the lake and picnic area
Underground utilities
Architectural controls
Strong covenants for protection of property
Wooded lots as well as open space for recreational activities
Custom outdoor lighting and landscaping program

“This development will be a unique addition to Branson,” noted Gail Myer. “We believe there is potential for large economic impact on the area.”

As part of the project, working relationships have been established with some of the best advisors, consultants and project management staff in the Midwest.
A goal of the Whisper Cove development is to remain harmonious with the environment. To achieve this, the development will limit building height, protect views of the lake and have strong landscaping standards.

Phase One, which consists of the 12 estates lots, is almost complete. Estate lot reservations are now being accepted and sales of those lots will begin soon. Plans call for construction of the mountain villa townhomes to begin later this year.

“We encourage those interested in living in Whisper Cove to contact us soon,” said Chris Myer, Vice President of Marketing. “With the close proximity to both Table Rock Lake and Branson, Whisper Cove is sure to be a desirable address of distinction.”

Myer Land Development Co. is no stranger to the Branson market. The Myer family has been serving Branson visitors for 24 years in the lodging industry. Myer Hotels has five award-winning hotels in Branson: Best Western Center Pointe Inn, Best Western Music Capital Inn, Comfort Inn & Suites, Comfort Inn at Thousand Hills and Comfort Inn West.

For more information call 417-338-2554 or visit www.whispercovebranson.com.

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14th Annual IMAX FilmFest, Mar. 9-Apr. 19, 2007

Branson’s IMAX Entertainment Complex will kick-off the 2007 season of exhilarating Giant-Screen IMAX Adventures with the 14th Annual IMAX FilmFest, March 9 thru April 19, 2007, featuring four all-new films.

With breathtaking, crystal clear images projected onto an enormous 6-story tall screen, accompanied by a 22,000-watt, 44-speaker state-of–the-art digital surround sound system, IMAX FilmFest audiences feel like they’re part of the action as they travel to some of the universe’s most exotic and dynamic locations…without ever leaving their seats.

“FilmFest is really special here at the Complex,” says Becky Blair, Director of Advertising & PR. “All at once, we have four brand new films that touch on all sorts of different subjects – traveling to worldly destinations, exploring Mars, mountain climbing in Africa and rebuilding after Katrina.”

The 2007 IMAX FilmFest line-up includes:

THE GREATEST PLACES – Journey to seven of the most geographically dynamic locations on earth! Trek down the Amazon river, take in all 2.5 miles of Iguazu Falls, meet nomads roaming the high plateaus of Tibet, explore the glaciers of Greenland, head to Namib, Okavango, and Madagascar!

The mighty Kilimanjaro.

KILIMANJARO: TO THE ROOF OF AFRICA – Follow five trekkers and a local Chagga guide to the top of Kilimanjaro, the largest freestanding mountain in the world! Travel through five climate zones ranging from rainforest to arctic glaciers, all the while learning about the formation of the African continent and the Great Rift Valley.

ROVING MARS – The mysterious Red Planet, Mars, has inspired countless science fiction dreams and nightmares. Now, for the first time, experience the reality of the Mars’ surface as seen through the eyes of two intrepid, death-defying explorers – Spirit and Opportunity, the Mars Rovers

HURRICANE ON THE BAYOU – A powerful journey deep into the soul-stirring heart of Louisiana – before, during and after the unprecedented devastation of Hurricane Katrina. Witness a compelling call to restore Louisiana’s wetlands, rebuild New Orleans, and honor the place where America’s most vibrant home-grown culture was born. Narrated by Meryl Streep.

“And even with the different themes of each film, because it’s IMAX, they all give you that immersive and thrilling IMAX experience. Plus, they really appeal to all ages,” adds Blair.

IMAX utilizes the world’s largest film format – ten times larger than conventional 35mm film. The design of the Ozarks Discovery Theater, inside the IMAX Entertainment Complex, ensures every attendee has an unobstructed view and places the audience right in the on-screen action. IMAX theaters also feature a specially designed screen that has a slight curvature, which extends beyond the audiences peripheral field of view

Last year, worldwide more than 75 million people visited an IMAX theater, and more than 800 million have passes through the doors of an IMAX theater since the first one opened 35 years ago.

The 2007 IMAX FilmFest begins on March 9 and continues through April 19, with a different film showing every hour, on the hour from 9 am to 8 pm. For showtimes or more information, call 417-335-4832 or log on to www.bransonimax.com.

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Why won’t Branson’s mayor or a board of aldermen member say, “I’m sorry?”

At just about every Branson Board of Aldermen’s meeting since October, 2006, in good weather and bad, short meetings or long meetings, Pam Dapprich has appeared in front of the board asking for an apology for the manner in which her business was treated by the city of Branson because it had the word “Branson” in its title and was not located within the city limits of Branson. There are some who say that she has made her point and should get over it and others who say that she is due an apology.

For what it matters, based on the evidence shown below, and although he certainly does not agree with everything she says at those meetings, an Ole Seagull just has to believe that Dapprich is due an apology for what the city of Branson, under the color of law, did and attempted to do, in its Sep. 15, 2006 letter to her. All that has transpired since, all the smoke and mirrors, Dapprich’s bi weekly presentations, etc. cannot change the stark reality of the contents of that letter and what it represents.

That letter, signed by city attorney Paul Link, starts off by saying, “The City of Branson, Missouri owns the federally registered service mark BRANSON, MISSOURI (and design) Reg. No. 2,594,679 for use with municipal services.” In fact the city of Branson did not then, and does not now, have a federally registered Service Mark “Branson, Missouri” under that, or any other, registration number.

The city of Branson has a Service Mark for a design, registered under that registration number that includes, among other things, the words “Branson, Missouri.” Most will recognize it as the “city logo” appearing on stationary, the city flag etc. The granting of that Service Mark, by the U.S. Patent and Trademark Office, did not give the city of Branson any federal right to restrict the use of the words “Branson” or “Missouri” except as used in the complete “logo” covered by that Service Mark.

In fact, the online records of the U.S. Patent and Trademark Office, pertaining to the granting of that Service Mark, indicates that the application filed by the city of Branson, in 1999 contains a disclaimer specifically stating that “NO CLAIM IS MADE TO THE EXCLUSIVE RIGHT TO USE "BRANSON MISSOURI" APART FROM THE MARK AS SHOWN.” (Caps are used here because that’s the way it is in the official records of the U.S. Patent and Trademark Office.)

Even more interesting is the fact that in 2004 and again in 2005, the City of Branson filed two different applications for a Service Mark for Branson Landing. Although each was a different design both had the words “Branson Landing” in them and contained a specific disclaimer stating, “NO CLAIM IS MADE TO THE EXCLUSIVE RIGHT TO USE "Branson" APART FROM THE MARK AS SHOWN.” (Caps are used because that’s the way it is in the official records of the U.S. Patent and Trademark Office.)

The letter goes on to state, “Recently, we note that you have adopted and are using “Branson” in connection with your business although you are not located within the city limits of the City of Branson, Missouri.” Among other things, the letter goes on to say, “This type of deceptive trade practice constitutes trademark infringement under Section 32(1) of the Lanham Act, 15 U.S.C 1114(1); false designation of geographic origin under Section 43(a) of the Lanham Act, 15 U.S.C. 1125(a).”

“But Seagull, how can anyone be in violation of the federal laws cited for the use of something that was not registered under those laws?” The simple obvious truth is that they can not. But even more ludicrous is the question, “How can the city of Branson’s current elected mayor and board of aldermen, with a straight face, not apologize to Dapprich for the pathetic lack of professionalism and deceitfulness that the letter appears to represent?” Now wouldn’t that be a great question to ask those running for the office of mayor and aldermen in the upcoming April election?

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Is there a different set of rules for those in power in Branson and those fishing the boardwalk?

A police officer is sitting at a four way stop waiting their turn to go through the intersection. All of a sudden a car comes up and runs through the intersection without stopping. In the initial discussion that took place after the officer pulled the car over, the driver contends that the officer shouldn’t write him a ticket because the mayor said that the city’s ordinance pertaining to stopping for stop signs didn’t apply to him.

The officer, in a professional and courteous manner, writes the ticket, and gives it to the driver who continues on their way. “But Seagull, that’s exactly what the officer should have done?” Absolutely, even if the mayor did say what the driver alleged, the mayor can’t arbitrarily exempt someone from complying with the requirements of a city ordinance.

Yet, it appears, at the Feb. 12 Public Comment Meeting of the city of Branson’s board of aldermen, the mayor continued a pattern of letting certain highly paid nonelected city officials violate the Branson Municipal Code. Section 2-55 of that code sets forth the requirements for speaking during the Public Comment portion of the board of alderman’s meeting. It is easy to read and understand and is designed so that the public knows exactly what they have to do to speak at the meeting and what they can expect.

Subsection 2-55(2) specifically states “Any person wishing to appear and speak at the public comment meeting shall sign the speaker sign-up sheet located at the front door of the council chambers. Each person wishing to speak at the public comment meeting must personally sign the speaker sheet prior to the opening of the public comment meeting. No person shall be allowed to speak who did not personally sign the sheet requesting the opportunity to speak.”

The ordinance is very clear on who may speak, someone who has signed the speaker sign-up sheet, and who may not speak, any person who did not personally sign the sign-up sheet. The sign in sheet for the Feb. 12 meeting indicates that Branson City Attorney, Paul Link had not signed up to speak at the meeting. Yet, the mayor permitted him to speak, in violation of the very ordinance that Link likes to use as his “poster child” for illustrating that he has a duty to make sure the board is in compliance with all ordinances.

Ironically, this came after the Ole Seagull, who had signed the speaker sign-up sheet and followed the rules, had to stop his presentation on Link and city administrator Terry Dody’s apparent violations of this same section at an earlier meeting. Like everything else in the ordinance, its ten minute time allocation is very specific and the Ole Seagull’s time ran out.

“Come on Seagull, it’s only a meeting ordinance.” No, it’s what it represents that’s important, the application of the law fairly, to all, without regard to social, economic, or political status, or position within the city of Branson’s pecking order. It’s almost scary that Link and Dody, the very people who professes to have the responsibility to make sure that the board of aldermen complies with all applicable ordinances, appear to lack the common sense or desire to set an example of compliance that the public can emulate.

Is it reasonable to believe that their actions, and the actions of the mayor and current board of aldermen regarding those actions, will be any different behind of the closed doors of executive session? Isn’t that where the “devil” is added to the details of the decisions that affect the very character and future of the city of Branson? Fishing is permitted where on the board walk at Branson Landing?

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Don Gabriel, longtime Branson friend, has gone home to be with the Lord

H. Donald Gabriel, 72, a native of the Ozarks and a longtime friend of the Branson community, died Sunday, Feb. 25, at his home in Branson after a long battle with cancer. Funeral services will be held Friday, March 2, at 11 a.m. at the First Baptist Church, 400 S. Sunshine, in Branson. Brother Bob Burton will officiate. Burial will follow in the Ozarks Memorial Park Cemetery in Branson. Family visitation is Thursday, March 1, 5 – 8:30 p.m. at Snapp-Bearden Funeral Home, 1638 E. Hwy. 76, Branson.

Don kept God, family and country as his priorities in life and literally touched the lives of everyone he met. He set a strong example of Christ’s love and helped build tourism in Branson. As a native, he loved to tell about his Ozarks roots – his great-grandfather was a circuit riding judge and his great-grandmother was a school teacher and midwife in Taney County. He often told how God took him from the Ozarks to Illinois and Iowa and back to the Ozarks.

Don believed that bringing tourists to Branson allowed God to minister to them because "Branson has a transforming effect on people." He left the Branson community with a strong message called the "Branson Manifesto." In it he encouraged the community "to continue being what we have been for over 40 years, which includes building on a strong foundation of Christian values, principles and morals. I believe that we should do this with humility and gratitude, but also with courage."

He was a member of Bee Creek Baptist Church and was attending Victor Baptist Church in Branson. As a former president and founder of Christian Business Men’s Committee, he was instrumental in coordinating the annual Mayor’s Prayer Breakfast. The first recipient of the committee’s Kingdom Builders Award, the honor has been given annually since then as the Don Gabriel Kingdom Builders Award. He was honored last December by the Christian radio network BOTT Radio with the Faithful Servant Award for his lifelong dedication to Christ. Inscribed were the words, "To God’s faithful servant, ‘Who has kept the faith and finished the course. Now there is laid up for you a crown of righteousness.’ II Timothy 4:7-8."

Seeing the growth of the Branson visitor-base was a long-time goal of his and he founded two tourism companies to that effect. He was a former president and founder of a tour group event, Destined for Branson. He was also a member of the Branson Lakes Area Chamber of Commerce.

In recognition of the many years on the board of directors of the Branson Veterans Task Force, he was honored in November with the Lifetime Membership Award. He actively supported veterans’ causes in memory of his two brothers’ military service.

As the owner of a Midas Muffler shop in Cedar Rapids, Iowa, he was the inventor of the "Mufftar" – a guitar made from a muffler. He built two and used them in promoting both his sons’ musical careers.

Don was born April 11, 1934, in Rueter, Mo., the son of William Glen and Georgie (Moore) Gabriel. He married Dorothy Standley on Aug. 28, 1954, in Des Plaines, Ill. His parents William and Georgie Gabriel and two brothers, Joe and Jack preceded him in death.

Don is survived by his loving wife, Dorothy of the home; two sons, Don Gabriel of Joplin and Doug Gabriel of Branson, and one daughter, Debbie Meyers from Cleveland, Minn.; one brother, Dale Gabriel of Marion, Ill.; two sisters, June Berg of Schaumburg, Ill., and Joe Weinacht of Cary, Ill.; and eight grandchildren.

Memorials in lieu of flowers may be made to the Dorothy Gabriel Memorial Fund for Don Gabriel at the Branson Bank, 1501 St. Hwy. 248, in Branson, Mo. 65616.

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It’s always “time” for good food at Clocker’s Cafe in historic downtown Branson

What’s one of the first questions most people ask when they first visit a new area? “Where do the locals eat?” or “Where is a good place to eat?” In Branson, one answer to both of those questions is Clocker’s Cafe. Located in the heart of historic downtown Branson, at 103 South Commercial, just two doors south of the intersection of Main and Commercial Streets, on the west side of the street, Clocker’s is open seven day week from 6:00 a.m. to 7:00 p.m.

Nothing fancy here, just good old fashioned home-style cooking that is fairly priced for both its quality and quantity. Add in excellent service, menu variety, kid friendliness, it’s casual comfortableness, and location in the heart of historic downtown Branson and a “timely” visit to Clocker’s will provide a unique and enjoyable Branson eating experience.

Food value, in terms of quality and price, is important. In both cases Clocker’s would rank high on any ones list. The vast majority of the items served on their menu, from pies to soups, meat loaf, etc. are made on premises and are served piping hot by some of the best servers in Branson. Most of their full fixed price meals, include an entrée, choice of potato, vegetable, and bread, are priced under $8.00 with specials that typically running between $5.99 and $7.99. Clocker’s hard to beat everyday “$2.99 breakfast special” includes two eggs, bacon, and toast is an excellent way to start any day in Branson or a trip down to Branson Landing.

Whether it’s a full home style meal, a simple sandwich, or one of the best burgers in Branson, Clocker’s has it all. From the “Old-Timer” with heaps of grilled onions, mustard and pickles to its famous “Clocker,” served open face on Texas toast smothered with melted Swiss cheese, sautéed mushrooms, and topped with Clocker’s special ranch dressing there is a juicy burger for just about every burger taste.

Clocker’s at dinner “time” offers a full array of home-style dinners such as rib eye steak, chicken fried steak, Hawaiian ham steak, catfish fillets, etc. All dinners are served with a dinner roll, choice of vegetable, and choice of potato. There’s a different daily special such as fried chicken or meat loaf that with prices as low as $5.99 depending on the special.

Clocker’s also offers a full range of “timely” sandwiches. Clocker’s Ruben is great and its open face hot roast beef sandwich, served with mashed potatoes, gravy and hot veggie for $5.99, is one of the tastiest food values in Branson. From a BLT to a French Dip Supreme for variety, quality, price and atmosphere a sandwich at Clocker’s is hard to beat.

Run by owners Tim and Cindy Brooks, with Kelli, one of their daughters, as a regular server, Clocker’s is truly a family run restaurant. There is an excellent chance that you will be seated by Cindy, served by Kelli, and that Tim will be cooking your food. It is that almost daily family involvement and long time servers like Pat that makes Clocker’s a comfortable place for both locals and visitors alike. Those families with young children will particularly like Clocker’s kid friendliness. Cindy and Tim have created an atmosphere that is as comfortable and friendly to your children and grand children as it is to their own.

When the Ole Seagull recently asked Cindy what made Clocker’s special she replied, “We wanted to create a restaurant where people would feel welcome and comfortable and would have such a great experience eating with us that they would want to come back.” The number of times the Ole Seagull eats in Clocker’s each week testifies as to just how successful they have been in that regard.

Clocker’s Café is open seven day week from 6:00 a.m. to 7:00 p.m., accepts most major credit cards, is smoking free, and does not serve alcohol. There is level on the street parking available not 15 feet from the front door. Their phone number is 417-335-2328.

Left to right, Pat, Kelli, and owners Tim and
Cindy Brooks.
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Chuck Berry with Otis Day & the Knights Were Heating Up Branson in February

February was rocking in Branson as rock legend Chuck Berry along with his special guests Otis Day & The Knights had people dancing in the aisles of the Welk Resort Theatre. Welk-Sullivan Productions provided classy, high-energy, entertainment that was truly appreciated by the audience of this 2 night limited engagement.

Otis Day & the Knights start the show in Branson, MO
Otis Day & The Knights got the party
started at the Welk Resort Theatre.

Otis Day & The Knights are best known as the fictional traveling party band in the movie "Animal House". According to the website, ever since DeWayne Jessie took on the role of "Otis Day", whenever he steps on stage ‘Otis takes over.’ Other members of the band on stage for the evening were Amelia Jesse (DeWayne’s niece) on vocals, Gemi Taylor on lead guitar, Vincent Horne also on guitar, and Michael Kennedy on the bass guitar. They are billed as the "#1 Party Band in America" and they opened the show like they were out to prove it. They started with favorites like "Function at the Junction", "Give Me Some Lovin’" , and added their own twist to Rolling Stones classics "Money" and "Jumping Jack Flash" among others. At the half-way point of their set a huge American flag was lowered in the background and the band left the stage except for guitarist Vincent Horne. Standing in front of the giant flag, Horne brought the audience to its feet with an incredible Jimi Hendrix-esque solo of the "Star Spangled Banner." They kept the party rolling in the second half of their set by treating audience to more great party music including "Satisfaction", "Shamalamma Ding Dong", and "Soul Man". Their final number, "Shout!" had the crowd once again on their feet and singing along with the familiar tune.

Chuck Berry showing his guitar skills in Branson, MO
Chuck Berry showing off some guitar
skills during his performance in
Branson, February 16, 2007.

Following intermission Chuck Berry’s band took the stage and as we were waiting for our first glimpse of the man himself, we heard the unmistakable sounds of those famous opening guitar licks of "Roll Over Beethoven" coming from somewhere off stage. Rock and Roll Hall of Famer Chuck Berry emerged from the right side of the stage and strolled to the center, never missing a beat. Joining him for this performance was his bass player of 34 years, James "Jimmy" Marsala, and his son Charles E. Berry Jr. also on guitar. He went on to entertain the crowd with most of his legendary hits including "School Day", "Sweet Little Sixteen", "Carol", and "Rock and Roll Music". The performance was threaded with several guitar solos highlighting the skills and talent that made him one of the original inductees into the Rock and Roll Hall of Fame. For his finale he invited ladies from the crowd to join the band on stage to dance while they rewarded the audience with his classic hit "Johnny B. Goode" complete with his signature "duck walk." He may be over 80 years old, but he exuded charm, energy, and fun while still putting on a show that left the audience wishing it wouldn’t end.

More photos can be found on 1branson.com: Chuck Berry Photos, Otis Day & The Knights Photos

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A real soap opera for Branson – Branson to be featured in CBS’s “As The World Turns”

The world will turn its attention to Branson this summer when the Emmy award-winning daytime drama As The World Turns comes to town. As The World Turns Executive Producer Christopher Goutman and John Wallen, Owner of Concept Marketing, Inc. jointly announced today that the CBS daytime drama will tape on location in Branson on June 6th, 7th and 8th. The episodes will air in July.

In the story, young lovers Gwen and Will Munson (Emmy award-winner Jennifer Landon and Jesse Lee Soffer) and their friend Maddie Coleman (Alexandra Chando) will travel to “The Live Music Show Capital of the World” to further Gwen’s musical career. Gwen’s rival Jade Taylor (Elena Goode) will follow them to Branson to stir up trouble for the trio. In addition to Landon, Soffer, Chando and Goode, 21 production and crew members will travel to Branson to film at various locations. Additional personnel will be hired from the Branson area to assist with the shoot.

“We are very excited about this opportunity,” said Christopher Goutman upon making the announcement. “Branson will play a really big part in the story. We want this to be big for both As The World Turns and for Branson.”

After months of work, Account Executive, Ann Reinke will bring this terrific exposure to our community. We are delighted about the opportunity to present Branson to this audience in an exciting new way!” said John Wallen. “We are confident that the people of Branson will welcome As the World Turns with open arms. Obviously we can’t disclose the story line, but we can say that people will be talking about Branson and As The World Turns.

As The World Turns celebrated its 50th anniversary on April 2, 2006. The show received 12 Daytime Emmy Award nominations in 2006, including Outstanding Daytime Drama Series. Christopher Goutman is Executive Producer and Jean Passanante is Headwriter. A Procter & Gamble Production, As The World Turns is taped in Brooklyn, NY. The show can be seen weekdays on the CBS Television Network. (Check local listings).

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Table Rock Lakes shoreline doesn’t clean itself

The Table Rock Lake Shoreline Cleanup will be held on Saturday, April 7, 2007. Everyone is invited to participate and volunteer teams are being coordinated. Community members can make a difference in protecting the environment and your contribution toward this effort is needed and is greatly appreciated. All participants will receive a free t-shirt and a coupon for a free night of camping at any Table Rock Lake Corps of Engineers campground.

This annual event is extremely important in keeping the local waterways clean and more enjoyable for everyone to use. The main goal is to remove as much trash as possible while involving all of the people that live in the Table Rock Lake watershed. In 2006, over 900 volunteers cleaned up 350 miles of shoreline and removed 28 tons of trash.

With the increasing number of volunteers assisting also comes the added expenses. Major costs involved in this event are providing dumpsters, gloves, snacks, water, and t-shirts for the volunteers. In order to make this event possible support from local businesses is needed.

The majority of the cleanup is done on the day of the 7th but the dumpsters will remain in place until Monday, April 9th. If you would like to organize a team, be assigned to an existing team, or find out more information call Table Rock Lake Water Quality at 417-739-4100.

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Even without casino gambling Branson rolls a 7 to start 2007!

The answer to the question is, “How could an Ole Seagull possibly know, but for what it matters he believes that it is extremely unlikely that casino gambling will come to Branson in the near future, if ever, and that Branson is poised for a great 2007.”

The question then becomes, “What was the question?” But first a little reminder, this columnist writes solely his opinion based on the reality of the situation that opinion applies to, as he believes and perceives it to be based on his value system, intuition and life experiences. The constant challenge is to keep the central issue of the column from becoming an opinion on an opinion. When looking into the future that becomes difficult.

That said, the one answer actually answers two of the questions that the Ole Seagull hears the most about. The first, “Will casino gambling come to Branson?” and, particularly at this time of the year, “How do you think Branson is going to do this year?”

The division within the community aside, Branson’s public stance against the expansion of casino gambling in south west Missouri would make it hypocritical for it to even start the constitutional approval process necessary to bring casino gambling to Branson. “But Seagull, what if it was necessary to save Branson economically?” Will that make it any less hypocritical or divide our community any less? Why would any such need generate the necessary support for Branson from those communities that have established casino gambling interests? If Branson should subsequently decide that it needs casino gambling all an Ole Seagull can suggest, is that we all bow our heads and say, “Our Father who art in Heaven …”

Depending on how one bets, an opening 7 roll of the dice in a craps game is a winner. In terms of more people coming to Branson, Branson’s bet on marketing should result in the equivalent of an opening 7 roll for its 2007 season. The Branson message, all the great things that makes the Branson experience what it is natural beauty, lakes, shopping, entertainment of every type, character, history, tradition, values, etc. is getting out to more and more people. And, it’s not just that the message is going out to a broader geographical area but that it is penetrating deeper into the traditional markets that have been a mainstay for Branson tourism for years.

The question might be asked, “But if we have been marketing to them for years why do we want to invest more money in them?” It’s like picking apples off a tree; if all that is picked is the easy to reach fruit that is on the bottom branches is not the larger percentage of fruit left unpicked? In 2007, for the first time ever, the Branson area will have planned for and implemented a full years marketing plan backed by enough financing to work the plan effectively. For the first time Branson has the funding to both plant new trees and more fully harvest those that have been already been planted.

One might think that it’s all the new things, that have and are taking place, in Branson, the Titanic, Branson Landing, the new convention center, White Water expansion, Silver Dollar City’s Grand Exposition and GIANT Swing, etc. that will provide success for Branson in 2007. But in an Ole Seagull’s heart he believes that it is the combination of all those things and their integration into the effective marketing of the total Branson experience that results in just about a sure bet that, in terms of people coming to Branson, Branson will roll a 7 in 2007.

“Ah, Seagull, does that mean that my particular business will do better in 2007?” No, it means that every business in Branson will have access to more people coming to Branson in 2007. Those that have the right product, marketing, flexibility and service are in an excellent position to roll a 7 for 2007. Those who don’t have about as much chance of benefiting from Branson’s initial 7 roll as they would if they bet on the numbers 2, 3, or 12 at the craps table and the shooter rolled a 7.

Branson’s poised for a great 2007 are you? Whether from a business or personal sense, an Ole Seagull’s prayer would be that the answer is, “Yes.”

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Does this mean no Hilton Serenity bed at Branson Landing for the Ole Seagull?

On Valentines Day the Ole Seagull attended the grand opening of the beautiful new Hilton Promenade at Branson Landing. Evidently, if city of Branson Alderman Jack Purvis is right, the Ole Seagull should not have gone.

Imagine the Ole Seagull’s surprise when, as he extended his hand to Purvis ,at the event, he pulled back and directed verbiage toward the Ole Seagull indicating that he was a “hypocrite” for attending the opening and expressing his concern that someone who had written what the Ole Seagull had about Branson Landing would have the nerve to show up at the opening. He also indicated that the Ole Seagull was one of the, if not the, most divisive forces in Branson.

The class, appropriateness, and professionalism of Purvis’s statements aside; although it appears that the Branson community is divided over issues, particularly as relates to the current leadership of the city of Branson, he attributes too much power to one lowly Ole Seagull. Can any reasonable thinking person really believe that the opinion of one columnist, who merely writes about what others have said, done, or failed to do, can divide any city, let alone one like Branson with its many extremely talented entrepreneurs, managers, leaders, and independent thinkers?

Is it not more likely that such division, if it exists, is caused by the community’s perception of the actions or failure to act of those in leadership rolls? What exactly could an Ole Seagull have written or write that could possibly have the potential to divide our community more than the letter signed by city attorney Paul D. Link a few months ago. That letter was mailed to a lot of the city’s tourism businesses demanding that they submit a list of their customers to the city.

Was it the Ole Seagull writing about, what he considers the city of Branson’s abuse of TIF laws in the Branson Hills area that has caused division and concern within the community? Or, is there just the possibility that it was the realization of the community that the city of Branson’s TIF practices had the potential to impact adversely on their school district and could cost the tax payers of Taney County, including those living within the city of Branson, tens of millions of dollars to, among other things, keep the “big boxes” from going somewhere else in the county beside Branson?

The people of this community are astute and intelligent enough to realize that anything written by the Ole Seagull is but his opinion applied to the facts as he believes them to be. Whether written by, angels, men, or Ole Seagulls, they will evaluate what they are reading in terms of what they know and believe to be true, make their own decisions, and react accordingly.

“Hypocrisy” is defined as “The practice of professing beliefs, feelings, or virtues that one does not hold or possess.” How is a citizen, even one with opinions that some might disagree with, hypocritical for attending a public event that they had been invited to? Are community members who disagree with some of the actions of the board of aldermen, city administrator Terry Dody, and city attorney Paul Link hypocrites because they attend Branson Board of Aldermen meetings?

Exactly what was it that the Ole Seagull wrote about Branson Landing that made it hypocritical for him to attend the opening? Taken in total, could not a reasonable person, who has actually read what he has written about Branson Landing, not only in his columns but in his online publication www.BransonCourier.Com, comments on the www.1Branson.Com forum, and in associated Blog entries give him the benefit of the doubt and say, “Even Ole Seagulls are welcome at Branson Landing?”

Does the alternative mean that he can’t buy another boat at Bass Pro Shops in Branson Landing or eat another Charley’s Grilled Sub? Will he be forever denied the joy of eating another “Top Shelf Guacamole,” at Branson Landing’s “Cantina Laredo” or spending hundreds of dollars at Belks, GNC, Pass Pro Shops, etc. But most intriguing of all, would it mean that it would be hypocritical of him to even entertain the possibility of him and his wife ever getting the “most refreshing, restful slumber imaginable,” on a Hilton Serenity bed, within the loving bosom of the beautiful Hilton Promenade at Branson Landing? Please tell him it isn’t so!

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Branson’s best kept boat servicing secret – Bass Pro Shops in Branson Landing?

Branson Landing Blvd. entrance.

Because of the boat display that is an integral part of the Bass Pro Shop at Branson Landing almost everyone who has walked the south end of Branson Landing’s promenade knows they can buy a boat there. A lot fewer people know that the store has a specific name, Bass Pro Shop’s White River Outpost and still fewer know that it has a full service Tracker Marine Boat Service Center.

Although thousands of people drive by it every day and still thousands more walk the promenade of Branson Landing and shop at Bass Pro Shops most do not even notice the Tracker Marine Boat Service Center located right on Branson Landing Boulevard slightly north of the south west corner of the building. The good news for those owning or using boats in the Branson area is that in addition to preparing the new boats sold at the Bass Pro White River Outpost for delivery they also do boat repairs and maintenance for the general public and can install the majority of the marine items sold in the store.

Left to right, Clay Newkirk, Steve Denega, and
Kieth Sinkclear examine boat.

Originally published Feb. 14,2007

Originally Published In the Branson Courier on Feb. 14, 2007.

The facility itself, like everything else about Bass Pro’s White River Outpost is first class. It is a modern clean two stall facility with the latest tools and diagnostic equipment staffed by people who, to use the words of Clay Newkirk, Service Manager of the facility, “Care about boats and boaters.” From personal experience, the Ole Seagull can testify that the expertise and quality of the people who will be providing the service and maintenance at the facility are excellent.

In a recent interview, Newkirk said that he wants the local boaters to know that they are there to meet their boating repair and maintenance needs. He also pointed out that now would be an excellent time for them to drop by and get acquainted. With the severity of this winter, spring, at times, seems far away. However, Newkirk pointed out, now is the time to be thinking about getting boats checked out and ready for the coming season. A little thought and effort now, before the season starts, can prevent major problems during the season.

In a normal winter, the potential problem for a boat being stored outside are bad enough but they could be worse than normal because of the extended periods of cold weather the region has had this winter. He suggests that particular attention be paid to seals, required lubrications, electrical systems, fuel systems, steering systems and cables, and engine operation.

Newkirk emphasized that he and his staff work on all makes of boats and have plenty of time available now to help boaters get ready for the 2007 season. He also stressed that as the season grows closer that will not be the case. Although they will do the best they can to work people in as quickly as possible anytime, the reality of the situation is that will be harder to do during the season.

Bass Pro Shop’s Tracker Marine Boat Service Center is open from 8:00 a.m. to 4:00 p.m., until Mar. 1, 2007 and from 7:30 a.m. through 5:00 p.m. after that date, Monday through Saturday. For an appointment or information call 1.417-243.5164.

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Restaurant Review: Pizza World – Excellent Pizza and then some

Mary piles it on at the buffet table.

On Jan. 29, 2007, we celebrated the first birthday of our seventh grandchild, Evan at the Branson Pizza World located in the heart of Branson’s famous 76 Strip. It opened in the spring of 2006 and is owned by Duane Rogers.

Although it has a pizza buffet, which is what we had for the party, it is a full service pizza shop with dine in as well as carry out and delivery service. Pizza World has everything from a full selection of appetizers, to salads, Calzones, oven baked subs, and pizzas of just about every type imaginable. Their signature pizza is the Appondanza which is piled high with 12 ingredients. They offer two basic styles of crusts hand tossed and thin.

The pizza bar pizza that we had for the party was all on hand tossed crusts and was excellent. In talking with Rogers and James Holloway, the General Manager, they both stressed that they the pizza they put out on the buffet is the same as the pizza they serve off the menu and deliver. All the Ole Seagull knows is the pizza he had, Canadian Bacon and pineapple, hamburger and mushroom, vegi, chicken Alfredo, to name just a few were all excellent.

The pizza bar also had spaghetti garlic bread sticks, and an excellent salad bar. The lettuce was crisp, the vegetables were fresh, and there were fresh mushroom and some of the roundest pepperoni the Ole Seagull has ever seen. There was a full choice of excellent dressings.

There were about 20 people at the party and they all enjoyed the pizza. It could probably best be summed up by my oldest grandson Basil Paul who classed, in order, the chocolate chip dessert pizza as great along with the pepperoni and the chicken Alfredo pizzas. His grandfather would have to add that the hamburger mushroom and the blue berry dessert pizzas we also in that category too. It seemed everyone had a favorite and that no one had a complaint.

The establishment was very clean and our server, Christy, did an outstanding job. With 20 people ranging in age from one year to 75 plus years old she did it all, from pizza requests, to filling the drinks and letting us know when fresh pizza were on the buffet she was simply great.

Through March 1, Pizza World is opened Thursday through Saturday from 11 a.m. to 9 p.m. After March 1 they will be opened daily from 11 a.m. to 9 p.m. Pizza World is located at 3405 W. Highway 76 on the north side of the road just east of Andy’s Frozen Custard. The phone number for information and to have Pizza World pizza delivered is 417.337.7778.

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Branson’s Hot Winter Fun Show Schedule – February 22-28, 2007

Click here for the schedule of shows for Hot Winter Fun available for the week of Feb.22 – 28. The schedule will be constantly changing as more shows open.

Only the shows participating in Hot Winter Fun that will be open during the period covered in the schedule are shown. As explained in the Ole Seagull’s article entitled, “It’s a different “show" during Branson’s Winter Season,” there are shows, attractions etc. participating in Hot Winter Fun that will be opening at different times and there are shows, attractions, etc. that are part of Hot Winter Fun that might not be open at certain times. If you do not see the show you are interested listed in the current Hot Winter Fun Schedule and want to see if it is going to be available and when, either call the show directly or follow the procedure outlined in the article.

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Romance being celebrated during February at Branson’s Titanic Museum Attraction

Guests can relive the romance of the star-
crossed lovers "Rose" and Jack."

Published In the Branson Courier on Feb. 14, 2007.

February is especially sweet for visitors at the World’s Largest TITANIC Museum Attraction in Branson, Missouri as Sweetheart Month kicks off February 1. During the month guests are invited to celebrate their own love stories as they meet “Rose” and “Jack”, the star-crossed lovers in James Cameron’s Oscar-winning movie, Titanic.

“We have a number of character players at the museum attraction all year, and due to popular demand, we decided to add the film’s two most famous characters, Rose De Witt Buker and Jack Dawson for Sweetheart Month,” said museum attraction co-owner Mary Kellogg Joslyn.

For the first time anywhere, guests can interact with two young players as they appear in costumes drawn from original designs created by Deborah Scott for the Titanic movie. “Rose” will be dressed in the elaborate traveling suit and extravagant, wide-brimmed hat she wore on arrival at the ship. “Jack” will appear in the modest clothes of a third-class passenger.

Romance and adventure were definitely in the air when Titanic set sail on April 14, 1912. Fourteen couples traveling on Titanic were on their honeymoon, nine in first class. There were also young, brides-to-be sailing to America to start a new life. “We feel that blending the reality of the Titanic experience with the fictional aspects of the movie will help create a whole new appreciation of this incredible story,” Kellogg Joslyn said.

The TITANIC Museum Attraction is open from 9a.m to 5p.m during Sweetheart Month. Admission is $17.92 plus tax for adults and $9.99 plus tax for children ages 5-12. Children under 5 are admitted free. Family passes are available for $46.60 plus tax for two adults and up to four children under the age of 18 and still living at home. For ticket information, visit www.titanicbranson.com or call (417) 334-9500.

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Sandberg new Corps’ project manager for Table Rock Lake

Jim Sandberg is the new operations project manager at the Army Corps of Engineers’ Table Rock Lake. He replaces Ken Foersterling who retired in August. In his new position, Sandberg is responsible for managing and operating Table Rock and Beaver dams and power plants as well as Corps parks and public land surrounding Table Rock Lake.

Sandberg is no stranger to the Corps or the Table Rock Lake area. He has more than 25 years experience working with the Corps. Prior to his new assignment, he was operations manager since 2002 for the Beaver Lake Project Office in northwest Arkansas. Before that, he worked at Table Rock as a park ranger, supervisory civil engineer technician and chief ranger. He has also served as a park ranger in the St. Louis and St. Paul Districts.

He graduated in 1987 from the University of Minnesota at Mankato with a bachelor’s degree in park and recreation administration. In 2006, he graduated from the Little Rock District/Southwestern Division Emerging Leader’s program. His awards include Commander’s Award for Civilian Service, Achievement Medal for Civilian Service and Northwest Arkansas Federal Executive Association’s Supervisor of the Year in 2005.

Sandberg and his wife, Bernadette, live in Kimberling City. His hobbies include traveling, spending time with Bernadette, shopping for and refinishing antiques, waterskiing, hunting, fishing and helping friends.

Published In the Branson Courier on Feb. 14, 2007.

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Uninterrupted Prayer Blesses Branson Area

Guest Writer: Bob Burton, UP Team Coordinator

[Editors note: The “Branson” that most visitors come to visit as well as “the city of Branson” itself is in both Stone and Taney Counties.]

On the National Day of Prayer in May, 2002, The Uninterrupted Prayer Team (UP Team) began its service to Stone and Taney Counties. The Silver Dollar City Foundation sponsored the UP Team, and the initial founders and steering committee were Pastor Howard Boyd, Ted Reed and John Baltes.

The Mission of the UP Team is that God’s perfect will be done in Stone and Taney Counties. The strategy is to have 24 hour a day, 7 day a week prayer for the area. Members commit to an hour a week of prayer; they prayer where and how they choose to. Each UP Team member gets a prayer manual with information about the Team, a list of prayer needs, a suggested and optional methodology for prayer, and a monthly Newsletter. Further, there are several optional opportunities a year for members and other folks to come together for a time of prayer.

Each day of the week is devoted to a "sector" of the community: Monday is Entertainment; Tuesday is Social Services (agencies, churches, families and individuals in need) and Civic Services (police, fire,etc.); Wednesday is Businesses; Thursday is Medical; Friday is Education; Saturday is Churches and Ministries; Sunday is Government (local, county, State, National, and the military). Some members pick a day of the week because they have a passion for a particular sector; others pick a day of the week because it is most convenient for their schedules.

On the National Day of Prayer this year, the UP Team will celebrate its 5th anniversary. Many people are unaware of just how much prayer is going on through the dedication of UP Team members (and there are also many other prayer groups and praying individuals in our area). As of this writing, 152 out of 168 weekly time slots are filled. But because people do not have to take an open slot when they join, many hourly slots have multiple members. The bottom line is 285 hours of prayer a week! So, whatever sector of our community you identify with, there are people praying for you.

Many, many people in SW Missouri believe that God wants to do something very special here that will impact our entire nation. We already have a strong foundation of Christian and family values and genuine patriotism; but we are not at the goal of "spiritual transformation," which will have as its result the permeation of all sectors and all people and groups the loving grace of God. In such an environment, Christians and people who are not Christians will live together in harmony; but from a Christian perspective, the Lordship of Jesus Christ would reign. Then the people coming here from all over our nation will experience the meaning of true spirituality as opposed to religion and will take that back to their own regions and communities. The key to any spiritual transformation and awakening has always been prayer. But the prayer of the UP Team members is also for the well-being and protection of all residents of the area.

The goal this year is "24/7 in 2007". The UP Team wants to fill all hourly slots — and eventually several people in each slot — and thereby have an umbrella of prayer over the area. An hour a week can have a tremendous impact, as the prayer of every person is very powerful. And together the members form an army of intercessors. Many UP Team folks have shared that the commitment to an hour a week has also been a personal immense spiritual blessing, as God cannot be outdone in generosity.

[Editors Note: The author of this article, Bob Burton, has the Coordinator of the UP Team since its inception. Bob is a 25+ year employee of Herschend Family Entertainment, and works both in Human Resources and for the UP Team. If you are interested in learning more information about the UP Team, setting up an UP Team in your area, becoming a member, or receiving the UP Team’s monthly news letter please contact Bob via cell phone, day and night, at 417.331.1028; his office number at 417.338.8036; or via email by clicking here.]

Originally Published In the Branson Courier on Feb. 14, 2007.

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Chuck Berry in concert at Branson’s Welk Resort Theatre

Rock and Roll Hall of Famer Chuck Berry

Branson’s Hot Winter Fun is about to get a lot hotter the weekend of Feb. 16, 2007 as rock n roll’s legendary Chuck Berry does two special concerts in Branson’s Welk Resort Theatre. The 80 year old Rock and Roll Hall of Fame member was one of the first to perform what was to later become rock and roll and is considered by some to be the father of rock and roll and with good reason.

From his very first single, “Maybellene” Berry’s pioneering efforts, unique lyrics combinations of styles of music, and trademark guitar playing laid the basic foundation of the rock and roll sound that defines its genre. For over 50 years with songs like “Roll over Beetoven,” Rock and Roll Music,” “Johnny B. Goode,” “Nadine,” and “My Ding-a-ling” Berry’s music and style of performing has been a fan favorite for decades and a model for serious rock and roll musicians to study and emulate.

Appearing in the 1978 movie, “Animal House,” actor Dewayne Jessie played the roadhouse rhythm -and – blues singer “ Otis Day.” Due to his performance and the success of the movie, the rest is as they say, “History.” “Oatis” and his band, “The Knights” went on tour and through. Their unique high energy performances of “Shout,” “Louie, Louie,” among many more have resulted in sold out crowds and the moniker of “America’s #1 party band. Otis Day and the Knights will be performing with Chuck Berry in this exciting Branson rock and roll experience.

Performances are scheduled for 8 p.m. on Feb. 16 and 17 in the Welk Resort Theatre located at 1984 State Highway 165 in Branson, Missouri. For further information or to purchase tickets on line please click here or call 417-337-7469.

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Does the city of Branson’s Cloud Law trump Missouri’s Sunshine Law?

Quite simply, the state of Missouri has a “Sunshine Law” intended to insure that the public’s business is conducted in a manner that is open to the public. Is it just possible however that, within the government of the city of Branson, there is an unofficial unwritten “Cloud Law” that does just the opposite?

Section 610.011 of Missouri’s Sunshine Law states it is the public policy of the state of Missouri that meetings, records, votes, actions, and deliberations of public governmental bodies shall be open to the public and that any exception to that policy shall be liberally and strictly construed to promote this public policy. Section 610.022 of the Sunshine Law states that just because there is an exception authorized does not mean that it shall be construed “as to require a public governmental body to hold a closed meeting, record or vote to discuss or act upon” that exception.

It gets even simpler and clearer. The website for Missouri’s Attorney General has a page entitled “Missouri’s Sunshine Law top ten things to know.” One of the first items that list mentions is that, “The Sunshine Law allows a public body to close meetings and records to the public in some limited circumstances, but it almost never requires a public body to do so. It also says, “When in doubt, a meeting or record of a public body should be opened to the public.” [Items in bold are bold in the list.]

On Aug. 14, 2006, a motion was made by one of the aldermen, in this case, Alderman Gass, to go into a “Closed Executive Session pursuant to 610.021.1 RSMo for litigation; 610.021.2 for real estate, and 610.021.3 for personnel.” These meetings are closed to the public, are the very type of meeting that the Sunshine Law encourages to be open to the public, and happen after the majority of Branson board of aldermen meetings.

According to the minutes of the meeting, the meeting was attended by only selected senior paid staff employees of the city of Branson and the Board of Aldermen. There were no other attendees. The minutes further indicate that only one item was discussed at the meeting, “Potential Litigation/Contract Negotiations.” Although “Contract Negotiations” might be an authorized legal exception under the Sunshine Law, the discussion of such, under the notice that was given in this case, appears to be in violation of not only the spirit and policy of the Sunshine Law but its legal notice requirements as well.

As relates to the topic, the entire minutes for the meeting are as follows: “The City Administrator discussed with the board the settlement agreement with the Pt. Royale POA. Pt. Royale will remit funds to compensate the city for maintenance of Pt. Royale drive and the city will transfer title of the street back to the POA. Discussion followed. The board agreed by consensus to move forward with the settlement agreement.”

Does an Ole Seagull care whether or not Pointe Royale Drive was sold back to the Point Royale Property Owners Association? Of course not, but the manner in which it was done and the way in which both the spirit and stated policy of Missouri’s Sunshine Law, if not the actual law itself, was manipulated and circumvented does cause him concern.

If the current administration of the city of Branson can “cloud” the Sunshine Law in this manner for something as simple and mundane as this how much more is the potential for abuse when millions of dollars are involved? Don’t the citizens, property owners, and businesses of Branson deserve elected and unelected officials who will adhere not only to the letter of Missouri’s Sunshine Law but its spirit and stated policy as well? Officials who will look for ways to give the public more access to meetings rather than ways to deny them access? For what it matters, an Ole Seagull believes that they do.

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“Uponst Thy Glorious Moon I Hath Gazed” or not!

In keeping with the interactive nature of this column, an Ole Seagull knows he’s going to be humming “Blue Moon” when he gets both the “full moon” and “a” moon trying “to correct his errors” all in one day. To make sure that he doesn’t “miss the mark” a third time the Ole Seagull should point out that “the moon” was in its full phase on Feb. 2 and that the “a” moon he is referring to is a letter to the editor appearing in that dates edition of this paper written by “Al” Moon.

Moon starts his letter off by saying, “The Old Seagull missed the mark twice recently, which prompted me to try to correct his errors.” What exactly does the word “error mean? In perhaps one of its kindest lights, an error can be defined as “An act, assertion, or belief that unintentionally deviates from what is correct, right, or true.” As the Ole Seagull read on through Moon’s letter the song title “Moon at My Window” came to mind.

The first “error” to be corrected was apparently in regard to the column the Ole Seagull wrote in this paper a couple of week ago entitled, “The foundation for Branson’s future success is the same as for its past success, values.” It is available on line at www.bransoncourier.com under “Editorials.”

Moon says, “First, in his article regarding values being the thing that bring customers back to the Branson area, I don’t know what his definition of ‘family values’ is.” Even recognizing that his letter is but a “Paper Moon,” how is it an “error” on the part of a person using a term because someone else doesn’t know the definition of that term or chooses to define it in a different way?

The only mention of “family values” in the column was when the Ole Seagull suggested that Branson’s foundational success relies on “individual entrepreneurship, patriotism, family values, and the heritage and tradition of the Branson area that has become an integral part of the Branson experience most of our visitors have.” Those things need no definition from either an Ole Seagull or “The Man in the Moon” because they are either impressed on peoples hearts and minds or they are not, people either value them or don’t, and will either come to a unique place called “Branson,” where they abound, or will not.

The title of the song “Keep Sweeping The Cobwebs Off The Moon” comes to mind as Moon gets to the alleged second error and says, “Where the Seagull really misses the mark is in his trying to blame the school district raising taxes on the use of TIF districts.” He then continues with his version of sweeping the cob webs off the reasons he would use to “question any new request for additional funds.”

The column Moon is apparently referring to, entitled “Is the city of Branson’s use of TIFs a factor in raising school district taxes?” was printed in the Jan. 28 edition of this paper. It is available on line at www.bransoncourier.com under “Editorials.” An Ole Seagull would simply suggest that the column title and its last sentence reading, “It is absolutely correct to say that the school district is having to raise, at least in part, their mil levy because of TIFs” makes it very clear that Branson’s use of TIFs is but a factor in the complex set of circumstances that are requiring the Branson R-IV School District to ask its patrons for a tax increase.

In the context of Moons letter, one could get the impression that he agrees with the city of Branson’s city administrator, Terry Dody when he recently said, that “it is absolutely incorrect to say that the school district is having to raise, in part, their mil levy because of the TIFs.” Now that leads to an interesting question that Branson voters could ask the mayoral and aldermanic candidates running for office.

The question would be, “Do you really believe that Branson’s use of TIFs doesn’t at least play a part in the school district having to raise taxes and why?” Particularly in the minds of the incumbents that voted for the TIFs the question might bring to mind the song title, “When My Blue Moon Turns to Gold Again.”

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Is the city of Branson’s use of TIFs a factor in raising school district taxes?

It was recently announced by the Branson R-IV School District that they will be going to the voters for the first increase in the mil levy on real estate taxes for the district in about 20 years. Might not a reasonable person wonder about the possibility that the city of Branson’s use of Tax Increment Financing, (TIF) is a contributing factor in the need for increased taxes for Branson’s schools?

Well, they need wonder no more. At a recent Branson Board of Aldermen meeting, the city of Branson’s city administrator, Terry Dody, addressed the issue of the city of Branson’s use of TIFs as relates to the proposed school tax increase. Among other things he said, “They are working enormously successfully and the school district is not having to raise its mil levy because of the TIF districts. The TIF Districts are actually positively impacting them.”

Now the Ole Seagull isn’t too bright but is there just the possibility that the thousands of relatively low paying jobs that were created by Branson’s TIFs brought lots of new kids into the Branson school district resulting in the increase of thousands of dollars per student per year to educate them? Is it also possible that at the same time, one of the primary sources of funding for the school district, commercial real estate taxes, on the very property used to generate the new students, is being confiscated by the city of Branson for its own economic development purposes?

“But Seagull, didn’t Dody say that the TIF Districts are actually positively impacting the school district?” Apparently so and in addition it appears that he closed his presentation with the conclusion that “it is absolutely incorrect to say that the school district is having to raise, in part, their mil levy because of the TIFs.”

It has been the Ole Seagull’s experience that Dody says a lot of things but, at the end of the day, what’s important is the truth. May an Ole Seagull suggest that those having the responsibility for running the Branson school district, its board and administrators, are in a much better position than is Mr. Dody to provide that truth.

From an Ole Seagull’s perspective, it is inconceivable that the city of Branson’s use of TIFs is not, in the very least, a contributing factor in the school district having to ask the voters for the tax increase. Said another way, and using a paraphrase of Dody’s closing statement, the Ole Seagull believes that “It is absolutely correct to say that the school district is having to raise, at least in part, their mil levy because of TIFs.”

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Red, Hot… & Blue! Show Moves to Music City Centre

The cast of Red Hot & Blue!

A Branson favorite since its debut in 1996, “Red, Hot…& Blue!” is moving to the Music City Centre theatre, on the famous “Branson Strip.” Red, Hot…& Blue will perform nearly 150 shows throughout the 2007 season at its new venue.

David Sandy, president of David Sandy Productions, Inc. whose company produces the shows at Music City Centre and operates the theater said, “I am so excited about “Red, Hot…& Blue” joining our family of award-winning shows here at Music City Centre.” He went on to point out that, “This show has been a favorite of mine ever since I came to Branson in 2002. I’m very happy to be working so closely with this very talented group of entertainers.” David Sandy Productions also produces the following shows at the Music City Centre, “The Haygoods”,” Tony Roi’s Elvis Experience” and “Tom Mullica’s Red Skelton Tribute.”

Sandy also pointed out that the shows high-energy, professional team of eight entertainers present an award-winning nostalgic musical journey through the decades from Ragtime to Rock ‘n Roll and beyond. As anticipated, with a new season and location, audiences will enjoy brand new, exciting production numbers. Appealing to all ages, Red, Hot…& Blue continues their show-stopping formula of hilarious wigs, award-winning costumes, precise vocal harmonies, breathtaking choreography, unbelievable musical arrangements and first-class talent.”

Over the last few years, in addition to its Branson performances, Red, Hot…& Blue! has been spent a lot of time touring and entertaining on cruise ships, in performing arts centers, and other venues over the last few years. Christopher Tucker, the director and co-creator of the show was extremely excited about the move to Music City Centre and said, “It’ll be good to be back performing in Branson on a consistent basis throughout the 2007 season.”

During February and March Red, Hot…& Blue will be performing at 8 p.m. on Tuesday through Saturday. Starting in March they will be doing 10 a.m. and 3 p.m. shows. Click here for on line schedule information or ticket purchase or call 1-800 or 417- for further information.

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Branson School district to ask voters for first levy increase in over 20 years

Although there have been bond issues approved by voters over the years, it has been more than 20 years since the Branson School District has asked for an increase in the operating levy. The approval of bond issues were necessary to construct new school buildings needed to serve the rapidly growing student population in recent years.

The school district will ask voters to approve a 45-cent tax levy increase on the April 3 ballot. Superintendent Dr. Doug Hayter reported Tuesday night that the increase will allow the district to hire at least nine new teachers and 14 support staff members. “We can compete with other schools in attracting staff,” said Hayter. “We also have an increase in fuel costs.”

The recommended increase is also needed because of the district’s reliance on property taxes, some of which are affected by TIF (tax increment financing) districts in the Branson area. “We have the lowest school levy in the conference, as well as in either Stone or Taney counties,” Hayter said. “We will still be one of the lowest schools in the area with the increase.” The district is a member of the Central Ozarks Conference.

The current tax levy is $2.75 for operating costs, and $.70 for debt service [$3.45]. The [$.45] increase will bring the total tax levy to $3.90 per $100 of assessed value. Board member Mike Booth said, “From a common sense standpoint, this is something we need to do. If we take care of our people, they’ll take care of our kids.”

For homeowners, the increase will mean an increase of about $85.50 per year on property assessed at $100,000, or a little more than $7 per month. Chairman of the finance committee, board member Dr.Rick Tallon, commented, “Commercial growth in the area
doesn’t reflect financially on the school district.”

In another election issue, the terms of Tallon and Booth are both set to expire. Both men filed for re-election, but there was no opposition candidate, so according to state statute, the men will continue as school board members.

Furnished courtesy of the Branson Daily Independent.

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“Ideas In Ice,” Takes Branson’s First National Ice Carving Competition

Winning ice sculpture "Ideas in Ice." Titanic
-themed images by John Flottman of Oklahoma
City. Photo By: TITANIC Museum Attraction.

Cold temperatures and rainy conditions didn’t prevent several of the nation’s top ice sculptors from competing in Saturday’s National Ice Carving Association– sanctioned contest at the World’s Largest Titanic Museum Attraction in Branson, Missouri.

Spectators gathered under umbrellas during the five-hour outdoor event to watch as the sculptors’ Titanic-themed creations came to life. Several Branson celebrities including the Lennon Sisters and Presleys’ Country Jubilee cast members even dropped by.

“We were very honored to host Branson’s first national competition,” said Mary Kellogg Joslyn, Titanic museum-attraction co-owner. “All of these carvers are incredibly talented and did an amazing job of memorializing the Titanic.”

John Flottman of “Ideas In Ice,” based in Oklahoma City, took top honors and $2,500 in cash with his chronological vertical collage of Titanic images. The sculpture portrayed a celebration of Titanic’s maiden voyage, followed by the New York Times announcement of it’s sinking, and finally the wreckage, as seen by a submersible.

Second place and $1,000 went to Stephan Koch of Indiana Ice Studio, Inc. from Yorktown, Indiana for his sculpture of the Statue of Liberty with the torch in one hand and Titanic in the other.

Third place and $500 went to Kenneth Burkemper of Ideas In Ice, in Oklahoma City, for his rendition of Titanic’s crows nest and two watchmen.

The World’s Largest TITANIC Museum Attraction plans to host next year’s National Ice Carving Competition on January 12, 2008. For entry information, please visit, http://www.nica.org/.

The World’s Largest TITANIC Museum Attraction is Branson’s new landmark tourist destination. The 17,000 square foot, ship-shaped structure – built half scale to Titanic’s original size – towers more than 100 feet above its anchored position on Highway 76. A 90-minute, self-guided tour covers 20 galleries on two decks where more than 400 priceless artifacts that once belonged to Titanic’s passengers or crew are on display. None of the artifacts were retrieved from the ocean’s floor. A creative mix of music from the period is accompanied by dramatic lighting, ambient sound, photographs, video and hands-on devices that give visitors the sensation of being an original passenger on Titanic’s 1912 maiden voyage.

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The foundation for Branson’s future success is the same as for its past success, values!

Two things have had a great impact on the way that the Ole Seagull looks at the marketing of Branson. One was a primary finding of the Sterling Branding Study, initiated and paid for by the city of Branson a few years ago. That finding showed that the vast majority of the visitors coming to Branson loved “the product” and would return again.

To the Ole Seagull, “the product” is the total experience that Branson gives to its visitors. That experience is a mosaic with a constantly evolving combination of live entertainment, attractions, and exciting activities, lakes, natural beauty, lodging choices, dining, shopping etc.

Some might ask, “But don’t those things exist, to one degree or another in a lot of vacation destinations throughout the country and the world? What is it about Branson’s product that makes it unique?”

An Ole Seagull would suggest that what makes Branson’s product unique is the foundation upon which it is built and presented. A foundation built and presented on individual entrepreneurship, patriotism, family values, and the heritage and tradition of the Branson area that somehow become an integral part of the Branson experience most of our visitors have.

That ties directly into the second thing that impacts on the way the Ole Seagull looks at the marketing of Branson. The same Sterling study showed that “values” was one of the primary things that people identified with Branson. Folks, as good as Branson Landing might eventually prove to be for Branson, we could build two Branson Landings, neigh five Branson Landings, and they would not do as much for Branson’s brand as our values and the perception that our visitors have of them.

The Ole Seagull was privileged to observe the Branson Marketing Summit, held on Jan. 16 and 17. One of the first presentations covered the “intuitive brand truth,” that, “Branson is NOT Las Vegas or New York and Branson is NOT intimidating.” To that an Ole Seagull would say, “Amen, and the more we try to be like them or change ourselves or product to try to be attractive to the types of people that prefer Las Vegas or New York the more of ourselves and the very uniqueness that makes Branson what it is, we risk losing.

Where is the credible evidence that says Branson needed a new demographic or a new product? It’s interesting to note that although Branson’s percentage of first time visitors rose from 20.4 percent in 2003 to 23.3 percent in 2006 that Branson’s percentage of repeat visitors dropped from 79.3 percent in 2003 to 76.7 in 2006. What is bigger 2.6 percent of 76.7 or 2.9 percent of 23.3 and by how big a margin? In the opinion of an Ole Seagull, Branson’s prayer should be that the decline in the rate of return visitors is an anomaly and not the beginning of a trend.

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50’s At The Hop Says Farewell To The Jim Stafford Theatre

Marvin & his sax - 50's At The Hop
Marvin & his sax
50’s At The Hop

The afternoon of New Year’s Eve marked the final performance of 50’s At The Hop at The Jim Stafford Theatre. The enthusiastic crowd was rewarded with a show filled with energy and fun. Even though this was their final show at this theater, fans will be pleased to know that they are planning to re-open in April in their own theater amongst The Shoppes at Branson Meadows. Photos of this performance can be found in the 50’s At The Hop – Jim Stafford Theatre Album
at 1Branson.com.

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It’s a different “show” during Branson’s Winter Season!

Jim Stafford - Branson, Missouri
Jim Stafford will be performing during
Branson’s Hot Winter Fun.

The simple fact of the matter is that a trip to Branson, Missouri in January is not the same as a trip in August. Most people coming in January are aware of the weather differences and would not expect full slate of water and other outdoor activities more suitable for summer weather. What a lot of first time visitors don’t know, or fully appreciate, is that the show schedule for Branson’s “Winter Season,” is drastically reduced from that available during the “Season,” the rest of the year. Branson’s "Winter Season" runs from approximately the second or third Saturday in Dec. to until about mid March when Silver Dollar City opens and more shows start to open for the season.

The Branson area has a promotion called “Hot Winter Fun,” which covers roughly the time period of mid December through March 31. It should be remembered when looking at a Hot Winter Fun promotional piece or their web site that, in the majority, the only establishments they are showing are those that are part of the promotion. There are many additional restaurants, shows, retail establishments, etc. that will be open during all or a portion of Branson’s Winter Season that are not part of the Hot Winter Fun promotion. In terms of shows particularly, it should be remembered that just because a show is listed doesn’t mean that it will be open all during the period covered by Hot Winter Fun or that one not listed will not be open for at least a portion of the same period.

Just a glance at the Hot Winter Fun Show Schedule for the period January 11 through 17, 2007 illustrates the general point. It shows only eight or nine theatres open during that period none of which are Shoji Tabuchi, Andy Williams, Legends in Concert, Darin Romeo, Cirque, Duttons, The Preleys’ Country Jubilee, Shepherd of the Hills, Gatlin Brothers, Oak Ridge Boys, Doug Gabriel, Jim Stafford, or many of the other Branson shows that people coming to Branson might normally expect to see.

The thing to remember however is there are still plenty of excellent shows open that will entertain “your socks off” and that the schedule of shows opening is constantly changing from now until the “Season” opens. As but one example, although Jim Stafford is not open during the period January 11 through 17 he will be opening on Thursdays through Saturdays with a gradually expanding schedule starting on January 26.

Obviously, those wanting to see a particular show should check to make sure the show they want to see will be open while they are in town. As was pointed out above, particularly as the Winter Season moves closer to its end there will be shows such as, but not limited to, Shoji Tabuchi, Presleys’ Country Jubilee, etc. that will be opening who are not listed as part of the Hot Winter Fun promotion.

If the Ole Seagull wanted to see what shows were available on a given date, he would go to the site of a major reputable on line ticket agent such as Reserve Branson.com, enter the dates he was going to be in Branson and scroll through the alphabetical listing looking for shows that will be open on the dates that he indicated. Such a search would show that if he wanted to see the Shoji Tabuchi Show on January 24 he’d best get over it because “There is currently nothing available ” on that date. The same search for March 24 shows that there is a show at 7:30 p.m.

Obviously, another way to do it would be to go to contact the individual theatres directly either by phone or through their web sites. Either way, a little pre planning can help avoid disappointment and help make your trip to Branson a pleasant experience you won’t ever forget and one that will bring you back to see us again.

Originally Published In the Branson Courier on Jan. 13, 2007.

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You can “bank” on a wonderful dining experience at Bottini’s

Chef Bottini by entrance to the "vault room."

Originally Published In the Branson Courier on Jan.13, 2007.

With all the excellent restaurants in Branson why would anyone want to travel 45 minutes down the road to Harrison, Arkansas to go to a restaurant? Well, if it’s a special occasion you are celebrating you can “bank” on this, Bottini’s Restaurant will provide one of the most unique and satisfying dining experiences available anywhere.

Starting with its unique location in an old bank building through its service and the excellent variety and quality of its food Bottini’s is a dining experience that a lot of visitors to Branson, as well as locals, will appreciate. From fresh baked bread to the desserts everything is prepared on the premises either directly by or under the supervision of owner chef Nicholas Bottini. The Ole Seagull has eaten there three times within the last six weeks with a variety of people and each time the experience has been consistent and delightful.

We have had a number of Bottini’s appetizers such as Calamari, Chicken Mushroom Raviolis, and, the Ole Seagull’s personal favorite, Smoked Salmon Carpaccio. All have been excellent. Usually there is a choice of two soups, one of which is French Onion, a wonderful tasty combination of lots of onions languishing in a tasty broth that is topped with a crouton and baked cheese. Normally the Ole Seagull is a salad guy and passes on the soup but everyone who tried it raved about it so much I had to try it last time and boy was I glad I did.

Bottini’s menu has something for everyone. From some of the best steaks you will ever put in your mouth, aged on the premises, to veal, a selection of pastas, seafood, and poultry. But the news gets even better because each item is prepared and served like it is a specialty item.

Each entrée comes with a choice of soup or tossed green salad, freshly baked bread and an appropriate starch, wild rice, oven-roasted garlic potato, or pasta as appropriate. The Ole Seagull loves steak so he has stuck with the Tornadoes of Beef, twin filets of beef, pan seared and topped with a delightful mushroom cream sauce and sautéed fresh spinach. Well except for the last time when he just had to try the Tornadoes of Beef Oscar, twin filets of beef topped with fresh crab meat and asparagus and a tasty béarnaise sauce. It too was excellent. Another excellent dish that was enjoyed is the fresh Sea Scallops that are pan seared and topped with a mango cream sauce. Of the 14 meals that have been ordered by people with the Ole Seagull on his three visits to Bottini’s there has been nothing but raves on the food.

Service is an important part of the fine dining experience. The service at Bottini’s is excellent and unobtrusive. There is plenty of water and your every need is taken care of yet, there is not someone hovering over you poring water every time you take a sip or trying to sweep a bread crumb off the table cloth every time you drop one. We have had the same server on all our trips to Bottini’s, Marie. Her extremely personable, efficient, and accommodating service added substantially to the enjoyment of our total dining experience on each and every occasion we visited.

Above all, save room for dessert. As with just about everything else Bottini’s desserts are all made on premises. Usually there will be a special dessert but their standards Tiramisu, New York style Cheese Cake, and Crème Brule are outstanding. The Tiramisu is so good that the Ole Seagull actually ordered it the second and third time he went instead of one his favorite desserts, Crème Brule. And it wasn’t that the Crème Brule wasn’t outstanding, it was, just that once he tasted his wife’s Tiramisu he had a new favorite.

Bottini’s unique restaurant building, an old bank, is located at 103 West Rush Street, in Harrison, AR at the corner of West Rush and Business Hwy 65 (Main Street). It is open for lunch Tuesdays through Friday from 11 a.m. to 2 p.m., for dinner Tuesday through Saturday from 5 p.m. to 9 p.m. and for Sunday Brunch from 10 a.m. to 2 p.m. It is closed on Mondays. The phone number is 870-743-9873 and, on most evenings, particularly weekends, reservations are suggested.

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First Place for the 2006 Branson’s news story of the year goes to “First PLACE”

The 2006 news story of the year is the continuing story our community working together to make positive character traits part of what our children and grandchildren experience every day, at home, in school, and in the community. The First PLACE program is a commitment by teachers, school administrators and support staff, area businesses, parents, relatives, friends, local government entities, the College of the Ozarks, and others to “foster a community where character is highly valued and intentionally taught.”

“Oh come on Seagull, you have to be kidding. With all that’s going on down at city hall, the New Branson, 25 story sky scrapers, the city of Branson trying to hijack the term ‘Branson’ for its own use, law suits on Branson Landing, etc. how can that be the local news story of the year?” Quite simply, because, to most people, the future of their children and grand children means much more to them than Branson Landing, the status of the convention center, 25 story sky scrapers, or even the community’s perpetual preoccupation with bringing more first time visitors to Branson.

Each month of the year a particular character trait is taught and emphasized in the schools. That teaching is then reinforced within the community and at home through First PLACE Partners, businesses and individuals, who have committed to “demonstrating one visible action each month that ties into the trait of the month.” The First PLACE character traits are:

Respect – treating others with courtesy and honor (September)
Responsibility – taking ownership of what you say and do (October)
Citizenship – being loyal to your country (November)
Compassion/Kindness – caring for others (December)
Commitment – being true to your word (January)
Honesty – being truthful in what you say and do (February)
Cooperation – working together toward a common goal (March)
Perseverance – demonstrating persistent determination (April)
Self-discipline – training and control of yourself (May)
Hospitality – welcoming others in a friendly way (June)
Patriotism – showing love for one’s country (July)
Patience – waiting calmly (August)

The story grows exponentially in importance when the fact that it’s not a matter of whether or not our children are going to have character is acknowledged. They are; it’s just a matter of what type of character they are going to have good, bad, or indifferent. On an individual basis, character is acquired, learned, and developed on a daily basis based on, among other things, environmental factors and the choices individuals make about how they live their lives and what they fill their minds with.

Proverbs says it best, “For as he thinks within himself, so he is.” In an Ole Seagulls life this basic truth has evolved into a simple irrefutable master guide line, “We will become what we think we are and that is controlled by what we have placed in our minds.” The First PLACE program is dedicated to filling the minds of our children and grandchildren with positive character traits that will help empower them to live up to their fullest potential in a way that will be a blessing to themselves and to others.

The Ole Seagulls favorite verse of scripture is, “Whatever is true, honorable, right, pure, lovely, of good repute, of excellence, or worthy of praise, let your mind dwell on these things.” As a community and as individuals, the First PLACE program provides the opportunity to not only “dwell on these things” but make them a vital part of the lives of our children and grandchildren, ourselves, and the very community that we call home. The First PLACE program, and the community’s continuing commitment to it, gets the Ole Seagulls vote for the top local story of 2006. What do you think?

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Can the “New Branson” ever be Branson?

I was reading the letter that was written to you about the drastic change in Branson in the past few years. I agree totally!!!! It seems to me that the "little guy" is not welcome there anymore. We have been coming to Branson for 15 years. It was appealing to us because of the tremendous history and "hillbilly" atmosphere. Now it seems that it is appealing more to those other than the "average Joe". What really was heartbreaking for us is what happened 2 years ago. We watched as the downtown lake front and city park was demolished only to bring in corporate America stores that DO NOT say Branson. What happened? We miss Branson. When it comes to choosing the almighty dollar over history, (which is what Branson was about, then I have to say "What a shame." Branson may prosper in the "new way", but it will never be Branson again? Ken, Greenville, MS

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The Grand Jubilee

Though the image of Branson is in transition, there are plenty classic Branson type shows. Long time Branson visitors often think of The Presley’s or The Baldknobber’s when they think of classic Branson shows. Both of those are great shows that the whole family will enjoy. But I would argue that today The Grand Jubilee is also a new Branson classic.

People come to Branson to see great music and comedy. That is what put Branson on the map. The Grand Jubilee is one of those great shows that you should put on your list when in town.

The 76 Country Music Hall at the Grand Country Square houses one of the most intimate and comfortable theatres in town. This is also where you can see one of the best country/variety and comedy shows around.

I knew that management had made some pretty substantial changes to the show and cast since I had last seen the Grand Jubilee. I have to admit that I was a little leary about what I might see. Would it be as good? Could they possibly improve on what I remembered as one of the best shows in town? With just five minutes of the show behind me, all my fears had faded away.

The curtains opened and the show was rolling. New South came out singing Only In America, and really got the show off to a great start. The two new members of New South seem to fit perfectly with the show. Mike Patrick, the show producer and MC, really changed the look of the show by adding Matt and Scott. My wife leaned over and said just what every husband loves to hear from their wife. She whispered in my ear, "he’s a hottie." Ladies, they are nice looking men. The show has a much younger and more contemporary feel. However, looks can only take you so far, and along with Trey and Mark, the returning members of the quartet, they continued to astonish the crowd all night with their tight harmonies and smooth sound.

In the first half alone you will hear New South perform tunes ranging from Bobbie Sue, which seemed to be created just for Mark’s barrel dropping bass voice, to songs like Elvira, Tennessee River and many more that are too numerous to list.

The show also featured the vocals of Todd Bradshaw and Callie Chambliss. Both lend their phenomenal talent to the production. Before intermission you will hear classic Loretta Lynn at its best and Todd’s rendition of "Behind Closed Door" will have you holding your own sweetie a little closer.

The close of the first half was my favorite segment of the show. Who doesn’t love good southern gospel music? These guys can do it very well. I was able to sing right along as they lead with classics like How Great Thou Art and When The Saints Go Marching In.

During intermission the whole crew gathered in the hall to greet and talk to their guests. It does not take long when milling around the crowd to realize that there are many true fans of this show. They come back time-and-time again to be with the friends on stage. I felt that the performers really appreciated their fans. No doubt, that is one reason this show is so popular.

The second half started with a very unique Elvis tribute. I must admit that I am not the biggest Elvis fan. But that could not stop me from having a great time watching. They started with Jail House Rock and strolled through the "Kings" musical life before landing on Fools Rush In. By the time they were finished, there were at least a half dozen Elvis on the stage, including what I would assume is the only singing female Elvis Impersonator in Branson.

They ripped through every decade from the 50’s through today. There were guest appearances by the Beatles, Sonny & Cher, the Jackson Five, and Dolly just to mention a few. While the music was as perfect as ever, the audience was in stitches as surprise after surprise paraded across the stage.

There is no way I could even begin to think about finishing this review without some careful consideration of the Grand Band. Their title truly describes their talent. In an entertainment town full of great musicians, this conglomeration of talent is GRAND. They are as much a part of the production as the vocals. Honestly, there were several times when I wished that there had been more band solo sets.

As great as the vocals and the band were, I must admit that I am a sucker for the comedy. As a critic, I am open to see any show in Branson regardless of the style. However, personally I always prefer comedy. This show had everything I was looking for. The comedy seemed well timed and kept me laughing all night. Jamie Haage, aka Jim Dandy, has been in Branson for years. He has been part of the Grand Country family for the last few seasons. His comedy style is different from many of the comedians in Branson. Though some of his stuff is physical, I would not describe him as a physical comedian. He does not rely on tons of funny costumes or makeup changes to keep the audience going. There he is in his trademark orange suit. The way he interprets a story, delivers a punch line, or plays off others in the cast will make it easy to see why he is considered one of the funniest men in Branson.

Make time in your next Branson vacation to see the Grand Jubilee. It is a high energy two hours that you will be telling your friends about when you get home.

The Grand Jubilee is performed at the Grand Country Music Hall. The theatre is very easy to find. It is located in the heart of Hwy 76. Just look for the huge fiddle sticking out of the building. They perform in the 8:00 p.m. time slot all year. For more information, reserve tickets or check the show schedule visit them online at www.grandcountry.com or call the theatre at (417) 335-3535. Tell them that Heath from the Branson Courier sent you.

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Does this provide an insight into the reality and truth of “guess who?”

During the Dec. 11, 2006 meeting of the Branson Board of Aldermen, the city of Branson’s highest paid employee, city administrator Terry Dody, took issue with the media’s general coverage of the pitiful display of professionalism and decorum that he and city attorney, Paul Link displayed at the Oct. 23, 2006 meeting of the board. Among other things, Dody was apparently concerned about the Ole Seagull’s column of Dec. 10, entitled, “Is Dody right, should the record reflect that the board is taking no action in violation of our city ordinance?” which is available on line at www.bransoncourier.com under “Editorials.”

The reason the word “apparently” is used is because Dody never used the word “column” in his comments but instead refers to the very column he is addressing as “an opinion letter to the Branson Daily Independent.” The question could be asked, “Doesn’t Dody know the difference between a “letter,” opinion or otherwise, and a “column” as they normally appear in a newspaper?

One could get the impression that Dody is no more versed on the difference between an “opinion letter” and a “column” appearing in a newspaper than he is with the “Decorum” provisions contained in sub section 2-54(o) of the Branson Municipal Code. In an Ole Seagull’s opinion, that would be an erroneous impression and Dody’s very carefully chosen choice of words provides an interesting and revealing insight as to his version of reality and truth as compared to the way that most other people would view them under similar circumstances.

Dody said that he thinks “that there needs to be some clarification” and was going to have “our city attorney make some comments regarding the facts and the comments that were made in that letter.” Those words jumped out at the Ole Seagull because to him, when Dody uses the “C” word, “clarification,” it’s a warning to compare very closely what he is saying to the reality and truth of the situation as most people would understand it given similar circumstances.

He further states that he wants that clarification “for the public.” The public that read the column read it in this news paper which is distributed free. What better way to provide clarification to that public, and the public in general, than through a written press release to all the media or, at the very least, a letter to the editor of the very paper that published what it was that allegedly needed clarification?

“Ah Seagull, if he had done that wouldn’t the public have had convenient documented access to exactly what he said from the “horses mouth,” been able to evaluate it, and comment on it?” Of course they would, but how many people who said and acted like Dody did at the Oct. 23, 2006 board of aldermen meeting would really want that to happen?

Dody, then asked city attorney Paul Link “to make some comments regarding the facts and the comments that were made in that letter regarding that there was no reason that person should have been called out of order…” May an Ole Seagull suggest that, the column, which as indicated above, is on line for all to read, contained no “facts” or “comments” stating there “was no reason that person should have been called out of order” or “was not out of order.”

“But Seagull, Dody says it does.” Well, although that doesn’t, in the opinion of an Ole Seagull, make it so, it does provide yet another opportunity to the public for a clarifying, interesting, and revealing insight as to his version of reality and truth as compared to the way that most other people would view them under similar circumstances.

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Dissolved Oxygen Up and Midges are a hard combination to beat

Since Table Rock turned over and the dissolved oxygen levels have increased the fishing, numbers wise, has been nothing short of spectacular. On Dec. 16, using a size 18 zebra Copper Dun I caught about 15 Rainbows in an hour and easily missed that many. Size wasn’t great but the numbers and fun was. All the guides out of the shop are doing great. Also played around with a 1/32 Brown Marabou Jig and caught a few on it. I used 6x Orvis Mirage Tippet and had the indicator set at about two feet. I was fishing from about 4 feet of water out into six feet.


Other Lake Taneycomo Fishing Reports


River Run Outfitters
– For their latest fishing report click here.
Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
Lilly’s Landing – For the latest fishing report click here.
Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

General Information on Lake Taneycomo

Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

History of Lake Taneycomo – .

More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

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Branson celebrates New Years Eve as only it can!

From a Titanic “times square” count down like count down into 2007 to a cruise on an actual working Showboat, comedy, dancing, dining, and shows and music of every type Branson will be bringing in the New Year as only it can.. In addition to all the activity and entertainment, most of Branson’s fine dining establishment are having special New Years Eve celebrations and should be called individually for information and to make reservations.

The following list is just a partial list of what is available. For more information and list updates call the Branson Lakes Area Chamber of Commerce and CVB at 1-800-BRANSON

The Showboat Branson Belle
Special New Years Eve Cruise at 8 p.m. 1-417-800-831-4FUN

Titanic, the World’s Largest Museum Attraction New Year’s Eve Countdown 11:00 – midnight
Titanic’s 100-Foot Mast Rigged with Lights, Rockets to usher in New Year’s Times Square Style! 417-334-9500

Waxy O’Shea’s Irish Pub Branson Landing
“Raise the Roof” on New Year’s Eve. 417-348-1759
Branson Landing Hours are 11 am – 6:00 pm, New Year’s Eve & New Year’s Day.

Chateau on the Lake Resort & Convention Center
New Year’s Eve Celebration with a special menu, live entertainment, champagne toast and fireworks display at midnight. 1-888-333-5253 or 417-334-1161

Dick Clark’s American Bandstand Theater
New Year’s Eve Show 9 pm – midnight, cash bar opens at 6 pm. This incredible New Year’s Eve show will be hosted by pop icon Fabian, with guests Bobby Vee, The Chiffon’s, Brian Hyland and Chris Montez. Fabian will count down to the New Year live on stage! Enjoy hors d’oeuvres, party favors, a champagne toast, balloon drop, and a rock-n-roll good time! 800-985-3144 for Special New Year’s Eve Package reservations.

Jim Stafford Theatre
New Year’s Eve Show 9 pm – 12 midnight. Party favors, hors d’ oeuvres,
non-alcoholic champagne, souvenir gift, balloon drop at midnight. 417-335-8080

Legends in Concert
New Year’s Eve Show 9:30 pm – midnight. Doors open at 8:00 pm.
New Year’s Day Show 8pm 800-374-7469 or 417-339-3003

Magnificent 7
New Year’s Eve Show 9 pm – midnight
White House Theatre 877-487-2386

Motown Experience
New Year’s Eve Show 10:30 – midnight
Bart Rocket Theater 417-348-0888

Pierce Arrow Theater
New Year’s Eve show 9 pm – 12 midnight.
New Year’s Day show starts at 8 pm. 417-336-8742

Road to Rock
New Year’s Eve Show 9 pm – midnight 417-334-7305

SIX
New Year’s Day Show at 2:00 pm
Hughes Brothers Celebrity Theater 417-334-0076

Kirby Vanburch New Years Eve Show
8 p.m. to New Years Show, Balloon Drop 417-337-7140

Bart Rocket
Bart Rocket Theatre
8 p.m. 417-348-0888 or 336-0241

Celebrating the Glory of God’s New Year
IMAX Theatre 417-335-4832

Magnificent New Years Eve Celebration
White House Theatre 417-335-2396
6:30 p.m. Dinner, Show, Countdown

Originally Published In the Branson Courier on Dec. 22, 2006.

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Titanic will light the way and rocket Branson into 2007!

Branson’s TITANIC Museum Attraction

The World’s Largest Titanic Museum Attraction will launch a new family tradition as it hosts its first live New Year’s Eve Countdown with a twist on New York City’s famed ball drop in

The free outdoor event will feature a spectacular display of lights circling their way to the top of Titanic’s 100-foot mast as the clock counts down. At precisely midnight, a series of rocket blasts will signal the start of the New Year.

Radio personality Charlie Mason of KOMG, 92.9 FM Bass Country will be broadcasting live from Titanic starting at 9:00 p.m. on Sunday, December 31, 2006.

“We expect to draw hundreds of celebrants to this free, community event,” said Mary Kellogg-Joslyn, museum attraction co-owner. “As the countdown begins to the final seconds of 2006, I can imagine all our guests – families, friends and strangers – joining together to welcome 2007 and expressing hope for the year ahead,” she said, “just like at Times Square, but in Branson!”

Visitors interested in taking Titanic Branson’s final tour of 2006 are encouraged to arrive by 9:00 p.m. Tour admission on this special night will be $25 for adults; children age 12 and under are admitted free.

The World’s Largest TITANIC Museum Attraction is Branson’s new landmark tourist destination. The 17,000 square-foot, ship-shaped structure – built half scale to Titanic’s original size – towers more than 100 feet above its anchored position on Highway 76. A 90-minute, self-guided tour covers 20 galleries on two decks where over 400 priceless artifacts that once belonged to Titanic’s passengers or crew are on display. None of the artifacts was retrieved from the ocean’s floor. A creative mix of music from the period is accompanied by dramatic lighting, ambient sound, photographs, video and hands-on devices that give visitors the sensation of being an original passenger on Titanic’s 1912 maiden voyage.

For advance TITANIC tickets, visit: www.titanicbranson.com or call 417-334-9500 or 1-800-381-7670

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Even Santa Vacations in Branson

The Branson Lakes Area Chamber of Commerce & CVB Public relations committee has produced a special free video clip called, “Even Santa Vacations In Branson.” After all, where does Santa go after he has delivered all his toys?

It’s narrated by Jim Stafford, contains a catchy song and provides an interesting overview of what Branson has to offer. See if you can pick Santa out of your favorite show or doing your favorite Branson activity. The free video is available at www.explorebranson.com/santa.

Originally Published In the Branson Courier on Dec. 20, 2006.

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Mayor breaks tie, in 25 story high rise resort complex

Mayor breaks tie, in 25 story high rise complex

The 25-story, 300 ft. tower issue has had the community split over whether or not it should be built. The Branson board of aldermen has also been split. Monday night, they agreed to move the bill allowing the tower from the consent agenda to the regular agenda to allow more public input. And the public was ready.

There was more than two hours of debate. Speakers on both sides of the issue spoke eloquently, and the board members listened to all. Co-founder of Silver Dollar City, Jack Herschend, called for a review board to determine what Branson’s future growth should look like. He considered the tower to be a mistake, saying, “The passionate customer of Branson is more critical” of drastic changes to the area.

Herschend stated that in recent years, he’d had the idea that Silver Dollar City should change from “1880s mining town to 1890s Victorian village,” and that loyal season passholders had turned in their passes for refunds when the amusement park made the changes. “That particular mistake was my fault,” said Herschend. “Luckily, we were able to reverse the error and change it back.”

Herschend continued, “We need an architectural tool that tells us what Branson should look like….I doubt the property will turn into a cow pasture if the development does not go through. Hopefully, we’ll get a yardstick to measure what Branson should look like.” Loud applause followed his statements.

Candace Davis owns a company that builds high end homes, and likened the tower to the Space Needle in Seattle. “I feel there is room for the project,” she commented. Jim Cox worked for the Herschend family at Silver Dollar City in 1963. He cited that experience as leading him to approve the development, because Herschend told him in 1963 that “it is all about the customer.” As a current business owner in Branson, Cox feels that “I do know what’s going on, I do know what’s happening, and I do know what brings visitors to Branson.”

After discussing the need for more high end motel rooms, Cox addressed Aldermen Huff, Edie, and Purvis. “It’s a changing dynamic, gentlemen. The future of Branson depends on growth.”

Local motel owner Chris Myer worked with a graphic designer to prepare a site study, showing what a 300 ft. tower would look like, both at the proposed site and from around town. He had copies passed out to aldermen and the audience. The papers rustled through the chamber as Myer spoke with intensity for nearly 20 minutes. Summarizing his address, Myer said “The more we make it look like a city, the less we have in natural beauty.”

Many people were able to speak, to the board’s credit. While the amount of his or her own time each member has spent on the issue is incalcuble, there have been more than 12 hours of public time devoted to the issue.

In the end, though, the results were the same. Alderman Dave Edie noted that this particular
ordinance is an exception to Branson’s ordinary height restrictions, which is seven stories or 100 feet. He also said, “(Aldermen) Ron Huff, Jack Purvis, and myself combined have over 120 years of experience” owning and operating a business in Branson. “We’ve seen a lot of people come, we’ve seen a lot of people fail.”
Edie also said, “We’ve received many letters about this project. Branson is distinctive in character, distinctive in appearance.” He went on to say, “A project of this scale will change the character of this town.”

Huff, Edie, and Purvis voted against allowing the development. Gass, Barker, and Martin voted in favor.
As happened at the Nov. 27 meeting, Mayor Schaefer then cast the deciding vote in favor of the project.
Developer Rick Huffman of HCW Development Company, which is one of the partners in the project, has said in the past that a feasibility study would be conducted before construction on the tower begins at the north end of Branson, near the intersection of U.S. Hwy. 65 and St. Hwy. 248.

Courtesy of Branson Daily Independent

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Can there be Christmas without CHRISTmas?

This column was originally written over 10 years ago and is modified and republished each year as an Ole Seagull’s testimony as to what Christmas means to him. The political correctness of “Merry Christmas” may change but the true meaning of CHRISTmas will never change.
The “Grinch” never came any closer to stealing the true meaning of Christmas than has being “politically correct.” In recent years their has been a move to change the traditional Christmas greeting of “Merry Christmas” to the “politically correct” terminology of “Happy Holidays” or “Seasons Greetings.”

“But Seagull, you wouldn’t want to offend those who are celebrating Kwanzaa, Hanukkah, or something else would you?” Absolutely not, but most people are not offended by the use of the term “Merry Christmas,” which means so much to the vast majority of Americans to whom the celebration of Christmas is so significant and special. Those who want to preserve the history and tradition of the “Christmas” that the U.S. Congress designated as a legal holiday on June 26, 1870.

What do “Happy Holidays,” and “Seasons Greetings,” have in common with “_ _ _ _ _ _ mas?” They leave “Christ” out. So what? What does Christ have to do with the celebration of Kwanza, Hanukkah, Santa Claus, presents, office parties, red nosed reindeer, decorating trees, wreaths, holly, sleigh bells, retail sales, booze, and feasting? Not much.

What does Christ have to do with CHRISTmas? Everything! Without Christ there can be no CHRISTmas. There can be a holiday, a season, festivals, and religious observations of every persuasion but, without Christ there can be no CHRISTmas, in either fact or spirit. One cannot even say or spell the word “CHRISTmas,” let alone explain its actual history, meaning or origins, as it is celebrated in the United States, without Christ.

The Concise Columbia Encyclopedia states that Christmas is “Christ’s Mass in the Christian calendar, the feast of the nativity of Jesus.” The American Heritage Dictionary of the English Language defines “Christmas” as “A Christian feast commemorating the birth of Jesus.” Jesus who? Jesus, the Christ Child, the only begotten Son of God, born of the virgin Mary in Bethlehem over 2000 years ago.

First there was Jesus Christ and because of Christ there is the celebration of His birth, CHRISTmas. Secular customs and traditions have developed since; but, first there was Christ.

Even the greatest current secular symbol, the “Ho, Ho, Ho” jolly old Santa Claus seen everywhere during the Christmas season, was first made popular in New York during the 19th century. And before that the European traditions of “Sinterklaas,” and Saint Nicholas can be traced back hundreds of years; but, first there was Christ.

Why, there are even some who would try to replace the bright guiding light of the Star of Bethlehem with the red glow of the nose of “Rudolph the Red-Nosed Reindeer.” Rudolph’s nose has been guiding Santa’s sleigh since 1939 when Robert May wrote a verse for a Montgomery Ward promotional comic book. In the late 1940’s his brother-in-law adapted the verse and used it in the song “Rudolph the Red-Nosed Reindeer;” and the cowboy crooner, Gene Autry, made Rudolph famous but, first there was Christ.

When someone says “Happy Holidays” or “Seasons Greetings,” rather than “Merry Christmas,” those wanting to share the gift of Christmas could ask, “What Holiday?” or “What Season?” What better way to create or reinforce an awareness of the “reason for the season,” that very first Christmas when “God so loved the world that He gave His only begotten Son that whoever believes in Him should not perish but have eternal life?”

If we keep the spirit of the Christ Child and His love in our hearts and share it with others, Christmas, in its truest sense, will be with us everyday of the year, Merry Christmas folks, Merry Christmas.

An Ole Seagull, and the rest of the Groman Family would take this opportunity to wish you and yours a blessed Merry Christmas.

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Branson’s “The Cantina Laredo” – a delightful gourmet dining experience

Cantina Laredo in Branson Landing

Originally Published In the Branson Courier on Dec.20, 2006.

The Cantina Laredo, located in Branson Landing, is billed as a “gourmet Mexican food” restaurant. If the experience Lois and I had at the Catina Laredo is any indication, it is all that and more.

The Ole Seagull and his lovely bride of 42 years, Lois, went in for lunch recently. It was on a Monday, shortly after 11 a.m., it was not crowded yet and we were immediately seated. Our server, Vanessa showed up promptly and took our drink order. While we were waiting for our drinks to arrive we were served some of the freshest and crispiest tortilla chips we have ever tasted, along with two salsas, one mild and one hot. The flavoring in both was very tasty and the hot sauce was hot.

Based on Vanessa’s recommendation we decided to try their “Top Shelf Guacamole.” It was made fresh at our table by James Craig, a.k.a. Skinny. It is a subtle blend of avocado, onions, lemon, cilantro, jalapenos, and “secret spices,” with just the right amount of tomatoes delicately folded in. It was delicious and is big enough to feed four as an appetizer. Lois, who is a Mexican food aficionado, said it was some of the best Guacamole that she has ever eaten. The “Top Shelf Guacamole” cost $6.99 and is something that we plan to have every time we dine there.

One of the house “Especialidades” is Carnitas, “fresh pork roast with chipotle-wine sauce. Based on the fact that we both love Carnitas and Vanessa’s recommendation we decided to try the Carnitas Soft Tacos from the lunch menu. There were two good sized tacos, served with rice and a choice of beans, refried, black, or borracho. The pork was fresh, moist, and just plain delicious. Lois had the borracho beans which she said were great and I had the refried beans which I enjoyed very much. We both took half our food home and enjoyed it two nights later. At $8.79 per plate for the amount and quality of the food, we thought the price was very reasonable.

As I was writing this piece I talked with Maggie Reiter who had eaten there recently. She had one of the enchilada combinations, cheese and beef, with rice and beans. She said it was excellent, and she was very impressed with the service, ambiance, and overall quality of the food.

The dessert presentation by Vanessa kind of edged us into trying the Mexican Apple Pie and boy were we both glad we did. It is sizzled in Mexican Brandy Butter table side and topped with your choice of cinnamon or vanilla ice cream. We split one and went with the cinnamon. Normally I like to split a dessert with Lois because she doesn’t eat much dessert. This time she did and said it was excellent. At $4.49 it’s big enough to split after eating a meal like we did.

One reason why everything is so good is that from tortilla chips to the desserts, it’s all prepared from scratch on premises The combination of atmosphere, food quality, ambiance, and the excellent level of service not only met our expectation but exceeded them. The Cantina Laredo was a delightful dining experience and we will return again.

The Cantina Laredo is open for lunch from 11 a.m. to 3 p. m. and is open from 11a.m. to 11 p.m. on Friday and Saturday and from 1 a.m. to 10 p.m. Sunday through Thursday. It is located at 1001 Branson Landing, right across from Sullivan’s Steak House. The telephone number is 417-334-6062.

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TITANIC Lands Another “First” With Sanctioned Ice Carving Contest

A beautiful Eagle ice sculpture

The World’s Largest TITANIC Museum Attraction has been chosen as the host site for a National Ice Carving Association sanctioned competition to be held on Saturday, January 13, 2007, according to museum-attraction co-owner Mary Kellogg Joslyn.

The nation’s best ice sculptors will compete on-site from 8:00a.m. to 1:00p.m. at the Titanic Museum Attraction’s outdoor entertainment center by the ship’s bow. The event is free and open to the public. “This is a first for Titanic and for Branson,” Kellogg Joslyn said, “and the first of many special events coming to Titanic in 2007 to give our visitors something new and exciting to see when they come for a tour.”

The National Ice Carving Association (www.nica.org), headquartered in Oak Brook, Illinois, will award recognition and $4,000 in prize money to the top sculptors. Those wishing to enter the competition can obtain an application on the Titanic’s website at www.titanicbranson.com.

“I’m hoping one of the artists will be inspired to carve Titanic in ice,” Kellogg Joslyn said. “That would be wonderful.”

The World’s Largest TITANIC Museum Attraction is Branson’s new landmark tourist destination. The 17,000 square foot, ship-shaped structure – built half scale to Titanic’s original size – towers more than 100 feet above its anchored position on Highway 76. A 90-minute, self-guided tour covers 20 galleries on two decks where more than 400 priceless artifacts that once belonged to Titanic’s passengers or crew are on display. None of the artifacts were retrieved from the ocean’s floor. A creative mix of music from the period is accompanied by dramatic lighting, ambient sound, photographs, video and hands-on devices that give visitors the sensation of being an original passenger on Titanic’s 1912 maiden voyage.

Photo Credit: Photo from NICA Web Site Photo Gallery .

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If she’s not “The Branson Show Queen” who is?

If she’s not “The Branson Show Queen” who is?

In a recent email Maureen Hannah, from Virginia, said, “I am about to break my record for number of Branson shows I have attended in 7 days.” She went on to say that she is coming to Branson during the week of December 4, 2006 and has tickets to 21 shows!

The last three times she was in Branson she went to three shows a day and saw 20 shows on each visit. Hannah has visited Branson many times over the last ten years and purchased a time share about five years ago that she uses early in December of each year. She loves the Branson area and said, “I can even see myself running the gift shop at The Moon River Theater if I ever really retire.”

She is a former dance instructor who still owns and operates a dance school. Each time she comes to Branson she brings a different assortment of friends. Hannah said, “Last time, I had two 87 year olds and an 80 year old and we had a ball.” She continued, “Where else can I relive old memories with people I grew up loving?”

Hannah is “under 60” and loves the variety that Branson’s shows offer. She goes to the established shows as well as some of the, what she calls, “new comer” shows and her list of favorites is constantly changing. Well, except for maybe one. She says, “Andy is my favorite.” She thinks that, “Jarrett Dougherty (with Pierce Arrow) is the absolute funniest man I have EVER seen!!!”

Hannah went for a personal record of 21 shows during her seven day visit starting on Dec. 5. On the morning of Dec. 11, she walked out of her 21st show, the Doug Gabriel Show and started for the airport to return home. She said that she had had a wonderful time in Branson and had seen both shows she had and had not seen before. Of the shows she had not seen before her favorite was the Brett Family. She loved the costuming and said, “It seems that each number was better than the one before it.”

She wondered “If anyone else has ever beaten that in seven days.” In any event it probably doesn’t make any difference because Hannah says, “Rest assured I will return to Branson to try for 22!”

Originally Published In the Branson Courier on Dec. 20, 2006.

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Likes Branson the way it was!

The first year we came to Branson was in 1992. We have returned every year since anywhere from one to three times each year. With all of those years has come entertainment at its best. We have stayed at both your campgrounds and motels, depending on the time of year we visited. We saw the community prosper with new motels being built and lots of new eating establishments to whet the visitor’s appetite. More roads had to be constructed to accomodate all the visitors that came to Branson. In all our trips to your area, we saw visitors come from every state in this country we live in. I would not care to admit how many of our dollars my husband and I have pumped in to your economy in your "little town". I would not want any of our money back, because we loved the atmosphere in that "little town". It provided us with a home away from home and good entertainment besides. It was convenient to be able to call the theatres directly and make arrangements for all our show tickets. I have met some of the nicest people "over the phone". We have traveled alot, and there is no place nicer to come to than Branson at Christmas time.

In the past few years we have seen a drastic change to the community. Change that has not been for the best in our opinion. Nothing was more disheartening than to drive past the Grand Palace and see that it was dark as a dungeon. Most beautiful place in Branson to see a show and the doors were closed half the time. Several theatres have closed their doors, along with some of the best entertainers leaving the area. Finally this year the Grand Palace got busy and brought in some entertainment – new entertainment – good entertainment – thank you Joe Sullivan!! We also saw the Billy Ray Cyrus show at the Moon River Theatre. We are coming back for the Christmas shows – staying in your "little town" for 10 nights. Where are we staying? We are staying along Hwy. 76 – in the part of town that has been there for so long and the part of town that has provided us with the entertainment. Where will we be eating? Same answer. You figure it out. We do not need those fancy motels that are chains already and have lots of money. The motels on Hwy. 76 suit our needs – the ones that are independently owned. So do the eating places on Hwy. 76 fit our needs.

It appears that greed has taken over the area. Granted, we know the area has exploded in population. We know that changes had to be made. And we know that new things need to come in to play in order to keep the visitors coming to the area. What we see in the changes are that you are crushing the "little guy" that helped make your area what it is today. Remember, it was the "little guy" that brought all the visitors in the first place.

Except for what I have been reading I know nothing about this but I now hear they want to change the city’s name of Branson. What will some of you people think of next? What will you possibly gain by changing the name? (Mildred, MN)

Editors Note: Although there might be days when the Grand Palace is dark it is one of the most active theatres in Branson, and the Hall family, which runs it, is constantly raising the Branson entertainment bar by bringing in new talent and ideas. i.e. Carrie Underwood, Mannheim Steamroller, etc. Although the city of Branson is taking some steps that it believes is necessary to protect the name Branson, I have heard nothing about anyone wanting to change the name of “Branson.” (Gary J. Groman, a.k.a. The Ole Seagull)

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Can one assume that someone having a responsibility to enforce the law actually knows the law?

It’s “Final Jeopardy” in the game of “Jeopardy,” city of Branson style. The Final Jeopardy question is “The person who found it remarkable that accusations accusing the city of Branson’s attorney, Paul Link, of discrimination, coercion, twisted untruths, bullying, harassment, breaking the law, blackmail, lies, and violating the lawyers code of ethics was not mentioned in the Ole Seagull’s Dec. 10 column entitled, “Is Dody right, should the record reflect that the board is taking no action in violation of our city ordinance.” Unremarkably, all three contestants, write the correct response, “Who is Paul Link?”

Link made the statement as he and Branson’s city administrator Terry Dody took exception, at the Dec. 11 meeting of the city of Branson’s board of aldermen, with not only the columns coverage of their antics at the Oct. 23 meeting of the board but the general media’s coverage of their actions at that same meeting. The column, available on line at www.bransoncourier.com under “Editorials,” documents, what the Ole Seagull believes is, the unprofessional, bullying, and interruptive behavior, of Link and, particularly, Dody, that took place at the Oct. 23 meeting. The behavior occurred as a member of the community had the floor and was trying to make a presentation that, among other things, questioned the professionalism of some of Links actions.

Link, in referring to his actions at the Oct. 23 meeting said he “was accused of discrimination, coercion, twisted untruths, bullying, harassment, breaking the law, blackmail, lies, and violating the lawyer’s code of ethics.” He went on to say that it was remarkable to him that the column, “did not state any of these remarks or find any of these issues a violation of a decorum ruling but found the statements made by Mr. Dody and myself to stop these disparaging remarks were a violation of decorum.”

The Ole Seagull can readily understand Links concerns. If he had sent the initial letter to Pamela Dapprich, dated Sep. 15, and some of the other letters that Link has sent out, he too would be sensitive about the accusations that Link mentioned in his statement, “discrimination, coercion, twisted untruths, bullying, harassment, breaking the law, blackmail, lies, and violating the lawyers code of ethics.” The reason they were not mentioned in the column is pretty simple, the column was about what the Ole Seagull believes was the unprofessional actions of Link, and, particularly, Dody at the Oct. 23 board meeting, not about anything else.

Even if the speaker was in violation of the city’s decorum ordinance at the time Link and Dody interrupted the meeting, how could that possibly excuse Dody’s behavior? How nice it would be if, without “smoke and mirrors” and spin, the city would simply furnish the specific legal authority that authorized Terry Dody to do what he did at that meeting? How hard should that be if such an authority actually exists?

Link, as a person with basic reading skills, let alone an attorney, should not have found it remarkable that the column “did not state any of these remarks or find any of these issues a violation of a decorum ruling.” Did not that same Paul Link, at the Nov. 27 meeting of the Branson Board of Aldermen, quoting from the city’s decorum ordinance, say, “Any person making personal, impertinent, or slanderous remarks or who becomes boisterous while addressing the board or who interferes with the order of business before the board AND who fails upon request of the presiding officer to cease such activity (caps and underline added) shall be barred from further audience before the board.”

Does it take more than basic reading skills to read that and determine that it’s not the remarks themselves that are a violation of the ordinance? It is a combination of the remarks and the failure of the person making the remarks to cease such remarks when requested to do so by the presiding officer, the mayor, that constitutes the violation of the ordinance. The official recording of the Oct. 23 meeting clearly indicate that, prior to the interruption of the person speaking by Link and Dody, that the presiding officer had not requested the person speaking to cease any activity. Even had that happened and the person ceased such activity there would have been no violation.

Although an examination of the official recordings of the Oct. 23 board meeting will establish that there was absolutely no violation of the city of Branson’s decorum ordinance by the speaker can the same be said for Link and Dody? Could a reasonable person listen to the recordings of the meeting and determine that the actions of Dody and Link violated the city’s decorum ordinance by conversation that delayed or interrupted the proceedings and disturbed the person trying to speak?

To paraphrase Paul Link, “I guess I should not assume that someone having a responsibility to enforce the law would actually know the law but Paul Link is entitled to his opinion and the board of aldermen are free to let him do whatever they want him to do but is anyone charged with enforcing the law entitled to make their own law?”

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Is Dody right, should the record reflect “that the board is taking no action in violation of our city ordinance?”

The official CDs of the Nov. 27 meeting of the city of Branson’s board of aldermen indicate that city attorney Paul Link, in referring to the “musings” appearing in the “free press,” said, “Contrary to these musings, it is the city administrator’s and city attorney’s legal duty to advise the board of aldermen that their decorum rules are not being followed.” If there is, the Branson Municipal Code manages to hide that fact well. There is no such provision contained anywhere in Section 2-54, governing the conduct of aldermen meetings, or in the sections of the code that specifically set forth the duties of the city attorney and city administrator.

But, even if there was such authority, at what point do the actions of Link, and the city of Branson’s administrator, Terry Dody, go beyond advising the board of aldermen about their decorum rules and become a violation of those very same rules? Could the following excerpts of the Oct. 23 meeting, while Pam Dapprich is trying to speak, indicate such a point? Each comment was transcribed from the CD by the Ole Seagull as best he could and is followed by the “Ole Seagull’s Thoughts,” his initial reflections and opinions, as he listened to the CDs for the first time.

Link Interupting Dapprich: “Mr. Mayor, I’m, I’ve let this go for quite a while but I’m going to have to call some sort of decorum ruling on this. I’ve, it has repeatedly been said that I am lying and misrepresenting.” Ole Seagull’s Thoughts: What section of the Branson Municipal Code gives you the authority to “call some sort of decorum ruling?” And if there is one, exactly what decorum rule is she allegedly in violation of? Isn’t your signature on the Sep. 15 letter to Dapprich that she read from?

Dapprich: “Don’t take my ten minutes….” and tries to continue but

Link Again Interrupts: “Mam, I’m not taking your ten minutes but we’re not going to listen to this anymore.” Ole Seagull’s Thoughts: Where is the “we” here? Where in section 2-54 of the Branson Municipal Code does it say that either the city attorney or administrator will decide what the board of aldermen will or will not listen to?

Dapprich: Tries to continue on but …

Terry Dody Interrupts: “Mr. Mayor some kind of action does need to be taken she’s in violation of decorum rules, in violation of the ordinance.” Ole Seagull’s Thoughts: Oh really, and exactly what decorum rule is she in violation of? At this point all that has happened is that Link has mumbled something about having to call some sort of decorum ruling. Even assuming that he has the authority to do so, what ruling has he made that anyone could be in violation of?

Dapprich: Tries to continue on but …

Dody again interrupts: “She needs to be called out of order, I’m sorry.” Ole Seagull’s Thoughts: Why does she need to be called out of order? What exactly has she done? Why is the mayor letting this guy continue to interrupt the meeting? Someone should put him in his place.

Mayor: “You are out of order. What is the time.) (Clerk gives time as 6:30) Ole Seagull’s Thoughts: Who is out of order and for what?

Dapprich: Tries to continue on but …

Dody again interrupts: “Mr. Mayor is she out of order. Mr. Mayor is she out of order or is she not out of order you must make a decision on this.” Seagull’s Thoughts: Why is he browbeating the mayor like this? What could she possibly be out of order on? She can’t get a word in edgewise with you interrupting! When is the mayor going to tell him to cease and desist?

Dapprich: Tries to continue on but …

Dody again interrupts: Mr. Mayor let it be placed on the record then that the board is taking no action in violation of our city ordinance. You need to be aware that she has violated the ordinance and you are taking no action.” Ole Seagull’s Thoughts: The class of this act speaks for itself! And, putting the board on the record as possibly violating the city of Branson’s ordinances accomplishes what good purpose? Besides, how is the board in violation of a city ordinance by ignoring the advice given in this case?

Dapprich: Tries to continue on but …

Dody again interrupts: “Mr Mayor, I do need to state, you are setting a precedent that if you do not take action you will not be able to further enforce your ordinances any more, I’m sorry.” Ole Seagull’s Thoughts: In terms of his actions at this meeting, a lot of people sure would agree with the last part of his statement. Based on her presentation, the Branson Municipal Code, and facts involved with this specific situation, Dapprich was, at that point, in violation of what ordinance? How? Exactly why won’t the mayor be able to enforce his ordinances anymore?

At that point the mayor asked Dapprich to please stop talking, she did and the meeting proceeded on. “But Seagull, it appears that there was no decorum issue until Link and Dody made one.” Could a reasonable person actually get that impression?

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To slight of hand, song and dance, and illusion doth the sky scraper owe?

Last weeks column, was entitled, “Can it be, the ‘Dodink Magic and Variety Show’ appearing in Branson city hall.” It suggested that three of the agenda items scheduled for the Nov. 27 meeting of the city of Branson’s board of aldermen “could provide enough excitement, drama, slight of hand, and maybe even a little bit of song and dance” to be an imaginary show called by that name. The column is available on line at www.bransoncourier.com under “Editorials.”

Things got off to a slow start as one of the city of Branson’s higher paid senior level management employees, city attorney Paul Link, gave a power point presentation on the decorum rules applicable to all board of aldermen meetings. In general, it was about as exciting and dramatic as having a root canal performed with a teaspoon.

To an Ole Seagull, taken in total, the presentation appeared to be an arrogant attempt at justifying the unjustifiable, the actions of both he and the city of Branson’s highest senior level management employee, city administrator Terry Dody, during the public comment portion of the board of aldermen meetings. But, the song and dance routine was a presentation highlight. Sung and danced in terms of the legal mumbo jumbo shuffle, it tried to substantiate their actions on the basis that they have a legal responsibility to make sure that what the aldermen did at their meetings was in compliance with applicable ordinances.

The presentations slight of hand, although not quite as good as the song and dance routine, was worthy of one of Branson’s best illusionists. While diverting attention by attempting to justify their actions as necessary to make sure that the city’s elected board of aldermen, and everyone else at the meetings, followed the city’s ordinances, the presentation remained mute on the apparent failure of the very same senior level management employees to comply with those same ordinances on more than one occasion.

For the sake of argument only, let’s say that there is some credibility to the presentations legal responsibility argument. How is that justification for either of the senior level management employees, or anyone else for that matter, to speak on other issues without signing the sign up sheet? Is there one ordinance applicable to them and one to the rest of us? Of course we might never know because the presentation was approved without allowing those in attendance the opportunity to speak or ask questions.

Interestingly, that same concept played a key roll in the most magical moment of the evening. How special was it when, right before their eyes, the audience “saw” a 12 story building resurrected into a 25 story sky scraper.

One can only wonder why those having the responsibility to make sure that what the aldermen do at their meetings is in compliance with applicable ordinances didn’t do that at the Sep. 25 meeting when the board voted unanimously to reduce the sky scraper from 25 to 12 stories. It would seem that pointing out that an ordinance they were about to approve was legally insufficient to do what they wanted to do would be a very important part of that responsibility.

How much effort would it have taken to suggest that instead of using stories as the basis of the amendment that they use the number of feet as was used in the height section of the ordinance they were approving. How hard would it have been to suggest that the number “300” be changed to read “150” wherever it appeared in the ordinance? Now some might ask, “But Seagull, if they had spoken up and corrected the situation that night, when it was obvious that most of the aldermen were leaning toward the 12 story compromise then what would have been the legal basis for bringing it back up again at the Nov. 27 meeting.” For what it matters, in an Ole Seagulls opinion, not much, not much at all.

Posted in Editorials | Comments Off on To slight of hand, song and dance, and illusion doth the sky scraper owe?

Can it be, the “Dodink Magic and Variety Show” appearing in Branson city hall?

The best show in Branson on Monday, Nov. 27 just might be the imaginary “Dodink Magic and Variety Show,” to be presented as part of the Branson Board of Aldermen meeting starting at 7:00 p.m. Although not listed formally on the agenda for the meeting, may an Ole Seagull’s overactive imagination suggest that there are three agenda items, scheduled to run back to back at that meeting, that could provide enough excitement, drama, slight of hand, and maybe even a little bit of “song and dance” to meet that bill.

They are, in scheduled order, a presentation by Paul Link on Decorum Rules as required by Branson City Code for all Board of Aldermen Meetings, a presentation by Joe Johnson of Lathrop & Gage regarding the protection of the use of the Branson name by City Council, and the “First Reading” of the of Bill No. 3344 which will authorize the building of a 300 foot skyscraper as part of the “The Point Entertainment Complex” located at 448 State Highway 248.

The more astute reader will note the common thread running through the entire “production” which, an Ole Seagull believes, is being choreographed and produced by two of the city of Branson’s highest paid senior level management employees. That thread is one that appears to be becoming more and more involved with the city of Branson’s “sewing” lately, “legal thread.” The agenda items seem to indicate that the “show” will star the city of Branson’s very own, highly paid senior level management employee, city attorney Paul Link, who, even a casual observer might say, provides the common “link” between all three agenda items.

The first act is a “presentation by Paul Link on Decorum Rules as required by Branson City Code for all Board of Aldermen Meetings.” Obviously no one knows what Link will say but, based on the city of Branson’s past actions regarding public input, it would not be surprising if that presentation was not another attempt by some of the city of Branson’s highest paid senior level management employees, to exert more control over the ability of those seeking to speak publicly at city meetings. In any event the presentation should involve drama and perhaps a little “song and dance” should the decorum of two of the city of Branson’s highest paid senior level management employees at recent board meetings come into question.

The second act, a “presentation by Joe Johnson of Lathrop & Gage regarding the protection of the use of the Branson name by City Council,” will probably be a bit more exciting than the first and should contain some historical drama and a lot of song and dance as the city of Branson, sparing no expense, brings in a guest performer to try to justify their actions regarding its claim to the right to control the name “Branson.” Why it wouldn’t surprise an Ole Seagull if there wasn’t some slight of hand worked into the act trying to convince the board and public that an orange is really an apple.

But, in true showmanship style they have saved the real magic for the last act. Through what an Ole Seagull believes is the failure of two of the city of Branson’s highest paid senior level management employees to do their jobs, the 25 story sky scraper that almost everyone thought had been reduced to 12 stories by the board of aldermen at their Sep. 25 meeting will again, “magically” reappear in all of its original 300 foot splendor. In fact, if an alderman doesn’t make a motion to amend it, and it is approved as presented, Branson could have its very first 300 foot sky scraper. That’s how many stories?

This act could provide a powerful finale to the show involving real drama, a 25 story illusion, a really good song and dance routine, and slight of hand as those involved try to make the simple appear complex. Things could really get interesting if just one alderman asked why the two very high paid city of Branson senior level management employees paid to, among other things, prevent something like this from happening sat idly by and let them pass an legally irrelevant ordinance that didn’t accomplish what they wanted to accomplish.

Of course that won’t happen because, although the agenda items mentioned above are scheduled as presented, their reference to acts in the “Dodink Magic and Variety Show” is but a figment of an Ole Seagulls overactive imagination relating to an obvious fictional show. Perhaps not so obvious however, is the fact that this imaginary show was a puppet show with the strings of the puppets being controlled by a master puppeteer in an effort to take “Branson,” and all that it has built, and use it for the new city of Branson that they are creating in their own image.

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Trout fishing doesn’t get much simpler, or dumber, than this!

I had not been out fishing in over two weeks but the weather at about 4:00 p.m on November 24 was unseasonably warm, the wind was down, and, as I looked out of my window, Lake Taneycomo just seem to beckon.I grabbed my fly rod and headed out the door. When I got up around the bend from Fall Creek I noticed midges rising and decided to fish right there. The boat was in about 3 feet of water and I was fishing back into shore. Without thinking I simply stripped out some line, made a cast, and caught a nice little 13-14 inch Rainbow. Over the next 30 minutes or so I caught about six more, none real small and none over 14 inches. Then I hit a 30 minutes stretch where I didn’t have a hit.

Finally I decided to check the midge and discovered that the indicator had slipped up to within three inches of the midge. Don’t know how long I was fishing that way but I would bet it was just about 30 minutes or so. Point is, I didn’t check or change a thing when I started fishing and that worked well. I didn’t check anything the last 30 minutes and it didn’t work too well. Typically I would change flies or jigs and tippet before each trip but I did not here. I used the same size 18 Copper Dun Midge I had used the last time I had been out set at the same three foot depth with the same tippet even though I was fishing in a different spot, under different weather conditions, and in deeper water. But what if I had hooked into the fish that I fish all year for, the 20 inch plus lunker and it had broken off. Simple fishing and quick but dumb. Typically, if I don’t get a hit after about five casts I check the lure and or change. This day I just kept casting, again, simple but dumb, because cast after cast I wasn’t getting a hit.

Regardless of the fact that it was late in the day, I should have started with new tippet, I use Orvis Mirage 6x and tied on a midge or jig specific for the conditions I was fishing. As I fished, every few casts or so I should have check the fly end to make sure there was no moss etc. on it, that the indicator hadn’t slipped down, and there were no nicks in it. As I was I lucked out early on in spite of myself but that luck ran out during the last 30 minutes.

Other Lake Taneycomo Fishing Reports


River Run Outfitters
– For their latest fishing report click here.
Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
Lilly’s Landing – For the latest fishing report click here.
Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

General Information on Lake Taneycomo

Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

History of Lake Taneycomo – .

More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

Posted in Fishing Report- Lake Taneycomo | Comments Off on Trout fishing doesn’t get much simpler, or dumber, than this!

The logic of “Tweedledee” and “Tweedledum” city of Branson style!

A portion of the Branson board of alderman’s meeting that took place on Nov. 13 was reminiscent of a scene out of Lewis Carroll’s “Alice and Wonderland.” Alice is having a conversation with Tweedledum and Tweedledee during which Tweedledum says to Alice, “I know what you’re thinking about, but it isn’t so, no how.” Tweedledee then says, “Contrariwise, if it was so, it might be; and if it were so, it would be; but as it isn’t, it ain’t. That’s logic.”

During the Public Comment portion of the meeting, Pamela Dapprich was attempting to read a timeline and make comments on the events and circumstances involved with the city of Branson’s aborted attempt to get her to drop the term “Branson” from the name of the not for profit corporation that she is involved with. The tapes of the meeting indicate that, about six minutes into the ten minute presentation she is allowed by city ordinance, a senior, unelected, executive level employee of the city of Branson, city attorney Paul Link, breaks in and says, “Mr. Mayor, I’m, I’ve let this go for quite a while but I’m going to have to call some sort of decorum ruling on this. I’ve, it has repeatedly been said that I am lying and misrepresenting.”

What kind of Tweedledum logic is that? Forgetting, for the moment, Link’s authority to “call” anything during the Public Comment portion of the meeting without a request from the mayor, the Ole Seagull gives up, “What “sort of decorum ruling?” What is its basis? Of course we’re not about to find out at this point because, as Dapprich says, “Don’t take my ten minutes,” and attempts to continue before her ten minutes expired, Link breaks in again and says, “Mam, I’m not taking your ten minutes but we’re not going to listen to this anymore.” Well, “pardone moi,” but who is Link to tell the mayor and board of aldermen what they can or cannot listen to.

Evidently, the board of aldermen and the meeting’s presiding officer, the mayor, the one to whom both Roberts Rules of Order and the city of Branson’s decorum ordinance give the authority to in such matters, didn’t respond to Link’s interruption of Dapprich quick enough or in the desired manner. The city of Branson’s senior, unelected, executive level employee, city administrator Terry Dody breaks in and says, “Mr. Mayor some kind of action does need to be taken she’s in violation of decorum rules, in violation of the ordinance.”

Now isn’t that interesting, the situation has progressed from Links “some sort of decorum ruling” to Dody flat stating that “she’s in violation of decorum rules, in violation of the ordinance.” Even Tweedledee and Tweedledum know how to call this one, “If it was so, it might be; and if it were so, it would be; but as it isn’t, it ain’t.”

Assuming that even senior, unelected, executive level employees of the city of Branson have to follow city ordinances like the rest of us, in an Ole Seagull’s opinion, there were only two people in that room in violation of a city ordinance when Dody made his statement and one of them wasn’t Dapprich. Roberts Rules of Order and city of Branson ordinances, as governs the Public Comment Meeting, states very clearly that the presiding officer, in this case the mayor, has the responsibility for determining matters of order and decorum during the meeting and makes provision for requesting advice from others outside the board should he decide such advice is necessary.

The official tapes of the meeting indicate that, at that point, Dapprich had the floor. They also indicate that neither the alderman nor the mayor had called for a point of order regarding decorum or asked for any advice from Link or Dody. Instead, what the tapes reflect is that two of the city of Branson’s senior unelected, executive level employees delayed or interrupted the proceedings, disturbed a speaker, and spoke during the Public Comment Meeting of the board of aldermen without registering, all in apparent violation of one or more provisions of the Branson Municipal Code.

As Dapprich is attempting to continue, and the mayor and board continues to ignore both his and Links outbursts to this point, Dody again breaks in and says, “She needs to be called out of order, I’m sorry.” In the opinion of an Ole Seagull, “sorry” could describe the actions of two of the city of Branson’s senior unelected, executive level employees at the meeting and the boards continued failure to make them follow the rules like everyone else. As to anyone actually being “sorry” for the actions they took at the meeting, what did Tweedledum say, “…but it isn’t so, no how.”

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72nd Annual Branson Veterans Day Parade Photos

50 Flags at Branson Veterans Day Parade
50 Flags marching down business 65.

Branson’s 13th Veterans Homecoming culminated with the 72nd Annual Veterans Day Parade. It was a perfect sunny day enjoyed by participants young and young at heart. It included every thing from marching bands, hot rods, to veterans representing many different facets of our armed forces. Enjoy the day for your self through our online photo album of the 72nd Annual Branson Veterans Day Parade.

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The Circle B Chuckwagon and Cowboy Music Show is a unique Branson “family” experience.

Riders of the Circle B, left to right, Louis Darby,
Katie Horn Lawson, and Christiana Horn,
Michael Horn, and Kemp Horn.

It seems like a misnomer to call the Circle B Chuckwagon and Cowboy Music Show simply a show because it is so much more. It is a multimedia entertainment experience that entertains as it fills you up with good food, whoops, I’m sorry, the cowboy rules at the Circle B, grub, while it warms your heart with the Horn family’s warm humor, friendliness, musicality, and obvious love for each other and what they are doing.

And let there be no doubt about it, this is a family operation not only in terms of its content but in terms of the involvement of the Horn family. From ticket sales, to food preparations and the show’s cast the Horn family is involved in every aspect. As you walk into the theatre or purchase your ticket you might be greeted by the real “trail boss” of the Circle B, mom, Michele Horn. The “Chuckwagon” part of the Circle B Chuckwagon and Cowboy Music Show, the excellent and plentiful “cowboy chuck wagon” meal of BBQ beef, smoked sausage, baked potatoes, beans, and “cowboy salad” is prepared daily on premises by Bob Luthardt, a son in law, who also operates the sound, light, and multimedia systems during the show.

Katie Horn Lawson, lead vocals, comedy,
rythym guitar, and mandolin.

The “Show” part of the Circle B Chuckwagon and Cowboy Music Show is presented by the “Riders of the Circle B” consisting of five performers of which four are Horn family members. The groups “ramrod” is, dad, Kemp Horn, who sings, plays harmonica, and occasionally plays bass, son Michael Horn who sings, plays guitar and bass while daughter Katie Horn Lawson sings lead vocals, plays rhythm guitar and the mandolin and daughter Christiana Horn sings and plays the fretless acoustic bass. The fifth member of the cast will either be two-time Louisiana State Fiddle Champion Louis Darby or long time Branson native and cowboy singer and musician, John Fullerton. Throughout the show other cast members, all of which are Horn family members, add their unique talents to the show. Megan’s fiddle rendition of the traditional Irish jig, the “Irish Washer Woman” is but another example of the musical talents that bless this family.

The show is a blend of special familial humor that will touch your heart and cowboy music that will bring back memories, remind us of a by gone age, and is pleasing to the ear. A person actually gets to hear each word of each song because someone has taken the effort to design arrangements and make sure that the instruments complement the tight harmonies of their singing rather than drown them out. In a program filled with entertaining music there were two numbers that really hit a chord. One was the family’s rendition of the song “A Little Baby Was Born,” written by Michael Horn. The song itself has beautiful music and lyrics and the way it was sung provided one of the show highlights for me. The other was Katie Horn’s unique rendition of the long time American favorite “Shenandoah.”

Michael and Kemp Horn

Originally Published In the Branson Courier on Nov.15, 2006.

Adding a special dimension to the show is sibling, “Smothers Brothers” style, comedy of Katie and her brother Michael. Katie describes it as “An honest comedy that is very organic and spur of the moment.” The Ole Seagull would describe it as entertaining and funny, really funny. And besides where else can one learn the similarities between John the Baptist and Winnie the Pooh?

The whole wonderful experience that is the Circle B Chuckwagon and Cowboy Music Show takes about two and one half hours, from about 4:30 p.m. to 7:00 p.m. That would include the free popcorn, a vintage Roy Rogers movie, the meal, and the Riders of the Circle B Cowboy Music Show. The point is that by 7 p.m. you have been fed, have seen a great show, and are free to take advantage of whatever else Branson has to offer for the rest of the evening, another show, an attraction, shopping, or maybe, just relaxing. The Circle B Chuckwagon and Cowboy Music Show is located at 200 Jess Jo Parkway in Branson, MO 65616, right off Highway 76 behind the Branson Variety Theatre, and can be reached by phone at (417) 336-1828 or (800) 678-6179.

When Kemp Horn was asked, “What one thing would you like people to take from their experience at the Circle B?” he replied, “A sense of our family’s love for each other, the Lord, and our country.” From an Ole Seagull’s perspective it would be just about impossible for someone who experienced the Circle B to not only to sense that love but have it warm their heart and enrich their lives.

Some things just feel comfortable and that’s the way the Ole Seagull felt when he first walked into the Horn family’s Circle B Chuckwagon and Cowboy Music Show. He’s been back twice since and that feeling has not changed. More importantly, he has had, and witnessed many others having, a wonderful time and, at the end of the day, isn’t that what entertainment is all about?

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Unique review of Mannheim Steamroller’s Branson Christmas Show

“The Christmas Music of Mannheim Steamroller by Creator Chip Davis” is appearing at the beautiful Grand Palace Theatre in Branson, MO, through December 9, 2006. It is a multimedia presentation including videos, multimedia images, synchronized lighting, special effects and, of course the music of Mannheim Steamroller. There are 14 musical performers, performing the driving Steamroller rhythms and electronic wizardry, accompanied by orchestral instrumentation.

Although the Ole Seagull has seen the show, he thought it would be interesting to have a review based on what other people who attended the show thought. The following are excerpts and posts from the 1Branson.Com Bulletin Board from its “Shows Forum,” for the different threads relating to the Mannheim Steam Roller Christmas Show. They were all submitted by people who have been to the show, are all dated, contain the “screen name” of the poster, and are sorted descending chronological order, with the newest first and the oldest last. The Ole Seagull’s comments are contained in the last three paragraphs.

[BransonCutie- Nov.10] We saw the show last Friday night and it was delightful!

[MsTerese- Nov. 11] Well, we all really enjoyed the show last night. DH even bought the 4+1 CD packages for my sis & me. Positives: real (well, at least wet) "snow" falling on the crowds, enthusiastic musicians, lots of my favorite songs, excellent lighting & video work, wonderful encore at the end. Negatives: Wish they’d introduced the entire orchestra, not just the 4 main people of the group….they were all good, and should have been recognized. A little disappointed at the performance of their most well known song, Carol of the Bells…just expected more OOMPH! out of it, I guess. All and all, very glad we went. Also, for those who aren’t planning on seeing this show, at the very least drop by the Grand Palace during the day, step inside, and spend a few minutes ogling the magnificent tree they put up!

[BransonCutie- Nov.4] We saw this show last evening and I have to say that my assessment is pretty much the same. It was an incredibly enjoyable show overall, but not as much of a production as I had been anticipating with the information I had been hearing. I agree that the opening of the second act, with the very long video clip, was not what I was expecting, and the people I was with were also of the opinion the music was not live at that point. But overall, it was a delightful show and I would definitely recommend seeing it!

[phillip3225- Nov.4] “No there’s not really any on stage dancers or singers. The second half there is a 20-30 minute video of medieval times with people running around and dancing. It was a little odd if you ask me. I did miss what they said in the introduction to the video. You will enjoy the show.” [Editors Note: Although it might seem longer, the video is closer to 15 minutes than it is 30 minutes.]

[wintervaf- Nov. 4]- “I saw this show yesterday afternoon also. The show was enjoyable enough, but what struck me as odd–by Branson show standards–was the total lack of interaction with the audience. To bring out that jester who clomps across the stage at little earlier might help. He could get the audience clapping along with the medieval dance sequence just to remind them they’re not in a movie theater.”

[phillip3225- Nov.3]- “We went to the show tonight. Your review is they way I also feel. I do think though that the music was recorded for the first few songs on the second half. I also agree that the effects were not impressive. There were a few things that made me go, huh? Overall it was great but there were a few odd parts. Nice show.”

[oldbranhand- Nov.3]- “This afternoon we went to the Grand Palace to see Mannheim Steamroller. The music is provided by 14 musicians. The "leads" are the keyboard player, percussionist, guitar/bass player and the lead violinist. They are backed up by six more strings, one wind, two brass and another percussionist. If you are a fan of the group’s Christmas cd’s you will be pleased to find that they play most of your favorites. The music was fantastic. You will not be disappointed in this performance.

We were somewhat disappointed in the visual effects that went with the concert. They were not bad, just not as impressive as we had hoped for. Finally, late in the second half of the concert, there were some better visuals.When the second half started, a thin curtain was down in front of the stage. A short video of Chip Davis introduced the next segment which started with a movie of a medieval Christmas projected on the screen. You could not see the musicians. Most of the audience must have thought the music was recorded because they all but stopped applauding after each number. Finally, they brought up the lights behind the curtain enough that you could see the musicians and realize that the music was indeed live. Everyone seemed much happier after that. In all, we would strongly recommend this show to anyone who enjoys Mannheim Steamroller’s style of music. If you do, you will love it. If you don’t, spend your money on something else.”

The Ole Seagull saw the show on the evening of Nov. 3 and thought that it was a good show presented by extremely talented musicians. The Mannheim Steamroller style of music is different and if one is a fan of that style they will enjoy the show immensely. Obviously, if one is not a fan of that style of music the show might not be for them. The friends that went with us were Mannheim Steamroller fans and just loved the show.

There was zero interaction between the performers and the audience and the visual and special effects were a tad less than expected. The start of the second half, with the medieval feast, is as perplexing to me as it was to some of the commenter’s. What a lost opportunity to start the second half off with a bang. That aside however, the rest of the second half and the encores were great.

If you are a Mannheim Steamroller fan this is a must see show. If you don’t know whether or not you are a fan of the “Mannheim Steamroller” style of music this show will give you an excellent opportunity to experience it and make your determination. Millions of people have done just that and love it. It’s a great addition to Branson and the variety of entertainment that it offers.

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The Great Passion goes “Beyond Dickens” to celebrate Christmas

"Beyond Dickens" to…

As the town of Eureka Springs, Arkansas celebrates “It’s A Dickens of A Christmas”, The Great Passion Play encourages visitors to go “Beyond Dickens”. This unique Christmas experience takes visitors from a Victorian street scene (right out of Charles Dickens’ novel) and into first century Bethlehem. Here the sights & sounds of the very first Christmas surrounds visitors, as they join the travelers from throughout Judea, the citizens & animals, the Roman soldiers, tax collectors, Shepherds, and Mary & Joseph to create a live interactive nativity scene.

In its fourth season, “Beyond Dickens” continues to bring new customers to the Eureka Springs, Arkansas Christmas Celebration. The event also includes fabulous window displays, appearances by the famous artist Jack Dawson, special tram tours to the Christ of the Ozarks Memorial Statue and the Amphitheater and beautiful lighting of the entire Great Passion Play grounds, as well as a presentation of “Christmas On Ice…A Stroll Down Memory Lane”.

the first Christmas.

Upon arrival at The Great Passion Play, visitors are welcomed with apple cider and Christmas treats. Beautifully attired Victorian characters, such as Ebenezer Scrooge, Bob Cratchitt, Tiny Tim, and a town crier invite visitors to “Go beyond Dickens into the very first Christmas.” Passing through the gate, visitors enter Bethlehem on the night Christ was born. Stern Roman soldiers, who occupy Bethlehem, instruct all to register for the census and pay their taxes. The townspeople engage visitors in conversation and talk about life in their little village. Travelers meet shepherds with a fantastical tale about seeing angels, as well as shopkeepers, harried housewives drawing water at the town well, and artisans who are excited about the opportunity to sell their wares to all of the people in town for the census. Visitors travel a little way out of “town” past the inn, to a stable where Mary and Joseph tell their story and share their joy at the birth of the baby Jesus.

The window displays, created by local businesses and Great Passion staff, include delightful recreations of the Crescent Hotel as a gingerbread house, Treasures from the Pacific Christmas celebration, a Department 56 village, Christmas memories, and more. Visitors also enjoy the Sacred Arts Center where Jack Dawson and his painting “The Passion Tree” are featured. "The “Passion Tree” illustrates the Bible from Genesis to Revelation with each ornament showing an event in history. Bibles with pages turned to the Christmas story, as well as a special collection of bells, are exhibited in the Bible Museum and visitors also take a trip through the Museum of Earth History. This Museum focuses on the earth’s early history. Featuring over 14 life-sized skeleton skulls, and fossil plates, the museum provides an attraction for people from all walks of life, from scientists to school children.

Christmas nativities from around the world are displayed inside the Christmas Hall where a special presentation “Christmas On Ice…A Stroll Down Memory Lane” completes the evening. This community project produced by a volunteer cast is led by Darry and Pam Lisemby.

“Beyond Dickens” is fast-becoming a must-experience event for the whole family. Family passes that include mom, dad, and all the kids 17 and under, are available. “Beyond Dickens” is open through December 9 on Friday and Saturday nights from 5:30 PM to 8:00 PM. Adult admission is $10.00, admission for children ages 6 -17 is $5.00, and the family pass is $20.00. For more information, please call 800-882-7529 or visit the website at www.greatpassionplay.com.

Photos from www.greatpassionplay.com. Captioned by Gary J. Groman

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Presleys’ Country Jubilee: Branson’s Entertainment Foundation

Having fun at Presleys’ Country Jubilee.

Having lived in the Branson area my entire life, I’ve had countless conversations with visitors asking me to recommend my favorite shows, places to stay, and places to eat. Our conversations usually include at least one mention of the Presleys’ Country Jubilee. People want to know if I’ve seen it, did I enjoy it, will my teenagers enjoy it, etc. I always respond with a great big "Yes!"

In Branson, the Presleys’ have the distinction of having the first theater along Hwy. 76. If we fast forward to today, the Presleys’ are still going strong and are one of the most popular shows in Branson. Branson’s entertainment scene has certainly changed since the Presleys’ built their very first theater, but the entertainment foundation that was laid by this pioneering family has remained the same.

Lloyd Presley tells son Steve , "I Don’t Need
Your Rockin Chair!"l

The Presleys’ Theatre is a musical shrine to this leading family in Branson entertainment. Pictures and newspaper articles line the wall to let visitors know about their early beginings. The gift shop is home to many items including seasonal merchandise. One unique item that I found iis "Herkimer’s Joke Books." If you like the comedy performed during the show by "Herkimer" and "Cecil," then you will surely enjoy these books. Just in case your tummy starts to growl, the snack bar has many tempting selections to help you out. My favorite thing about this theater is the seats. They are so comfortable. This is a very important aspect in the overall enjoyment of a show that the other theater owners should take into consideration..

When the curtain opens and the show begins, your ears will be rewarded with many different styles of music including both classic and contemporary country, bluegrass, gospel and patriotic strains. Not only will your ears be satisfied but this show is also a feast for your eyes. The show has many special effects including a "flyin’ Cecil", classy outfits adorn the cast members, and hilarious video antics makes the intermission time pass by quickly.

The show begins with a rousing version of Dolly Parton’s, "Take Me Back To The Country." Several solo performances offer up contemporary hits like, Ambrus Leigh’s performance of Carrie Underwood’s, "Jesus, Take The Wheel", and Devonna Wickizer’s bluegrass version of, "Hillbilly Rock." Jay takes us back to the roots of country music during his solo work that includes impersonations of Johnny Cash and Willie Nelson. In order to obtain Willie’s distinct nasal sound, Jay has to pinch his nose. Now that is what I call attention to detail! In addition to their individual solo numbers, during the second half this husband and wife team perform a love struck duet that will be sure to put a spark in your night.

John Presley Floyd Cramer style on the piano.

Since this show is all about family, I can’t help but mention the young Presley talent that is coming up. John Presley reminds us of Floyd Cramer’s expressive style as he pounds it out on the piano. This will cause the grandmas’ and grandpas’ in the audience to sit up and take notice. If that doesn’t work, then maybe his "dancing" eyes will. John’s younger sister performs solos on both the violin and the saxophone. Her masterful work on the violin exudes classical tendencies. Scott Presley is all smiles as he watches his daughter, Lauren, perform "Stupid Cupid." Lloyd Presley, who is 82 years young, proves that youth has nothing to do with it when he performs the George Jones hit, "I Don’t Need Your Rocking Chair." I’ll probably be hiding my own Easter eggs at 82– HA!

Some standout moments from the show includes the zany comedy that erupts whenever "Herkimer" and "Cecil" are around. If you are lucky, "Cecil" might even make a balloon animal for you, and wait until you see how he "ties" it. The trio made up of, "Porter", "Dolly", and the "Dixie Chick" made for some truly "inflatable" fun. Ambrus Leigh performs an amazing, soulful rendition of "Somewhere Over The Rainbow." Greg Presley plays a spirited version of "Amazing Grace" on his harmonica as he walks through the audience. One final standout moment from the show came from the gospel section as Bruce Haynes performed a song that he wrote entitled, "Praise His Name."

If you’ve ever asked yourself, how did Branson evolve into what it is today? You need to head on down to see Presleys’ Country Jubilee to witness for yourself what everyone is talking about, the show that paved the way for the quality entertainment that Branson has today.

For online information and ticket purchase click here or for further information or tickets call 800-590-0155 and for more information on the Presleys’ Country Jubilee click here.

Original Photos taken by Jeremy McNabb. Edited and captioned by Gary J. Groman.

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“Doty” could be “Dody” but the city of Branson could never be “Branson!”

A recent letter to the editor from Mr. Robert Cohn of Branson appeared to be primarily concerned with the Ole Seagull’s columns pertaining to the actions, or inactions, of the city of Branson’s elected officials and a few senior, unelected, executive level employees. The only factual content of the letter seemed to relate to the column entitled, “Does Branson need an SOB to save it from the city of Branson and it’s ‘Dodink Law’” published in the Nov. 5 edition of this paper. It is available on line at www.bransoncourier.com under “Editorials.”

The letter states that the Ole Seagull “complains that the rules limit him, to 10 minutes at the podium at the end of a Board meeting. It is people like Mr. Groman that make the 10 minute rule necessary as they don’t seem to be able to have their say in just a few well selected words.” From an Ole Seagull’s perspective, in its kindest light, Cohn’s statements indicate that he is a fountain bubbling over with miss information.

The column mentioned a specific action, taken on the official public record of the meeting cited, evidencing yet another situation where a senior, unelected, executive level employee of the city of Branson, in this case city attorney Paul Link, appeared to either abuse their authority or violate the laws of the city of Branson. The Ole Seagull wasn’t even at the meeting and, to the best of his knowledge, has never asked for an extension of time.

In yet another instance of missing the reality of the situation, Mr. Cohn states that the Ole Seagull is allegedly, “part of a small band of individuals that are not residence of Branson, Missouri, and yet spend their time finding fault ….” Cohn’s attempt to relate residency within the city of Branson with ones right to speak out about the issues that effect Branson is the type of cart before the horse logic that undervalues what makes the city of Branson financially relevant and overvalues the city of Branson’s contribution to what has made Branson what it is.

“Branson” is in the public domain; it is a visitor expectation; a community; a geographical region covering multiple counties, cities, towns, villages, and unincorporated areas; and, of critical importance, an economic development tool used for the benefit of all living, working, and conducting business in “Branson.” As is the case with many others, the Ole Seagull, while not a “residence” of the city of Branson, is certainly a resident of Branson.

What the city of Branson does or does not do, in the vast majority of cases, affects Branson and, in that regard, everyone in Branson has a vested interest, not just those few that reside within the city limits of the city of Branson. Where would the city of Branson be without the sweat, investment, and effort of those living in the Branson that is outside of the city limits of Branson?

If, over the next 10-23 years the citizens of Branson are going to lose millions of tax dollars so that certain “big box” stores are located within the city limits of the city of Branson rather than elsewhere in Branson, such as Hollister, is it not prudent for every citizen of Branson, including those living within the city limits of the city of Branson, to get involved? If the city of Branson is sending letters to Branson businesses outside of the city limits of the city of Branson alleging that they cannot use the term “Branson” in their business names is that too not an issue that transcends mere residency within the city of Branson?

The letter states, “I believe that Terry Doty would be the first to admit that he is human and capable of error.” Mr. Cohn probably doesn’t want to hold his breath waiting for that to happen. In an Ole Seagull’s opinion, based on the public record, the chances of such an admission are about the same as Terry Dody admitting that his last name is spelled “Doty.”

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Moe Bandy and Country Tonite join forces in 2007

With a total of more than 26 years of performing in Branson between them, Starlite Entertainment recently announced that, starting with the 2007 season, country music legend Moe Bandy’ show will be come a part of the Country Tonite show. Starlite Entertainment owns the Starlite Theatre, produces the “Lost in the 50’s Show with the Platters,” and provides theatre management services in Branson.

Moe Bandy has earned his country music legend status with #1 Hits, 40 Top Ten Hits and five Gold Albums and countless other awards such as ACM Male Vocalist of the Year, CMA Song of the year and ACM Duet of the year. Some of his hits include “Till I’m Too Old to Die Young” “"Americana," "It’s a Cheatin’ Situation," and “Just Good Ol’ Boys.” “Till I’m Too Old to Die Young,” and “Bandy the Rodeo Clown.” Bandy made his first appearance in Branson in 1990 and has been entertaining Branson audiences ever since.

%%%%Moe Bandy%% The Country Tonite show has been performing in Branson for about 13 years. It is a country variety show for noted for its musical and dancing talent, high energy, choreography, and comedy. Its music is a blend of country classics and hits from the past performed by a very talented “cast of vocalists, award-winning dancers, and fabulous musicians. Over the years Country Tonite has won numerous awards such as Branson’s Show of the Year and Dance Troupe of the Year from the Branson Entertainment Awards.

In combining the talents of Bandy with the dynamic variety and entertainment that has always been Country Tonite, Keith Harper, Starlite’s Entertainment’s production director said, “We’ve worked hard to combine the very best of these two shows. We are bringing to life the wonderful heritage of country music ¬ including the incredible personality of Moe Bandy ¬ in one super production,” Starlite’s press release indicates that the new production will be a “combination of the best sights, sounds and high energy production people have come to know and love from the Country Tonite show, combined with the awe-inspiring hit songs of Moe Bandy’s show” resulting in a “fantastic combination of music, memories and magical, top-notch performances and production.”

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Does Branson need an SOB to save it from the city of Branson and its “Dodink Law?”

“Seagull, have you gone nuts using a term like SOB in a headline in a column that appears on a Sunday?” When one considers what the city of Branson’s elected leaders and senior unelected officials are attempting to do to Branson, it is understandable why one might think that the letters SOB stand for something other than one who might “sob” because of the city of Branson’s use of “Dodink Law” or the acronym, “S.O.B.,” which could be used for an organization such as “Save Our Branson.”

In a previous column entitled, “Give us a break, the City of Branson can keep the term ‘Dodink’ but leave ‘Branson’ alone, please,” the Ole Seagull coined the phrase “Dodnik Law.” In an Ole Seagull’s opinion, it’s the kind of abusive law that the city of Branson’s citizens and small businesses can expect when the actions of the city’s senior unelected official, city administrator, Terry Dody and city attorney, Paul Link are not controlled by those having the responsibility to do so, Branson’s elected board of aldermen and mayor.

At the Oct. 23 meeting of the Branson Board of Aldermen, during the Public Comment portion of that meeting, the city of Branson’s highest unelected official, its city attorney, the board of aldermen, and the mayor, provided yet another illustration of the arbitrary one sidedness of how Dodink Law is applied. As appears to be the case with increasing frequency as of late, it was again used to permit city of Branson officials to do exactly what they wanted to do, when they wanted to do it, regardless of what the very law they were allegedly doing it under says.

Section 2-55 of the Branson City Code, is the ordinance designed to “accommodate citizens and guests who have comments or information regarding city business.” Its requirements are straight forward and easy to read so that the average person knows what it is that they have to do to be able to speak. It says, “Any person wishing to appear and speak at the public comment meeting shall sign the speaker sign-up sheet located at the front door of the council chambers. Each person wishing to speak at the public comment meeting must personally sign the speaker sheet prior to the opening of the public comment meeting.”

The first thing of note is that the word “shall” is not optional. Who “shall sign the speaker sign-up sheet” according to the ordinance? “Any person wishing to appear and speak at the public comment meeting” must sign the sheet. According to the tapes of the meeting, Paul Link, the Branson City Attorney, had not signed the speaker sign up sheet. Paul Link is a “person” under Section 2-55.

After a citizen of the Branson area had expressed themselves, in accordance with the ordinance, Link, in apparent violation of the ordinance and without any acknowledgement or approval from the mayor, the meetings presiding officer, just started speaking. What did the city’s senior unelected official, Branson’s elected board of aldermen, and the mayor do in the face of this apparent violation of city ordinance and the decorum prescribed for the meeting? If the tape of the meeting is any indication, nothing! What makes the situation even more ludicrous is that the board of aldermen had just passed changes pertaining to that very section earlier in the meeting.

But wait, the “one law for you and another for us” application of Dodink Law isn’t over yet. As the speaker attempted to respond to Links unauthorized comments they were informed that they could not do so because their ten minutes was up. How arrogant and hypocritical, one application of the law for Branson city officials and another for its citizens and businesses. Yet another illustration of the professionalism and fairness that Branson area citizens, and businesses alike can expect if some S.O.B. like organization doesn’t save Branson from the city of Branson and its Dodink Law.

“Isn’t it unusual for citizens and businesses to have to form an organization to protect themselves from the very city whose relevance and revenues comes from them?” The answer is “Yes” but then what other city would try to do to its area’s citizens and businesses what the city of Branson has done and is trying to do? What city in its right mind would treat the very theatres, attractions, other entertainment venues, and the lodging industry that has made it so successful as the “financial incubator” for the “New Branson” that, in an Ole Seagull’s opinion, is being built on the their sweat, investment, and effort? Exactly who wanted the convention center built downtown?

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Is Missouri’s Stem Cell Initiative Amendment using an elephant gun to hunt mice?

It seems that Missouri’s “Constitutional Amendment 2 – Stem Cell Initiative” is taking on national significance. As an Ole Seagull tries to analyze it all, he is constantly reminded of the old adage, “You don’t use the same gun to hunt elephants and mice.”

The front page of a major website supporting Amendment 2, www.missouricures.com, proclaims that the passage of Amendment 2 “ensures that Missouri patients will have equal access to any federally approved stem cell cures that are available to other Americans.” Yet, as one goes though the site, they will not find one instance where it is even alleged that Missouri patients do not currently, today and now, have “equal access to any federally approved stem cell cures that are available to other Americans,” not one!

Even more ludicrous however, is the site’s answer to the question, “Are the research and cures protected by the Initiative already allowed under federal and state law?” Incredulously, the answer to the question is “Yes. Current federal and state law allows stem cell research involving all types of stem cells – including adult stem cells and early, or embryonic, stem cells.”

If Missouri’s Stem Cell Initiative passes on Nov. 7, exactly what type of stem cell research will be permitted on Nov. 8 that was not permitted on Nov. 6 or, asked another way, what stem cell research is prohibited on Nov. 6 that will be permitted on Nov. 8? May an Ole Seagull suggest that the answer to both of those questions is zero, nada, none.

Why do supporters of the initiative say that Missourians need a constitutional amendment to give them equal access to that which they already have? According to the same www.missouricures.com website it is because some attempts have been made to try to regulate stem cell research in Missouri’s legislature. Information on the site says, “Making the Initiative a state constitutional amendment is the only effective way to ensure that the legislature cannot override the will of the people by passing some unfair ban on stem cell research and cures in the future.”

Now let’s get this straight, Missouri needs an amendment to its constitution to give the people of Missouri rights that they already have and to protect them from the very people that they, “the people” have elected to represent them. And what is it that they are being protected against; some possible “unfair” ban that those same elected representatives may or may not enact in the future. Its nuts!

When one thinks about whom will best represent “their will” and where they have the best chance of being represented, is it through their elected representative, be it at the city, county, state or national levels or through lawyers, judges and courts. Once passed, what the amendment means, its scope, and what is actually permitted and prohibited will be interpreted by lawyers, judges, and the courts at both the state and federal level and can have unintended consequences.

As but one example, when passed, soon after the Civil War, the intent of Fourteenth Amendment to the U.S. Constitution was to give former slaves United States citizenship and all the rights associated therewith. In the years since its passage however, lawyers, judges, and courts have judicially expanded, interpreted and used that amendment to permit abortion, ban prayer from schools, try to take “Christ” out of “Christmas,” promulgate the alleged doctrine of separation of church and state and otherwise involve the federal government in state and local issues far beyond that intended by the original framers of the Constitution.

In an Ole Seagulls mind there is no doubt that, in terms of a “legal gun,” a constitutional amendment is an elephant gun. The question that he, and other Missouri voters, have to answer as they vote on Nov. 7 is whether or not they “want to hunt” stem cell research in Missouri with that gun.

“But Seagull isn’t it about the potential cures that can happen through stem cell research? About saving lives, eliminating pain, the difference between adult stem cell research and embryonic stem cell research, when life starts, harvesting eggs from women, human cloning, and all the other things that the different ads, both for or against the initiative tout?”

To an Ole Seagull, the central issues on Nov. 7 are not those issues. To him the primary issue is how those very important, and complex, issues are best addressed. Is it through the “one amendment covers it all approach,” as interpreted by the courts, or the through his elected representatives and the legislative process? Also of significance, is the answer to the question, “If I vote ‘No’ on amendment 2 on Nov. 7 won’t Missouri’s patients still have the same equal access to any federally approved stem cell cures that are available to other Americans that they have always had?”

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Moe Bandy to perform at Starlite Theatre in 2007

Branson, Missouri ­ October 25, 2006. Starlite Entertainment, a leading producer of entertainment and first-class theatre management in Branson, Missouri, announced today their plans of producing "Moe Bandy in Concert" in the Starlite Theatre for a 2 p.m. matinee in 2007.

Moe Bandy has had 5 Gold Albums, 40 Top Ten Hits and 10 #1 Hits during his illustrious country music career. He has received awards for AMC Most Promising Male Vocalist of the Year, CMA Song of the Year, ACM Duet of the Year and ACM Video of the Year. Visitors will enjoy his famous hits including “Americana”, “Bandy the Rodeo Clown”, “It’s a Cheatin’ Situation”, “Just Good Ol’ Boys” and “Till I’m Too Old to Die Young”.

Moe Bandy in Concert also includes one of the funniest guys in Branson, Mike Nichols. Mike will keep you laughing with the hilarious characters “Tater Chip Patches”, “Posture Pedic” and others in unbelievable, side-splitting impersonations.

Starlite Entertainment had previously planned to combine Moe Bandy with The Country Tonite Show, but after hard work trying to combine the shows, it became clear that Moe Bandy in Concert is stellar on its’ own. “We will miss The Country Tonite Show,” said Chris Dodson, Starlite Entertainment Sales Manager, “they had a great 13 years, but change is sometimes inevitable”. We hope all the Country Tonite fans have a chance to bid farewell before it closes December 9, 2006.

Moe Bandy in Concert will take advantage of the Starlite Theatre complex known for its unique atrium style lobby and state of the art sound and lighting. Lost in the Fifties with The Platters will continue at 10 a.m. and 7:30 p.m., Moe Bandy in Concert at 2:00 p.m. will open April 3, 2007. Call 417-337-9333 for information or reservations

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Rockaway Beach gambles between choices, infighting and whining?

The continual and seemingly never ending quest for a casino in Rockaway Beach is trying at best, disgusting at worst.

The people of the state and community have spoken. We do NOT want gambling in Taney County and that is that. The proponents delight in deception and harping about job creation and revitalization is a weak case made poorly.

Casinos do in FACT bring increases in family problems, financial problems and criminal involvement in a community.

But rather than repeat all of the arguments of the past, one needs to ask the question that if they truly want revitalization and job growth, why is a casino the only way to do it? We hear nothing of an industrial development effort to bring in light industry or other significant non gambling attractions.

In the last three years or so a gentleman from Hollister was interested in building a Winston Cup class, national class race track for the automotive sports. He was turned down by the City of Hollister I believe due to location and possible noise concerns of a couple of neighbors to his proposed location. The folks in Rockaway should have been on his doorstep to entice his plan to the Rockaway Beach area but we don’t hear of that either, do we? Such a development would have created untold spin off opportunities.

But all we hear from Rockaway is more crowing about casinos. Maybe there is more than may meet the eye here. Maybe there IS a reason after all that the "developers" of the lake front shopping mall have purchased the Lake Queen paddle wheeler and have it mothballed for future use. Maybe the water on Taneycomo is navigable all the way from Branson to the proposed casino site. hmmmmm??????

Rockaway Beach is not having problems because of Branson’s success but rather in spite of Bransons’ success. The city government and business leaders did not keep pace with the rest of this area and allowed the community to degrade. It is now time to grow up, solve your internal city government infighting and examine viable, well grounded growth solutions for your community. And please, quit the whining. [Tom, Branson]

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NAMEgate Abuse Grows in Branson

This editorial cartoon, by Branson’s favorite editorial cartoonist, illustrates the current situation where the City of Branson is trying to assert that it has a legitimate right to the service mark Branson after the term has been in the public domain for over 120 years. For an additional editorial perspective two recent editorials appearing in the Branson Daily Independent and on line in the Branson Courier entitled, “Give us a break, the City of Branson can keep the term ‘Dodink’ but leave ‘Branson’ alone, please!” and “Wouldn’t it be better for ‘Branson’ if the City of Branson changed its name to the ‘City of New Branson?’” might be helpful.

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Rose Petal Ceremony honors women veterans

Army nurse recently returned from Iraq guest speaker
She was part of the last MASH Unit in the United States Army, is recently returned from Iraq and now stationed at Ft. Leonard Wood. 1st Lt. Laura Schlenker will share her experiences as part of the Army Nurse Corp at a Rose Petal Ceremony and Luncheon on Monday, Nov. 6, at 10:30 a.m. at the Settle Inn in Branson as part of Veterans Homecoming events sponsored by the Branson Veterans Task Force (BVTF).

"The Rose Petal Ceremony is a moving tribute to all women who have given the ultimate sacrifice in service to their country. The Branson Veterans Task Force has as part of its mission to promote an environment of patriotic pride and dignity to recognize and honor our nation’s veterans and their families. As a division of the Task Force, the Women Veterans Committee is dedicated to being an avenue through which women veterans receive the long overdue recognition for their contributions and sacrifices to this nation. We are honored to have Lt. Schlenker as our guest for the Rose Petal Ceremony," said Mary Slivka, chairman of the Women Veterans Committee and a member of the BVTF Board of Directors.

Schlenker is the assistant head nurse at Ft. Leonard Wood Army Community Hospital Emergency Department. She joined the Army Nurse Corps in 2004 as a certified emergency nurse with four years of emergency room experience. She holds a Bachelor of Science in Nursing with a minor in chemistry. Prior to joining the Army she had worked all over the country as a travel nurse and teaching at the University of Wisconsin. Soon after officer basic training she was stationed in Wuerzburg, Germany. Three months later she joined the 67th Combat Support Hospital in Mosul, Iraq for Operation Iraqi Freedom II. In January of ‘05 she returned to Germany to work in the Wuerzburg Army Community Hospital Emergency Department.

Eight months later Schlenker went to Muzzafrabad, Pakistan, on a humanitarian mission in support of Operation Earthquake Relief where she worked in the Emergency Department of the last MASH Unit in the United States Army, the 212th MASH. In Pakistan the MASH saw and treated more than 300 earthquake victims a day. After four months Schlenker returned to the 67th in Germany and the MASH Unit returned home. Less than 90 days later, Schlenker moved to her assignment at Ft. Leonard Wood.

"Lt. Schlenker will be a part of the Rose Petal Ceremony and speak at the luncheon. Women veterans, active duty service women and members of the community are invited to attend the event. It will be held at Settle Inn at 3050 Green Mountain Dr. and begin at 10:30 a.m. The ceremony is free. Lunch, for which reservations are required, will immediately follow the service at the hotel restaurant. To make reservations call me at 417-334- 4084 ext. 317," said Slivka.

"This year, the service will be combined with the Two Bell Ceremony, a naval tribute, scheduled to be conducted by the Fleet Reserve of Springfield, Mo. The ceremony and luncheon are part of ‘Branson doesn’t forget’ the 13th annual Veterans Homecoming. For the third year the Task Force has set aside a day to recognize the contribution women veterans have made – Branson doesn’t forget women veterans," she said.

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Combined Branson Junior High and High School Choirs Present “How Can I Keep from Singing Songs of Joy and Celebration?”

Combined Junior & High School Choirs
performing in the Finale.

The educational opportunities available to students in the Branson School District, in the area of fine arts, was musically demonstrated in a dramatic and beautiful manner on the evening of October 17 as the Branson Junior High and Branson High School Music Departments combined to present a concert entitled “How Can I Keep From Singing Songs of Joy and Celebration?” The concert was presented in the Branson High School Theatre.

The Branson Junior High Choir under the direction of Erika O’Bryant and accompanied by Ruth Abbott sang “Gifts of Life” by Brad Printz and “Love is a Song” by Natalie Sleeth. The choir was supplemented by their three A+ Mentors/Aides from the Branson High School Choir who have been working with them this year, Kim Herchenroeder, Austin Wilson, and Courtney Leist.

The Branson High School Chamber Choir under the direction of Bob Abbott and accompanied by Margaret Erickson presented a program consisting of “Te Invocamus” by Johann Georg Albrechtsberger, “Stomp Your Foot!” From “The Tender Land” by Aaron Copeland, Theme from “New York, New York by John Kander with the arrangement by Philip Kern and a fun audience participation piece called “Football!” by Mignon Dobbins and Bayne Dobbins, complete with its own referees.

One of the evening highlights was when the two choirs combined, under the direction of Bob Abbott to perform “The First Song of Isaiah” by Jack Noble White and “God Is Our Refuge” by Allen Pote. John Kerley and Kevin Fearn provided additional accompaniment on the trumpet.

The evening’s finale was “When the Saints Go Marching In,” an American traditional song arranged by John Rutter presented by the combined choirs under the direction of Bob Abbott. The combined voices, piano accompaniment with instrumental support by Grant Maledy on the sax, John Kerley and Kevin Fearn on the trumpets, Carter Winn on trombone, Austin Wilson on bass and Ian Erickson on drums provided a spectacular end to a wonderful musical night as these young men and women shared their gifts and talents with the community.

%%%%Members of Branson Junior and High School Choirs%% Musicality of the type demonstrated at the concert only happens through concerted effort and dedication. The members of the Branson Junior High and High School Chamber Choir are as follows:

Junior High Choir

Andrea Alexander
Shayla Bales
Tiffany Bright
Kari Carmen
Jessica Chinn
Michael Cuthberson
Megan Daly
Madison Deputy
Nicole Edens
Kala Edmonds
Jennifer Eggebrecht
Taylor England
Bre Ferrrell
Michelle Gamez
Alexis Gingell
Tiffany Groman
Skylar Hall
Kristina Hector
Ashley Henderson
Katrina Johnson
Judy Jordon
Harlee King
Samantha Knight
Sydney Larkin
Jenna Murphy
Erikka Nielson
Abraham Pascoe
Brittany Ransom
Nichelle Ross
Kirsten Rydeen
Lindsey Salinas
Victoria Sanderson
Judea Schwanke
Ashley Scott
Joseph Sharon
Cecelia Shay
Amber Smith
Danielle Smith
Ashley Stein
Levi Sutton
Lilian Toohey
Ramsey Vaughan
Ashley Warden
Jessica Winger
Skylar Wright

High School Chamber Choir

Kambria Arjes
Austin Baker
Brittany Barnhart
Willie Bauer
Megan Bergold
Victoria Billington
Kat Blasi
Alyssa Boen
Jake Brown
Courtney Button
Hunter Coldren
Kyle Cravens
Afton Cunningham
Kaleigh Davis
Ashley Dean
Sara Dern
Katie Edelheit
Jordon Eldridge
Cameron Emery
Ericka Fetner
Nicole Flannery
Kym Forester
Sarah Foster
Bonnie Fredenburg
Sara Freeman
Kate Fulton
Valentina Garvilova
Brittany Genua
Shane Gray
Andrea Harding
Jennifer Harding
Kim Herchenroeder
Patrick Hickerson
Cyna Houseman
Leslie Knight
Aimee Lambeth
Courtney Leist
Amy Leverton
Nicole Lindsey
Vicky Love
John Lowery
Kristin Mackey
Evan Marsh
KatrinaMaxwell
Jordon McNew
Cassandra Mease
Bly Miller
Jessica Mink
Jacqueline Parker
Ryan Pratt
Tierra Ragan
Breana Reyes
Alyssa Rice
Tawy Robinson
Ali Robison
Erica Sanders
Stephen Schaeperkoetter
Ivory Scrivens
Leilani Sees
Daniel Seitz
Taylor Seitz
Callie St. George
Tiffany Steen
Mallory Strand
Jade Sullivan
Stephen Swenson
Ethan Sykes
Sara Thigpen
Coy Dale Thomas
Luke Treat
Jordan VanHorn
Guy Walker
Claire Wheeler
Tzeitel White
Carter Winn
Kayileigh Wirges
Bri Woelick
Jessy Zeppenfeldt

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Silver Dollar City’s nationally “An Old Time Christmas” starts Nov. 4

Holiday Light Parade

It’s Christmastime throughout the City when Silver Dollar City presents one of the nation’s most spectacular holiday festivals, profiled as one of the top Christmas celebrations in the country by USA Today and People Magazine, spotlighted in the Wall Street Journal, and named the “USA’s Best Holiday Light Show” two years in a row by America’s Best Online. An Old Time Christmas, November 4 – December 30, features a dazzling Holiday Light Parade, a dramatic five-story Special Effects Christmas Tree, and one of the park’s biggest production shows ever, A Dickens’ Christmas Carol.

During An Old Time Christmas, the theme park is transformed into an evening wonderland with over four million lights and 1,000 decorated Christmas trees. The colorful Holiday Light Parade, with musical floats covered in bright lights, winds through the streets of the City each evening. Lighting up the Square is the five-story Special Effects Christmas Tree, with over 250,000 lights blazing with the musical movements of Christmas songs.

Silver Dollar City’s acclaimed production, A Dickens’ Christmas Carol, presents an all-new scene set inside a snow globe. This original musical adaptation of the famous classic by Charles Dickens features elaborate sets and stunning visual effects, with flying spirits, vanishing ghosts, revolving scenery and pyrotechnic special effects. The production showcases a talented cast of 14 actors, accompanied by a live band.

Silver Dollar City aglow with millions of lights

A returning favorite feature of the festival is a dramatic presentation of the
Living Nativity, presenting an inspiring look at the story of the birth of Christ.

The traditional lighting of the five-story Special Effects Christmas Tree takes place each evening at 5:30 p.m. on the Square. Silver Dollar City’s unique creation, the Special Effects Christmas Tree presents classics such as “Carol of the Bells” and Handel’s “Hallelujah Chorus” in a spectacular light and sound show. Performances begin with the tree-lighting ceremony and continue every 15 minutes until park closing.

The tastes of the season are in abundance throughout the park, from a Prime Rib Buffet at the Mill Restaurant to traditional favorites such as Turkey and Gravy with Cran-Apple Raisin Dressing. Festive holiday treats include old-fashioned Chocolate and Marshmallow S’Mores, Gingerbread Cookies, Apple Dumplings, Hot Wassail, Cappucino and creamy Hot Chocolate.

Holiday shows include Cedric Benoit and the Cajun Connection performing in a Cajun-style holiday show, and the rollicking Christmas comedy “Frontier Fa-la-la- Follies” in the Silver Dollar Saloon. The Cumberland Quartet with Tracy Heaston returns in “A Christmas Homecoming.”

Especially for kids, Tinker, the 17-foot Talking Christmas Tree talks, sings and interacts with kids. Santa himself is available to hear requests, and kids can make ornaments, create Christmas cards and decorate Christmas cookies. Guests are invited to join in the singing of Christmas carols at the historic Wilderness Church and ride the Silver Dollar Sing-Along Steam Train.

During An Old Time Christmas, Silver Dollar City is open Wednesdays through Sundays through December 3, 1:00 p.m. to 9:00 p.m., and Saturdays, noon to 10:00 p.m. The park is also open on Thanksgiving Day, Nov. 23, from 4:00 p.m. to 10:00 p.m. and on November 24, noon to 10:00 p.m. The park is open Thursdays through Sundays December 7 – 23, closed December 24-25 and open December 26-30, 1:00 p.m. to 9:00 p.m., and Saturdays, noon to 10:00 p.m. For ticket information and schedules, call 1-800-831-4FUN. Information and tickets are also available through the web site at www.silverdollarcity.com.

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Indian Point’s Enchanted Forest features the “Freedom Tree”

60,0000 red, white and blue lights adorn
the Enchanted Forest’s "Freedom Tree."

Beginning in the 1980’s, Indian Point’s Enchanted Forest was the first drive-through holiday light display in the Branson/Lakes Area. Today, it is the only one that remains free to the public. In the early years, the display included only ground-mounted colored spotlights shining up into the trees. This year, the mile-long drive has hundreds of thousands of lights including tunnels, whimsical animated woodland creatures and a few new surprises.

The focal point is the now famous “Freedom Tree”. Just after the 9-11 terrorist attacks occurred, the volunteers decorating a crooked old Osage orange tree decided to wrap it in red, white and blue lights to express the Village’s patriotism and support for the country. A picture of the tree was put on the Indian Point Chamber of Commerce’s web site (www.indianpointchamber.com) and positive comments were received from across the nation and several foreign countries. The tradition continues this year as the tree’s 60,000 plus red, white and blue lights send forth visual support of our troops abroad and emergency workers here at home. An estimated hundred thousand people came to see the lights last year and this year promises to be even bigger and better.

This annual event is not a commercial enterprise however donations are gratefully accepted. The Forest is the annual “Christmas Card” from the Village (the largest resort area on Table Rock Lake) to the residents and visitors to this area. It is a partnership of the Village, the Indian Point Chamber of Commerce, the U.S. Army Corps of Engineers and the many volunteers, without whose help the event would not be possible.

The Enchanted Forest is located three miles south of Highway 76 on Indian Point Road (the entrance to the Silver Dollar City Theme Park) between Branson and Branson West. It will be open from dusk until midnight each evening from Nov. 11 through January 1.

For further information, visit the Indian Point Chamber of Commerce’s web site or call 800-888-3313.

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Branson Historic District has free trolley system to and from Branson Landing

The Downtown Branson Main Street Association, DBMA, is starting a free trolley service between the City of Branson’s Historic District and Branson Landing on October 20. In a recent email, Gayla Roten, the Executive Director, of DBMA said, “The purpose is to encourage all visitors downtown, including Branson Landing visitors, to also visit the Historic District. The need is to create walkable and seamless districts without the diversion of the incline of the hills we have downtown.” Roten continued, “We are truly excited about offering this service and experience to Branson residents and guests.”

Roten pointed out that the trolleys will operate daily from 8.00 a.m. to 7:00 p.m. and that there will be two stops in the Historic District, one at Main and Commercial and the second at College and Commercial. There will also be two curb stops at Branson Landing, Bass Pro Shops at the south end of the Landing and Belks at the north end. The trolleys are enclosed and have heating and air conditioning and will operate at a frequency of about every 10 to 15 minutes.

Passengers parking in the Historic District and taking the trolleys down to Branson Landing should be aware of the fact that there is a two hour parking limit in most of the Historic District and plan accordingly. The better option would be to park at Branson Landing and take the trolley up the hill to the Historic District.

The revised expected starting date is October 23, 2006. For further information call the Downtown Branson Main Street Association at 417-334-1548.

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A “Git R Done” interview with the “All American Bluegrass Girl,” Rhonda Vincent

Rhonda Vincent during her first performance
at Silver Dollar City’s 2006 Festival of
American Music & Crafts.

Hundreds of outstanding musicians are appearing as part of Silver Dollar City’s traditional fall Festival of American Music & Crafts, Sep. 14 – Oct. 28, 2006. One of those musicians is the lady some call “the queen of modern bluegrass” and the winner of the International Bluegrass Music Association’s Female Vocalist of the Year for the last seven consecutive years, Rhonda Vincent.

Although she had a harried schedule because it was her first day performing at the festival she not only made time for an interview but was very gracious and forthcoming during the interview. In all honesty, it was like talking with a friend for a few moments.

When asked, “If this was your last performance what one song that you have written and/or performed would you want Rhonda Vincent to be remembered by and why?” Without hesitation she replied, “Is the Grass Any Bluer on the Other Side,’ because it is a tribute to Bill Monroe the father of bluegrass.” Then, in an almost reverent tone she continued, “The song asks ‘so tell me Bill, is the grass any bluer on the other side?’”

Research on that song revealed that the line previous to the one she quoted says, “The music from your mandolin, spread like wildfire in the wind, And echoed through the hollows and the hills, [so tell me Bill, Is the grass any bluer on the other side?”] Interestingly, although Rhonda plays different instruments well, by far the one she is the most noted for is the mandolin.

A recent news article said, “The queen of modern bluegrass is a traditionalist named Rhonda Vincent.” When asked “What one number in today’s show best demonstrates the traditional aspects of bluegrass music and how does it do it?” Vincent replied, “Quite possibly the song “All American Blue Grass Girl” because it has a Jimmy Martin feel and he was considered the king of bluegrass. The song is the title track of Rhonda Vincent’s new album “All American Bluegrass Girl” and was written with her life in mind as a kind of musical autobiography about her life.

In discussing the “All American Bluegrass Girl,” her newest album, Rhonda said, “Collectively that whole project describes the style of music and the whole collaboration that we have.” She pointed out that she grew up in a musical family, that her brother and she have been producing music together for a long time, and that although recording technology changes, what has to be done to make a successful record has not. You start with the best songs, music and musicians possible, add your own distinctive style, and present it in a way that pleases your audience. [Author’s note: Since the interview Rhonda Vincent’s newest album entitled “Beautiful Star –A Christmas Collection” has been released.]

%%%%Rhonda Vincent- "Git R Done and The Rage%%

Rhonda Vincent and The Rage, left to right
banjo player Kenny Ingram, Rhonda, fiddler
Hunter Berry, ,bassist Mickey Harris and
guitarist/mandolinist Josh Williams.

Originally Published In the Branson Courier on Oct. 2023, 2006.

In researching for the interview there was a news story that quoted Vincent as saying, “If something needs to be done, do it.” When I first read that it reminded me of Larry the Cable Guy’s “Git R Done.” I shared that with her and asked, “Was there a turning point in either your career or music where something needed to be done and you had to do it?”

She smiled, kind of nodded her head in agreement, and said, “Git R Done, that’s exactly right but there was no big moment or turning point. It’s a day to day reality thing. If it needs to be done just do it” She applied it to the circumstances of traveling together with her band in a bus and said, “I can’t ask these guys to do anything that I’m not willing to do myself. If I expect them to take out the trash or set up the merch [cds, pictures, etc. they have available for sale after each performance] then I have to be willing to do that too.”

Rhonda continued by pointing out that it’s an expectation and a respect for yourself and others that enables you to approach tasks with a willingness to do them. As she put it, “Instead of I don’t want to do this, let me do this.”

A news account of Rhonda’s band “The Rage” said that it “is now considered among bluegrass music’s most impressive ensembles.” When asked “What is it about them that most impresses you?” Vincent replied, with obvious affection and pride, “My goal when I first started the band ten years ago was to put together the ultimate group. First of all you want great musicians who are incredibly talented on their instruments but it goes beyond that. I have great musicians who are great people and everybody shares the camaraderie of each other. To me it’s that unique combination of everything together that makes it a magical unit.”

The performance that I had just seen and heard was testimony to just how magical. As to be expected from a band with this reputation, the musicianship of each member, fiddler Hunter Berry, banjo player Kenny Ingram, bassist Mickey Harris and guitarist/mandolinist Josh Williams was flawless. Yet, it was the way that individual musicianship was combined with their ability to interact with their audience, each other and Rhonda and she with them that resulted in a very special entertainment experience that was over too quickly.

As the time for her next performance drew near I asked, “What one thing do you want people who attend your show to remember most when they leave?” Without hesitation she replied, “You hope that each song will touch someone and make a difference in their life. You want them to take something that is going to touch them and that they can carry with them.”

Authors note: Rhonda Vincent is scheduled to be back at Silver Dollar City, May 15-16, 2007, for Silver Dollar City’s “Bluegrass and BBQ Festival.” As part of her current 2006 tour she will be appearing at Remington’s in Springfield, MO on November 12. For the remainder of her 2006 schedule and 2007 schedule click here.

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Branson’s 13th Veterans Homecoming Nov. 5 – 11

More than 50,000 veterans and their families are expected to attend the nation’s largest Veterans Day event to be held Nov. 5-11 in Branson, Mo.

With the theme of ‘Branson doesn’t forget’ the 13th annual Veterans Homecoming includes a record-breaking list of new and free events. Attending will be many dignitaries and distinguished guests among them former POWs from World War II and the Korean War, a former member of the Ugly Angel Squadron in Vietnam, Tuskegee Airmen and a representative of the Army Nurse Corp recently returned from Iraq. Celebrities making special appearances include Pat Boone, Moe Bandy, Barbara Fairchild and Lee Greenwood.

Sponsored by the non-profit group Branson Veterans Task Force, Veterans Homecoming is a tribute to all veterans and active military and those who support them. A committee of volunteers headed by Steve Weyher and Marlyce Stockinger, both Task Force board members, developed the theme and selected the colors of navy and orange. They have organized events to emphasize support of soldiers who are located in all parts of the world, especially the Middle East, and the veterans before them.

"Special guests who will be sharing the week’s events with us are Billy Templeton, a POW captured by the Japanese and a survivor of the Bataan Death March who did slave labor for three years at Mukden, Manchuria and Ed Slater, a POW captured by the Koreans and a survivor of the Sunchon Tunnel Massacre. Tuskegee Airmen Harvey Bayless and Judge Robert Decatur will also join us during the week. We are honored that these and others will be here in Branson with us," said Stockinger.

Among the new events are a troop ship, a troop train, a day room, a red, white and blue style show, a Branson Doesn’t Forget Ball and a USO-style big band dance. Free events include the Branson Veterans Task Force Tactical Operations Center (TOC) Headquarters and Vendor Village at Celebration City Convention Hall where an All-American lunch will be served 11:30 a.m.-1 p.m. free to veterans and active duty personnel Monday through Friday. Also new and free at the Factory Merchants Mall are flag raising ceremonies, Reveille at 7 a.m. and Retreat at 5 p.m. Monday through Friday.

The new Day Room is also free with refreshments and snacks available and is a place to relax, visit, share stories with buddies or bring acoustic instruments to jam, according to Stockinger who said, "You never know who or what entertainers might show up to play, jam or just to visit."

Among other free events are the Vietnam Traveling Wall, Veterans Patch Wall, Hall of Heroes and church services. Events also include the annual Korean War Veterans Association Mini-Reunion, a blood drive, the Red, White and Blue Style Show that will feature veterans and family members in their patriotic colors, the second annual Candlelight Military Memorial Service for all military and guests, the annual Gold Star and Blue Star Mother’s Brunch and the annual Honor and Integrity Luncheon honoring youth military groups.

The Veterans Registry and participating in the Veterans History Project are optional and free and an important part of the week. The Veterans History Project is sponsored by the Branson Veterans Task Force, as a partner with the Library of Congress American Folklife Center. The personal stories of veterans of all branches and all eras are videotaped free of charge for future generations. The Veterans Registry is a continuing project the BVTF where veterans may register for free and may conduct buddy searches among the 60,000 plus database.

The week officially begins on Nov. 5 with a church service honoring at Hamner/Barber Theater formerly the Braschler Theater at 10 a.m. followed by opening ceremonies at 2 p.m. at the White House Theater. Hosted by Branson celebrity Dalena Ditto, the line-up includes Ft. Leonard Wood’s U.S. Army Band and special guest appearances by Greenwood and Bandy.

Nov. 6, is highlighted by the Woman’s Veterans Rose Petal Ceremony and Luncheon where each branch of service and the women who have served and given their lives for their country will be remembered. From Ft. Leonard Wood, Mo., 1st Lt. Laura Schlenker, who recently returned from deployment to Iraq, will represent the Army Nurse Corp as the guest speaker.

Veterans Day, Saturday, Nov. 11, at 11 a.m. the 72nd annual Veterans Day Parade sponsored by American Legion Post #220 will go through downtown Branson. At 3 p.m. closing ceremonies will be held at the White House Theater featuring Barbara Fairchild’s salute to "Branson Doesn’t Forget" with her wonderful style of love for veterans, God and Country. Closing ceremonies will include a premier by Boone of his new song For My Country: Ballad of the National Guard. To be released in November, Boone featuring the singing group Valor pays tribute to the United States National Guard and the nation’s troops in this moving music video that also includes touching interviews with brave soldiers overseas and families back home. Sales proceeds will go to Paralyzed Veterans of America, an organization that assists veterans of the armed forces who have experienced spinal cord injury or dysfunction.

Veterans Day and the week come to a close with the "Branson Doesn’t Forget" Ball with dinner, entertainment and dancing with Les Brown and the All Stars. The ball is in honor of Pat Boone, American Legion Post # 220 and the College of the Ozarks plus other special guests, according to organizer Weyher.

During closing ceremonies the recipient of the 2006 Veteran of the Year Eagle Award sponsored by the BVTF and The Avenue of Freedom LLC will be announced. The recipient will be honored at the "Branson Doesn’t Forget" Ball. The Avenue of Freedom LLC has created the Eagle Award as a way to honor veterans (active or retired military) in Stone and Taney counties.

Many Branson performers, theaters and attractions offer special events, free admissions to veterans and or special pricing in honor of the special week. For instance at the Titanic Museum America’s veterans will receive a Heroes Honor on Nov. 8 and internationally-known illusionist Justin Flom will admit veterans and active military free to his show Nov. 7-10 at 7:30 p.m. where he will pay tribute to veterans and active military by presenting each with a special lapel pin and present a special military tribute illusion by special permission of the U.S. Army.

The Branson Veterans Task Force works to promote an environment of patriotic pride and dignity to recognize and honor the Nation’s veterans and their families. For more information call 417-337-VETS.

"Because the schedule of events for an event of this magnitude often changes, be sure to go to bransonveterans.com for updates," said Weyher.

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Branson’s Lowe Family is not just another family variety show

The Lowe Family

Lots of families in Branson have great family shows, each with their own unique talents, however, the Lowe family presents to the audience, a group of classically trained, multitalented singers, dancers and instrumentalists that are way above and beyond the norm. This family performance is one to see. The entertainers consist of mom LeeAndra, dad Robert, son Doug, and daughters Korinne, Kami, Kayli and Kara. Two other daughters, Kendra and Keisha are not performing currently in the show, but both have the same disciplined musical background and Kendra helps Doug with the musical arrangements.

The family starts out with a contemporary song and dance routine to "On A Wonderful Day Like Today," dad, Robert plays “Hello Dolly” on the trumpet and from there the show continues with a violin and xylophone duet of "Flight of the Bumblebee." Throughout the show, the types of music range from contemporary to bluegrass to musicals to classical, while the dancing goes from jiving to salsa to ballroom to Irish clogging.

The family pays tribute to their family tradition and roots from Wales and Ireland, by doing authentic dances, singing authentic songs, and playing authentic instruments and music from both countries. One section of the show is dedicated to playing and singing music from "The Phantom of the Opera" and "Les Miserables." In a classical section of the show, while all of the family participates with tremendous talent, Korinne Hamblin, oldest daughter of the performing group and Doug Lowe, the only son, showcase their musical training while performing on the violin and grand piano respectively. Either of these two could perform as solo artists.

That does not mean that the others aren’t extremely talented as well, as shown by the audience response throughout the whole performance. During one section, Doug, Kayli, Kara and Kami split into pairs and play duets on two different grand pianos, together. During another section, all the girls show that they can play violins well while having fun—playing their own plus each other’s instruments. Throughout the show, they trade off playing drums, xylophone, violins, piano, electronic keyboards, bass fiddle, and other instruments. Doug even plays Amazing Grace on the bag pipes. Mom, LeeAndra, Korinne and Kara perform a clever skit called "Channel Flipping" representing what you could have heard (before remotes) by flipping channels during commercials.

At the end of the show, the Lowe family pays tribute to America’s heroes, the veterans, widows and children of veterans. Robert Lowe (dad) plays "Taps," as they show a video of important moments in American history on the big screen. They also perform the songs "America," "Dixie," and "God Bless America," and in an unusual but extremely moving display, bring out all twenty-seven flags that have flown over our country during its history. Finally, the Lowe family ends the show with a fitting rendition of "When There’s Love At Home."

If you are interested in seeing the Lowe family perform, or would like more information, please call the Welk Resort Theatre at 337-7469.

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Bigger was better for Lake Taneycomo today

Gary’s Big Four

For the past month or so I have let the Lake Taneycomo Fishing Report Slide while we worked on the update of the Branson Courier web site. That is done now so there will be, hopefully, a lot more fishing.

I went fishing with my good friend Howard this morning. The company was great but it was about 37 degrees and windy. Boy did my fingers get frozen and stiff. But the good news was the water was a tad choppy and that gave the jig a lovely action.

We both had the best luck using the 100th ounce olive green Bassnapper Jig from Gary’ Big Four. I caught one small Rainbow on a 100th ounce River Run Peach Furbug but the lure of the day was olive green jig and even that was relative. Between us we only caught about 10 fish in an hour and a half, picked and rolled about three and missed about 10 hits. The biggest was about a 15-17 inch Brown. We fished between 0730 and 0900 down the east bank starting a Point Lookout and were fishing 6x Orvis Mirage tippet at a depth of about four to five feet.

I was kind of surprised they were hitting the big stuff because that hasn’t been the case lately. It seems that small was better. Not today but then that’s what makes it fishing.

Other Lake Taneycomo Fishing Reports


River Run Outfitters
– For their latest fishing report click here.
Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
Lilly’s Landing – For the latest fishing report click here.
Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

General Information on Lake Taneycomo

Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

History of Lake Taneycomo – .

More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

Other Lake Taneycomo Fishing Reports


River Run Outfitters
– For their latest fishing report click here.
Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
Lilly’s Landing – For the latest fishing report click here.
Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

General Information on Lake Taneycomo

Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

History of Lake Taneycomo – .

More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

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Wouldn’t it be better for “Branson” if the City of Branson changed its name to the “City of New Branson?

At the October 10 meeting of Branson’s board of aldermen, Alderman Ron Huff read a statement about the City of Branson’s September 15th letter to the Branson Sports Club demanding that it take the word “Branson” out of its name because the City of Branson allegedly has the legal control of that term. One can only wonder and ponder how “Branson” ever got from its meager beginnings at Marble Cave in the late 1800s to the seven million plus visitors it had in 2005 without the City of Branson.

But not to worry, the City of Branson is here now to take control of the term “Branson.” This, in spite of the fact that the term “Branson” is, and has been, an economic development tool, in the public domain, that has been used by the entire “Branson” area for over 120 years. Is it not “Branson” that has made the City of Branson relevant?

Huff wondered whether or not those concerned about the actions that the City of Branson was taking against the Branson Sports Club would have been as concerned if, instead, the business had been named “Branson Exotic Dancers.” To an Ole Seagull that was an onerous Freudian slip evidencing the value system, he believes, is employed by the majority of the City of Branson’s elected leaders and its highest ranked unelected official.

Let’s not respond to the right or wrong or reality of the actions that the City of Branson took against a local business and the public embarrassment that those actions caused. Instead let’s attack those who dare to question those having the responsibility for what happened. A responsibility that, in the opinion of an Ole Seagull, rests solely with the City of Branson’s elected leadership and their failure to control the actions of the city’s highest ranked unelected official, city administrator Terry Dody and hold him accountable for what happens on “his watch.”

Was it an Ole Seagull or the media that sent the September 15, letter to the Branson Sports Club or was it the City of Branson? A letter that most reasonable people would say appears to be designed and created to give the clear impression that because the City of Branson “owns the federally registered service mark BRANSON, MISSOURI (and design) Reg. No. 2,594,679 for use with municipal services” that it also had the right to prohibit or control the use of the word “Branson.” Incredibly, the words “Branson, Missouri” were specifically disclaimed in very registration cited in the letter.

The letter demanded that the Branson Sports Club formally change the name of their business to delete all references to “Branson.” It accused them, of among other things, deceptive trade practices, trademark infringement and false designation of geographic origin under various cited provisions of the federal “Lanham Act,” merely because the term “Branson” was used in their business name. Some people, an Ole Seagull included, might get the impression that the letter reeks with the stench of attempted intimidation and coercion but then, one person’s stench is another’s perfume.

Speaking of stench, recent news reports indicate that City of Branson officials announced that they were dropping the demand that the Branson Sports Club remove the word “Branson” from its name. The reports indicate that, according to city administrator Terry Dody, the city has recently determined that they had the name registered with the Missouri’s Secretary of State longer than 24 months which is beyond the period the city is going to enforce its alleged right to the term “Branson.”

Please, give an Ole Seagull a break! Can any reasonable person doubt, that prior to sending out the September 15, 2006 letter, that the City of Branson either knew or should have known that the Branson Sports Club Inc. had been in business since April 9, 2003? Isn’t it basic Research 101 stuff? Is there any reason to believe that the city’s research in other areas has been any better? If the answer is “No” what does that bode for the City of Branson’s future?

To an Ole Seagull, it bodes about the same thing as being down wind and close to the tail end of an agitated skunk as it raises its tail, very little good for anyone except, possibly, the skunk. One could wonder if it would be better for the “Branson” that seven million visitors came to visit in 2005 if the “City of Branson” would change its name to the “City of New Branson” and leave “Branson” alone.

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Mea culpa, couldn’t a 25 story skyscraper symbolize the experience and expectation that is “Branson?”

In his Sep. 24 column entitled, “At least ten things that the Ole Seagull is positive about,” the Ole Seagull said, “He is positive that if people don’t turn out for the Branson Board of Aldermen’s meeting at 7:00 p.m. on Monday, Sep. 25, and express their opinion, that the board will act on the planning and zoning changes for the erection of a 300 foot, 25 story cement and glass symbol to the New Branson, located at the very gateway to Branson, without their opinion being heard.”

The column continued, “He is positive that some believe it is ‘an affront to anyone with respect for the land,’ that it is not consistent with ‘maintaining the quality and beauty of our areas landscape,’ or the ‘natural beauty of this area’ that is so ‘extremely important to our tourists and residents and must be protected if we are to continue to be a top tourist destination.’” He should have stopped there but, he didn’t. He went on to state that “He is positive that he agrees with those statements.”

Mea culpa, subsequent events have convinced the Ole Seagull that he was wrong. “Mayor Lou” was closer to being right than he was when he said that if it was up to him that he’d build it 35 stories high instead of the 12 stories that the Branson Board of Aldermen compromised on.

At that meeting, one of the very first things pointed out by Mr. Rick Huffman, the CEO of HCW, one of the projects developers, was that there would be no TIF or other public funds requested by the developers for the project. That’s right folks, all their own money with no government subsidy! Now there’s a refreshing difference between this and most other “New Branson” projects. Isn’t that the way Old Branson grew and prospered, individual investment, effort, and risk?

When the issue of fire safety was raised, Branson Fire Chief, Carl Sparks, addressed the question in a professional manner that left no doubt in this Ole Seagull’s mind that fire safety would not be an issue because of the buildings height. Branson is blessed with a great fire department and personnel who are constantly training for the changing environments that they might encounter. A high-rise over ten stories is just one other situation that they will train for and handle in the same professional manner they would handle any other situation. When that factor is coupled with the increased fire safety building requirements for high-rises, where’s a legitimate concern?

By far, the biggest concerns related to the effect of the development blocking the view, effecting our natural beauty and the land, and the initial impression that people would get as they came into Branson. Things really fell into perspective when, while sitting at River Run Outfitters drinking coffee, a fellow fly fisher, local businessman, entrepreneur, and restaurateur, laughingly, asked two simple questions, “What view?” and “What first impression do people get now as they drive into Branson?”

As one drives into Branson from the north they get quick glimpses of the Branson Tourism Center and Branson One Stop. Of course that’s only after getting an eyeful of the Home Depot, perched high a top the nakedness of the Branson Hills “rock pile.” What’s the next thing they see? Is it not a big head with a funny fur cap on it at the north end of Yakov’s Theatre? One can only wonder how many drive by each day and think “What a view!”

Exactly what view or Ozark beauty will the project be blocking that the current development on the property is not currently blocking? From what an Ole Seagull has seen, especially while driving in from the north, not much.

In terms of its effect on, or respect for, the land; is the development being developed on virgin Ozark hills and woodlands or is it being built by replacing the asphalt, cement, and development that has already taken place? Even a cursory drive by the site will show the obvious.

As to the first impression on visitors, is it not just possible that, while serving as the “25 story cement and glass symbol to the New Branson,” the building could also generate excitement and symbolize the constantly evolving entertainment experience and expectation that has come to be known as “Branson?”

Some might ask, “Why bring it up, isn’t it a done deal at 12 stories?” Sure it is and what are the odds that Rockaway Beach will have casino gambling approved in 2008.

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The Promise Returns To Branson- A Review

Many will remember one of the most popular shows in Branson. The Promise had a long and successful run in town. Personally I was very sad to see it close a couple years ago. When I discovered rumors on www.1Branson.com that it might be one of the new productions for 2006, I had to do some investigating.

Sure enough the musical production was headed back to Branson. It was slated to replace Joseph and the Amazing Technicolor Dream Coat at the Mansion America Theatre. The show was not up and running when I was in Branson for my first trip of the season. However, when we made it back in mid May (2006) it was off to a great start.

I had the opportunity to see The Promise several times when it was in Branson on it’s last run, so I knew what to expect. But let’s face it, most people who come to Branson on vacation are at least familiar with the story, whether they know it or not. We are in the Bible belt and The Promise unashamedly recreates some of the powerful events in the life of Jesus Christ.

Even though I had seen the show before, I was in for an afternoon filled with real surprises. Though the story is the same, this production is very different from the one in Branson several years ago. I loved the previous production. I would have described it with words like pageantry and extravagant. Though the production value of this show is just as big, I felt that there was less spectacle. Yet it was a more powerful and moving experience.

Each scene seemed well thought out and played an integral role in telling the story of Jesus’ life. Of course the whole thing starts with the birth of the baby Jesus complete with angels and live animals. This scene really sets the stage for the powerful drama to come.

Next we skipped to a scene where the wild and untamed man, that is John the Baptist, was going about his work of baptizing those that chose to follow the ways of the Lord. The culmination came when Jesus entered through the audience to be baptized. Tears welled up inside of me several times that afternoon. This powerful foreshadowing of Jesus’ death, burial and resurrection was the first of many tears.

Much time and detail was spent on the call of the 12 closest to Jesus. The audience was able to look into the eyes of those men and see why they would just leave everything to follow this great leader.

One of my favorite scenes of the production included Jesus and his disciples as they traveled the rough sea. With just his voice the violent sea settled, and the goose bumps on my arm flared to attention as they sang about the power of Jesus. Another miracle was the raising of Lazarus from the dead. The anguish and desperation in Mary and Martha’s voice was easy to identify. You could even see that Jesus was heartbroken by their loss. But tears in my own eyes clouded my view as Jesus called his friend out of the tomb, where he had been for several days.

%%%%The Promise: Part 2%% The story continues to unfold in the second half and culminates with the trial, death and resurrection of Jesus. The scorn in the voice of the Pharisees as they sent him to this death made my blood boil.
Though it had been a few years since I had seen the Promise, I had fresh images in my mind about the crucifixion from the motion picture The Passion of the Christ. I prepared myself for what I might soon witness. Thankfully, the producers of this production were sensitive to the varied ages of those in the audience. While the crucifixion was very powerful and moving, it was not especially gruesome or drug out. They made the point very clear without upsetting anyone.

Finally the most powerful images of the production came at the resurrection. I can still see the Jesus character as he powerfully ascended to heaven.
This production of The Promise is so moving. Christians will leave with a newfound revitalization of their spirit. Nonbelievers who are fortunate enough to see it will find themselves staring into the face with a decision that offers hope for their future.

To change the tone of this review a bit, let’s discuss the theatre. Traveling with a baby has made attending shows more difficult for my family. I prefer to sit near the front, but often the music is so loud that Jaron gets upset or scared. I knew that the Mansion America Theatre was one of the largest venues in Branson. So I felt confident that we would be able to find great seats where Jaron would not distract others and we could also protect his ears. There were about 125 people at the show that afternoon so we did decide to sit at the back of the front section. I would say that we were at least 20 rows back, but I still felt like we had great seats. Other than not having a lot of extra leg room, we thought our seats were perfect.

If you get to the theatre a little early, they do have an exhibit in the front lobby that features the camel that you will see in the show. The entire cast also greets you in the lobby as you leave. This offers a great opportunity to meet the cast and see the costumes up close.

As I prepare to close. I hope that you can read from the passion in my words that I think that this is a phenomenal production. I was touched by the powerful performances of the actors on stage. They gave such heart to the roles. I think this show offers what no show in Branson does. You truly get a fresh take on this timeless story that can change your life forever. If you will you let it.

The Promise is performed at the Mansion America Theatre. The theatre is a little hard to find. Take the Gretna Rd exit off Hwy 76 and follow it all the way to the corner of Gretna and Hwy 248. The show is performed Monday through Saturday in the 3:00 p.m. time slot throughout the season. For more information visit www.mansionamerica.com or to reserve tickets or check the show schedule call the theatre at (417) 239-1333. Tell them that Heath from the 1Branson sent you.

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Pam Tillis: A Family Legacy

Pam Tillis did not disappoint with her very
entertaining show at the Welk Resort Theatre.

I recently had the honor of attending a performance by Pam Tillis at the Welk Resort Theatre. This would be my first time seeing her give a solo performance with her own band. My anticipation of a great evening was imminent.

As I entered the doors of the Welk Resort Theatre I headed straight to the ticket counter to pick up my ticket. There was some mix up in my reservation but everyone involved handled the matter in the utmost professional manner and I left the counter with nothing but gratitude for the impeccable staff at the theater. With the few minutes I had before show time, I explored the theatre lobby a little bit. The lobby itself is very open and spacious. It would be very easy to sneak away with your friends and have some private time without worrying whether you are disturbing the person next to you. The spaciousness is something that is very important to me. I almost feel claustrophobic in some lobbies waiting for a show to begin with everyone crowded around me. The theatre is named after the famed bandleader, Lawrence Welk. In addition to Welk related productions, the theater hosts a plethora (don’t you just love that word J) of other entertainers as well. Some of the entertainers even have displays set up in the lobby to let you know more about who they are incase you didn’t already know. One interesting treasure that I found was Lawrence Welk’s personal golf cart that is on display in the lobby (Tidbit: The golf cart is tucked away under the stairs, you will have to look for it).

Carrie Tillis shows off her amazing vocal talents with a rendition of "HIs Eye Is On The Sparrow"
Carrie Tillis shows off her incredible vocal talents
with a rendition of "HIs Eye Is On The Sparrow"

The time had come to make my way into the theatre for the big show. Upon entering the theater guests are treated to a sampling of music by Pam Tillis while images of her are displayed on screens located on opposite sides of the theater. I must admit that I’ve seen Pam Tillis a few times before but it had always been with her famous dad, Mel Tillis, and his band. This time I wanted to see just how Pam throws it down in her very own production. I was not to be disappointed because the show not only gave me more insight into the talent of Pam Tillis herself but also into the talent of others in the Tillis clan. Pam was joined on stage by her brother, Mel Tillis Jr. (MJ), and her sister, Carrie Tillis. If Mel ever decides to step away from the spotlight, rest assured these ‘younguns’ would make sure and carry on the Tillis family name.

%%%%Pam, Carrie, & M.J. Tillis Perform%%

Tillis siblings Mel Jr., Pam and Carrie deliver
their version of "Uncle Penn".

We all know that Pam sings primarily country music while infusing soulful, jazzy licks into her songs but what about her brother and sister? MJ is a singer and songwriter in his own right. He even worked with the "material girl" herself, Madonna. His singing style is very reminiscent to his father’s. You can definitely tell they are related. He’s written several songs for many artists including, Jamie O’Neal’s "When I Think About Angels", which he performed in the show. Carrie on the opposite end of the spectrum is now living in New York City and pursuing an acting career. In addition to acting she is also trained in the singing art of Opera. She displays her magnificent ability to the songs, "His Eye Is On The Sparrow", and to an aria set to Beethoven’s "Moonlight Sonata".

I’ve seen Carrie perform many times and this was the first time for me to see her really show off her operatic devices. Bravo! Other standout moments for me from this show included the trio made up of Pam, MJ, and Carrie singing, "Uncle Penn", Pam’s funky rendition of, "Ring Of Fire", complete with an equally funky banjo accompaniment.(Pretty fly for a white girl, LOL!), Comedy erupted in this show when Pam and her female back up singers get together around a campfire to discuss every ladies favorite topic, MEN. While performing "Cleopatra, Queen Of Denial", Pam enlisted the help of the male ushers to "shake their groove thang’" or lack thereof, LOL!

Pam Tillis Performs in Branson MO
Pam brings the male ushers on stage
to "shake their groove thang’"

My favorite Pam Tillis songs are her ballads where she pierces even the darkest of hearts with her angelic vocals. The fashion show she gives her audience is definitely not one to miss. (Eat your heart out Paris Hilton–Ha!) One final thing that really made the night special for me was the fact that she took the time to arrange some of her familiar songs differently so that she could insure giving her audiences something extra special when they come to see her. When you go see some artists’ perform you might as well stay at home and listen to their CD because you will be getting a note for note repeat performance. This CANNOT be said of Pam Tillis.

If you are ever out and about and happen to have the great fortune of seeing any of these fine performers, make certain to go and see them and support the Tillis family legacy. You’ll be glad that you did.
Tidbit: Hang around after the show and Pam will come out and sign autographs for her fans.

Editors Note: October 10, 2006, Pam Tillis is currently in Branson appearing with Larry Gatlin and the Gatlin Brothers until October 20.

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We are the “New “Hillbilly”

Generations removed from our original Ozarkian immigrant ancestors, we didn’t necessarily grow up in a log cabin or attend school in a one-room school building (although some of our school districts weren’t much bigger). Most of our roads were paved, and some even had the curves taken out and, except during ice and other storms most of us don’t remember going without electricity. Water wasn’t gathered at the creek for drinking, but was drawn from wells found by "water witches."

Some of us only spent summer vacations and Christmas at the "old home place," the home of our grandparents and great-grandparents. That was when we learned about outhouses (if they didn’t yet have indoor plumbing), how to ride, both horses and tractors; put hay up, or help out at the "family business." It was during these times that we picked ‘maters; caught fireflies and put them in old Mason jars with holes punched in the lids; went swimming in the creeks; and learned what poison ivy and sumac (often pronounced "shewmake") looked like, and that calamine pink qualified as a new skin tone.

Each generation’s exodus to the big cities for economic reasons also marked those who stayed behind. The feelings for extended family members didn’t get lost, but did change and as aunts, uncles, and cousins had to miss annual trips "back home" for various reasons, their own feelings changed.

As I sit here, listening to classic 70s rock and looking south over land that my people and my husbands knew so well, I ponder these things and more. It is undoubtedly their voices guiding my pen–they’re yelling over the music today.

We, the descendants of those who defined hillbilly in the early 20th century, feel a common tug to the hills, hollers and curved roads. Like those before us, some of us attend church for social reasons–in the busyness of life, there are times church is the only time to see friends and family.

But most of us find the Creator in each curve of a road snaking up the bench of these ancient mountains. We find Him in each ridge sloping—or starkly dropping, as the case may be–down to the hollers. We rejoice in the different seasons, so that no two months affect our senses the same. We feel a sense of rightness in the creeks that flow, be they wet or dry weather creeks; their purpose is self-evident in the sycamores and other trees lining their banks, and the narrow valleys they’ve created.

Some would call this communing with nature, but it’s more than a hike or a ride to the back forty. It doesn’t matter who holds title to the land, as long as you’re looking and admiring from afar–it’s all ours, this scenery designed by Someone much smarter than those of us enjoying it. We sorrow every time the land is disrespected. In discussing it with another, we mention some landmark, some geological feature forever disfigured, some beloved building torn down; we feel the same sorrow and sense of loss for a few seconds.

By the same token, we go together down the back roads, and not a word is said in our joy that we have this privilege of sharing what these things of our heritage bring us. These emotions are so deep, we often turn from them, both in feeling and in conversation. A people can only feel so much before the strength of the feelings overcome even the strongest.

We are beginning to recognize that much is gone, to be replaced by a new way of looking at things, a new way of life. But some things never change. We believe our children should work for what they want. These days, children don’t necessarily work for their family’s survival–but maybe they should.

We believe that each hill, each valley, is important. Curves in roads are there for a reason–straight roads cannot give you the same satisfaction that comes with successfully reaching a small village via the only road in, which climbed mountain shoulders and ran alongside creeks, crossed creeks, and held the excitement of what was just around the next curve.

We believe that we don’t have to be a part of the rat race any more than we want to and that a person a person should do what is important to them, as long as it is responsible and non-interfering.

We don’t mess with another’s belongings, in the belief that what goes around, comes around.

We like neighborhoods over subdivisions.

We prefer bonfires on the creek banks, with a cooler of soda and/or beer and the car radio playing over the light shows, dancing and champagne found in "civilization".

We want to be buried in the small, quiet cemeteries with century-old pillars and real flowers whenever someone feels like visiting.

We attend family gatherings and potlucks instead of socials with diamonds and silk.

We don’t have to have our name emblazoned on every surface to know we exist.

We are computer-savvy, but our work clothes are usually made by Big Smith,
Wrangler, and Levi Strauss, not Donna Karan, Escada, or Calvin Klein.

We pick up arrowheads and fossils from creek banks, pick greens and boil sassafras from the hills, and we send emails to cousins in Japan or wherever their lives take them.

We adopt personas for the people who don’t "know" us, and can’t really define what it is we show the people who do.

Our ancestors sometimes believed "hillbilly" was a derogatory term. Most of us don’t feel that way. We know the truth behind the word, and it is only fools that think the stereotype truly exists. If a person looks down on a hillbilly, we know that person is only seeing what we want him or her to see– and to our glee, they’ll never know that we’re "gulling" them.

We are at the forefront of a new movement, a focus on who we are and how we came to be here. A belief is being born again, one that states that our past is important, and maybe it’s time we stood up and said, "No more!"

Some of us are slowly coming to realize that the value of our ancestral lands isn’t determined by the price the highest timeshare builder can bid for it–the value is in the land just being there, a treasure to behold every season of the year, with a minimum of "use" by "progress".

One tradition that we should no longer hold dear is our apparent passiveness and helplessness in the destruction of our past. That history is largely symbolic now, for the way of life our grandparents, even our parents, led, is gone–and it can’t be restructured or restored. We really don’t want to lead it again, for the most part, for like them, we go about our lives finding a bridge between what we hold dear and what the future holds in store.

But we are still here, tied to the land, and continuing to hold it in our hearts and our connections with each other.

The author, Vonda Wilson Sheets, is a 6th generation Taney County native. She has a background in geneology, history, theatre, and film and a deep appreciation for these Ozark Hills she calls home.

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From Pierce Arrow Roadsters to Chevy Bel Airs -the Branson Collector Car Auction has it all

Celebrating 25 years of service to the collector, Jim and Kathy Cox will host their twice annual event, for collectors, the

57 Chevy Bel Air Convertible

Branson Collector Car Auction on October 20- 21, 2006 at Celebration City, in Branson, Missouri. Offering collectible cars as varied as a 1930 Pierce Arrow Roadster to a 1957 Chevrolet Bel Air Convertible, and other collectibles such as a 1947 Alis Chalmers Tractor, memorabilia, motor cycles, jeeps, and trucks this auction has something of interest to just about any collector and provides an opportunity for the general public to see collectible car, trucks, motorcycles, and other items that they would not normally get to see outside of a museum.

1947 Alis Chalmers Tractor

The auction will start at Noon on October 2, and 10:00 a.m. on Saturday, October 21. To auction is open to the public with General Admission tickets going on sale at Noon on Friday, October 20 and 8:00 a.m. on Saturday, October 21. The cost is $10 per day for Adults with children under 10 being admitted free when accompanied by a paying adult. It should be noted that the Celebration Theme Park will be closed during the auction weekend.

Those wishing to bid during the auction must pay a Biddr’s Fee of $50.00. The fee includes a bidder paddle, 2 VIP guest passes, preferred seating, and parking and a hosted bidder bar.

In describing the auction in Branson, Jim Cox extended an invitation to “our hometown not only for the auction, but to experience Branson like we get to every day.” He also attributes the success of the auction and 25 years of success to his belief that “the owners truly believe their success is due to one thing, ‘Service to the Collector.’”

For further information call 1-800-335-3063 of visit the auctions website WWW.BransonAuction.Com.

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Give us a break, the City of Branson can keep the term “Dodink” but leave “Branson” alone, please!

On Sep. 15, the attorney for the City of Branson, Paul Link, under the leadership responsibility of the City of Branson’s highest ranked unelected official, city administrator Terry Dody, sent a letter to the “Branson Sports Club, Inc., c/o Pamela Sue Dapprich, 414 Buchanan Rd., Branson, MO 65616.” In the letter Link said, “The City of Branson, Missouri owns the federally registered service mark BRANSON, MISSOURI” and that the purpose of the letter was to “protest your [her] unauthorized use [of] ‘Branson’ in connection with a business not located within the city limits of Branson, Missouri.”

Link’s letter then calls the business’s use of the common term “Branson” in its name a “deceptive trade practice” and alleges, among other things, the violation of federal statutes relating to the “false designation of geographic origin” and trademark infringement.” It goes on to say that “Within 10 days of the date of this correspondence, we expect to receive from you a written undertaking that you will formally change the name of your business to delete all references to ‘Branson.’”

But not to worry; the letter goes on to say that all can become wonderful again if Dapprich “would consent to annexation into the City of Branson when the City is ready to take you [her] in, then we would not prohibit the use of ‘Branson’ in your name.” Dapprich said that she was an outspoken opponent of the City of Branson’s recent failed attempt to force the annexation of the area that the Branson Sports Club is on into the City of Branson. She also pointed out that she had called a number of businesses with the term “Branson” in their names, located outside the city limits of the City of Branson, and that none had received a similar letter.

At about this point, to an Ole Seagull, the resulting stench is starting to grow and is eerily reminiscent of what he calls “Dodink Law.” In the instant case it’s the kind of law that appears to try to intimidate and coerce by alleging that the use of “Branson” in its name is a crime related to the “false designation of geographic origin” even while ignoring the fact that the very letter making the allegation is being mailed to a specific “Branson, MO” address.

It’s the type of law where the City of Branson can take, what it alleges is a proper service mark, “BRANSON, MISSOURI,” and say that it gives them the right to prohibit the use of the single word “Branson.” What’s next, a prohibition against a business using the word “Missouri” in their business title if they don’t meet some condition that the City of Branson establishes?

Dodink Law appears to delight in going after individual small businesses; it intimidates and coerces them to give into the demands of the city or face the alternative of fighting its unlimited resources and people, like Dody and Link, who receive their fat salaries regardless. It’s a choice that causes a lot of small businesses to give in simply because they don’t have the time or money to fight “city hall.” One can only wonder, although not for too long because of the obvious, why the City of Branson didn’t go for the maximum deterrent effect by sending letters to the City of “Branson” West and the owners of the Showboat “Branson” Belle with the same demands.

Was it because they would have probably told the City of Branson what to do with their demands? Surely the failure to do so had nothing to do with the fact that they have the resources to, not only fight them on its frivolous assertion that, based on the alleged validity of having the service mark “BRANSON, MISSOURI,” it also has the right to the term “Branson” but to challenge the validity of the City of Branson even being able to register the term “BRANSON, MISSOURI.”

Isn’t “Branson” a surname and the name of the post office that Ruben S. Branson started decades before there ever was a City of Branson? Would not most people say that the term “Branson, Missouri” is a post office address or is “primarily geographically descriptive?”

“Branson’s” biggest and longest running attraction, Silver Dollar City, is located where? Oh, and last but not least, doesn’t the fact that the City of Branson’s registration for the service mark upon which its letter is based, Registration Number 2594679, contains a disclaimer stating that, “No claim is made to the exclusive right to use ‘Branson, Missouri’…” mean, at least as to the service mark covered under that registration, that any one is free to use those phrases as is otherwise permitted?

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America’s Presidents have a new Branson Home

Branson’s “American Presidential Museum” closed in May of 2006 but most of its collection was purchased by a new not for profit educational organization called the “National Center for Presidential Studies. The museum and gallery collection is operated under the name, “America’s Presidency” and is located on the top floor of the Majestic Building, located at the corner of Gretna Road and Roark Valley Road, in the same building houses the Majestic Steak House and Justin Flom’s Magic Parlor Theater.

Stormy Lynn Snow, the CEO and Founder of CEO and of the National Center for Presidential Studies said, “We are so pleased with our new home” and that “We are going to house here while we raise awareness and funds to grow our museum and collection, and construct our own building and educational center.” Storm further stated that, “We hope to raise enough funding to build a center here in the Ozarks that houses a more expansive collection, classrooms, an auditorium, and research library. The new center would have a special hall for traveling exhibits from the Smithsonian and the Presidential Libraries.”

Although the current museum does not have the mockup of the Presidential plane and the limousine that was in the other museum Storm said that the “America’s Presidency” museum will “have more artifacts than before,” including a “a replica Oval Office, significant artifacts from past presidencies, the Documents of Freedom collection, and other antiquities and memorabilia.”

Storm said that the museum is opened Monday 12noon until 7pm; Tues-Sat 9am – 5pm; and closed on Sundays and will have extended hours November and December for “Christmas at the White House,” a fabulous museum wide exhibit.” Admission to “America’s Presidencyis $10 for adults, $9 for seniors, and children 16 and under are free with a paying adult. School groups are $3 per student.

For additional information call 417-334-8683.

Originally Published In the Branson Courier on Oct. 8, 2006.

Replica of Oval Office
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The New Branson philosophy: Build for “Those who come, not those that are here.”

At the Sep. 25 meeting of the Branson Board of Aldermen, while public discussion was being held on the plans to build a 25 story skyscraper, one of the projects developers, Rick Huffman, the CEO of HCW, used a quote, attributed to Walt Disney. He said words to the effect that, “We build this for those who come, not those that are here.” Unfortunately, for the fortunes of the 25 story building, a number of “those that are here,” not only showed up for the meeting but contacted their elected representatives about the proposed project prior to the meeting.

The net result is that “those who come” will be seeing, at least for the moment, if anything, a much shorter building. By a 6-0 vote, in spite of the mayor’s “in your face” gratuitous comments that he would like to see the building built to a height of 35 stories, the board honored the wishes of those they represent and voted to limit the size of the building to 12 stories.

Why would any reasonably thinking community, let alone one who already had the best of both worlds, adopt an economic development, or any other philosophy for that matter, that ignores the needs of its own citizens and existing businesses by espousing the concept that “We build this for those who come, not those that are here?” It’s a “Mickey Mouse” philosophy that flies in the face of the “Old Branson” philosophy that brought over 7 million people to Branson last year. A philosophy based on the concept of, “We build this for those we hope will come with those that are here.”

In an email that Branson City Administrator Terry Dody sent out to a number of people, including the Ole Seagull, on Sep. 21, he said, among other things, “It is unfortunate that you choose to carry Groman’s water for him in your e-mail by perpetuating his tag line of the ‘New’ Branson;’ a divisive term that he and a few others like to exploit to further there (their) hope of causing discord and conflict within the community.” Interestingly, the email Dody was responding to was from a local Branson business person expressing their concern about the city’s use of the City Tourism Tax to promote the convention center.

What caused Dody to divert his efforts from the “New Branson” to a lowly Ole Seagull and make the arrogant, condescending, and oh so inappropriate comment to the business person who sent him the email? Well, in an Ole Seagull’s opinion, as to the arrogance and condescension part of the question, some people just have the gift.

Knowing the person to whom he sent the email, Dody was as wrong about that person “carrying anyone’s water” for them as he was about the fact that only the Ole Seagull “and a few others” are using the term the “New Branson.” The term “New Branson” did not originate with the Ole Seagull and, as indicated in the email he was responding to, means different things to different people.

Despite its different potential meanings, can any reasonable person doubt that there is a “New Branson” being created under the orchestration of the City’s chief unelected official, Dody, and certain developers as they direct the City of Branson’s elected officials in a stirring rendition of the “New Branson Hip Hop?” Is there just the possibility that the decision of the City of Branson’s chief unelected leader, and its elected officials, to ignore the united appeal of “Old Branson,” to locate the convention center closer to the theatres, attractions, retail, lodging, and restaurants that built Branson might be considered divisive and causes “discord and conflict within the community?”

The initial decision by City of Branson’s chief unelected official and its elected officials to use taxpayer, TIF, financing to make sure Branson’s neighbor, Hollister, did not get a Target and Home Depot helped eliminate community divisiveness and discord and conflict within the community how? Would the “New Branson” be coming into existence without the seven million plus visitors that the blood, sweat, tears, and financial investment of the “Old Branson” generates?

It’s not a matter of economic development; it’s a matter of how that development takes place. Under the “New Branson” philosophy, the “We” seems to be the City of Branson’s chief unelected official, its elected officials, the big developer(s) and others who need to create a “New Branson,” with a new different clientele to be successful. On the other hand, the “We” of the “Old Branson” philosophy is based on the very community that has made Branson what it is today and already has an existing clientele. Which philosophy is more likely to cause less discord and conflict within the community or be more divisive?

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At least ten things that the Ole Seagull is positive about!

1. He is positive that everything he writes in this column is positively only his opinion. He’s positive that’s why the column is on the opinion page and not published as a news article elsewhere in the paper.

2. He is positive that if people don’t turn out for the Branson Board of Aldermen’s meeting at 7:00 p.m. on Monday, Sep. 25, and express their opinion, that the board will act on the planning and zoning changes for the erection of a 300 foot, 25 story cement and glass “symbol” to the “New Branson,” located at the very gateway to Branson, without their opinion being heard. He is positive that some believe it is “an affront to anyone with respect for the land,” that it is not consistent with “maintaining the quality and beauty of our areas landscape,” or the “natural beauty of this area” that is so “extremely important to our tourists and residents and must be protected if we are to continue to be a top tourist destination.” He is positive that he agrees with those statements.

3. He is positive that the increased tourism figures reported for the first six months of this year had more to do with the marketing strategy that the City of Branson and the Branson Lakes Area Chamber of Commerce put into effect about two years ago than either Branson Landing or the convention center combined. He is positive that Branson Landing was not open for the vast majority of the first six months of this year and that the convention center has not yet opened.

4. An Ole Seagull is positive that if this marketing approach, adequately funded, is continued for the next few years, that it will bring more visitors to Branson than Branson Landing, the convention center, and the “New Branson” combined. That is if Branson’s current potential visitors don’t get conflicting marketing messages and marketing funds are not diverted in an attempt to specifically develop the new “higher class” Gucci, Prada or Armani market that the “New Branson” and its $400,000 plus condos, appear to be fixated on.

5. He is positive that Branson’s City Administrator, Terry Dody, said, “The city council is directing that $500,000 of the Tourism Tax be available for out-of-market marketing for the community’s convention center. All expenses to operate the convention center, including marketing, will be paid from convention center revenues or the city’s general fund.” He is also positive that if in fact the $500,000 for marketing is coming from the “Tourism Tax,” as Dody says, then it is impossible for it to be coming from either “the convention center revenues or the city’s general fund.”

6. An Ole Seagull is positive, based the wording of the enabling legislation for the District Tourism Tax, administered by the Branson/Lakes Area Tourism Community Enhancement District and the understanding of the tourism industry that helped pass the City’s Tourism Tax, that the arbitrary confiscation and use of a substantial portion of that tax, by the City of Branson, to specifically promote the community’s convention center, without the advice and consent of that industry, although, legal, is morally and ethically bankrupt.

7. The Ole Seagull is positive that political and financial compromises are necessary to operate a school district as large as the Branson School District. He is positive that the Branson School Board had their priorities right when they made the decision, based on the resources available at the time, to build classrooms for the districts students rather than a “locker room.”

8. The Ole Seagull is positive that there is more traffic using Highway 76, between its junction with Fall Creek Road and the Hollywood Wax Museum, on a daily basis, than there is using Branson Landing Boulevard. He is positive that it is safer for pedestrians crossing Branson Landing Boulevard than it is for pedestrians trying to cross Highway 76 between its junction with Fall Creek Road and the Hollywood Wax Museum.

9. He is positive that the public perception of a lot of people in Branson is that currently, and for the last few years, the emphasis of the City of Branson, has been on the “New Branson,” being built east of the tracks along Branson Boulevard, and in the Branson Hills area, rather than the other areas of Branson that are generating the revenues that are currently paying Branson’s bills. How many stop lights and pedestrian crossings are there on Branson Landing Boulevard? How many on Highway 76 between its junction with Fall Creek Road and the Hollywood Wax Museum?

10. He is positive that his opinions are but his own opinions, could be wrong, and that there will be both those who agree and disagree with them. He is also positive that the hundreds of published columns he has written, a lot of which are available on the internet at www.bransoncourier.com, will testify as to his personal belief in the truth of that which he writes and the facts supporting those beliefs. He writes with the full faith that his readers know that they are reading the opinion of one old man who, in terms of local clout and politics, is but “a lowly seagull walking along after the horse in the parade picking at the droppings,” will evaluate what they are reading in terms of what they know and believe to be true, and will then make their own decisions.

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It’s about respect, intent, integrity and ethics not the legalistic and $500,000!

Over the last couple of weeks various people have indicated that Branson City Administrator, Terry Dody, has said words to the effect that the city of Branson will be using $500,000 of the City Tourism Tax, collected by theatres, lodging, attractions, and restaurants, to specifically market the new convention center. That appeared to fly in the face of the original intent of the tax and the public’s perception of what they were told would not happen as the plans for the convention center were being developed.

On Sep. 11, the Ole Seagull sent an email regarding the situation to Dody. On Sep. 14, in response to that email, among other things Dody said, “The Tourism Tax is not paid by theaters, attractions, etc. It is a pass through tax that they are required to collect from consumers and then remit to the city. How it is spent by the city is established by the enabling legislation. The city council is directing that $500,000 of the Tourism Tax be available for out-of-market marketing for the community’s convention center.”

For what it matters, in the opinion of an Ole Seagull, respect, intent, integrity, trust, and ethics aside, this time, in terms of pure legality, and looking at the City Tourism Tax in a vacuum with no history, he is one hundred percent right. But the City Tourism Tax wasn’t conceived in a vacuum.

Someone didn’t wake up one morning in the early 1990’s and say, “We’ve got nothing else to do today so let’s go out and pass a tax.” It didn’t get from conception to birth without the full support of Branson’s theaters, attractions, hotels, motels, and restaurants, working with the city of Branson to get the funding necessary to meet their mutual needs.

The city of Branson was in desperate need of funding to meet the infrastructure costs of its spurting growth. Branson’s tourism industry needed marketing funds to maintain and grow the economic foundation that caused that growth, tourism. In a spirit of cooperation, respect, and trust they crafted legislation for a tax that dedicated the lions share, 75 percent to the city of Branson to meet its infrastructure needs and 25 percent to meet the marketing tourism needs of Branson’s tourism industry. In that same spirit, they worked together to get the legislation passed and the approved by the voters, initially and again after it was declared unconstitutional by Missouri’s Supreme Court in the mid 1990’s.

It’s probably not too much of an exaggeration to state that without the full support and involvement of Branson’s tourism industry, and particularly its political clout, there would be no City Tourism Tax. Is there a reasonable person that can believe that the support of Branson’s tourism industry would have been forth coming if there was even an inclination that the city of Branson, at some time in the future, in addition to the 75 percent of the tax for infrastructure would, arbitrarily appropriate 20 percent or more of the portion of the tax dedicated to tourism marketing for its own use? Even worse, do it without at least the advice, if not the consent, of the very tourism industry that the tax was designed to help and that was so instrumental in getting passed?

There is little doubt in an Ole Seagull’s aging mind that the marketing portion of the City Tourism Tax was developed and supported by Branson’s tourism industry to be used to promote Branson as a tourism destination for the benefit of Branson’s total tourism industry. It clearly was not the intent to have a significant portion of those funds specifically appropriated for the benefit of any particular theatre, lodging facility, attraction, restaurant or even “the community’s convention center.” That said however, from a pure legal point of view, the arbitrary action of the city of Branson in confiscating over 20 percent of the community’s marketing portion of the City Tourism Tax is legal.

To an Ole Seagull however, the question is one of respect, morality, and ethics rather than legal. Legally, Branson’s elected leaders, and its unelected leader, also have the capability to insure that the 25 percent of the City Tourism Tax set aside for tourism marketing is used in a manner consistent with the spirit and intent of those who worked so hard to initiate and get the tax put in place. The only question is whether or not they have enough respect for the very tourism industry that enabled the tax and provides the source of its revenues and the integrity and ethics to do so.

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Loves Branson Hospitality and all Branson stands for

My family and I visited your lovely city [Branson] in June of this year for the third time and rather than just making this a drive by stop we decided to stay 5 days. Needless to say the fun we had and the many things that your city offers more than took up our 5 days.

We love your hospitality which is second to no other city we have visited in our many vacations throughout our great country and even the southern part of Canada. Thanks for being a beckon of all that has made the USA the greatest nation in the world. (Carlos, San Benito, TX)

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Midges are wonderful – Lake Taneycomo Fishing Report Sep. 18

Primrose and Pearl Zebra Midge

The fishing is a little harder than normal. For what it’s worth, I believe its because of the low dissolved oxygen levels coming out of Table Rock Lake. Typically that changes when Table Rock turns over. As the following report indicates, that’s certainly not to say you won’t catch trout, just that the numbers won’t be what they typically are. On Sep. 17, I fished with my neighbor Howard from about 0700-0930. Between us we caught about 20 Rainbows, no Browns, with the biggest about 16 inches and about five in that range. Picked and rolled about eight and missed at least 15.

We both had the best results using a size 18 Primrose and Pearl or Copper Dun Zebra Midge with the indicator set at about 2 feet. We fished in close to the bank using Orvis Fluorocarbon Mirage 6x tippet. For one of the few times this year the 100th ounce River Run Peach Furbug, from Gary’s Big Four didn’t produce but then that’s why they call it fishing instead of catching.

Over the past week or so the midges described above have done real well when other things have not worked.

Other Lake Taneycomo Fishing Reports


River Run Outfitters
– For their latest fishing report click here.
Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.
Lilly’s Landing – For the latest fishing report click here.
Scotty’s Lakefrom Trout Dock – For latest fishing report click here.
Guide Bob Klein of “Bob’s Guide Service– The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

General Information on Lake Taneycomo

Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm or click here.

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek and to fishing Lake Taneycomo for trout., Click here for an overview of these regulations

History of Lake Taneycomo – .

More Lake Taneycomo Information – An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

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Branson’s Titanic and Les Brown Jr. together – history, music and dance

There’ll be dancing under the stars when Les Brown Jr. strikes up his big, 15-piece band in a special, outdoor ballroom at the Titanic Museum Attraction in Branson, Missouri on Friday, September 22 from 7p.m. to 11 p.m. This one-night only music and dance celebration includes a 90-minute grand tour of Titanic and is specially priced at $40.00.

One of America’s great dance bands, the Band of Renown and host/singer, Les Brown Jr. carry on the tradition of class, professionalism and fun that father Les Brown Sr. started more than six decades ago. His music defined an era just as the music played by Wallace Hartley and his Titanic Orchestra defined theirs.

“Music is a universal language,” says Mary Kellogg Joslyn co-owner of the Titanic Museum Attraction and producer of the special “Music of Our Times” event. “It could take us on a “Sentimental Journey” in 1942 or remind us “It’s a Long Way to Tipperary in 1912. Music can mark a place in time or recall a moment or event like nothing else. Music from the World War II years and beyond will get the big-band treatment in our special tribute…it’s all danceable, singable and enjoyable.”

As they exit the Museum Attraction, guests will step away from their 1912 experience and walk outside onto a dance floor for a romantic 1940’s evening under the stars with Les Brown Jr. and his Band of Renown.

For advance tickets to Titanic “Music of our Times One Time Event, Friday, September 22- With Les Brown Jr.’s Band of Renown” call 417-335-4606.

To keep the music and magic going all night, Titanic management has arranged a special “Dancing Under the Stars” room rate of $159 per night at the elegant Chateau on the Lake Resort. (Rooms may be upgraded to the next best available room type.) Chateau on the Lake will also provide shuttle service to and from the event.

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Festival of American Music & Crafts celebrates the Glory Days of the Great American Cowboy

Sparks fly from Black Smith’s anvil

It must be autumn in the Ozarks. Branson’s Silver Dollar City hosts its traditional fall Festival of American Music & Crafts, Sep. 14 – Oct. 28, 2006. In addition to all the music and crafts that the festival is noted for, the heritage, history and tradition of the Great American Cowboy will also be honored.

Along with over 300 hundred musicians and 100 crafters, the Festival of American Music & Crafts will feature trick riding and ropers, longhorn steers, and cowboy crafters displaying their unique artistry and craftsmanship. In addition, “Cowboy Entertainers,” such Sourdough Slim, Roy Rogers, Jr., Buck Taylor, who played “Newly” in the T.V. series, “Gunsmoke,” country music star Mark Chesnutt, the Sons of The San Joaquin, Clint Walker, and The Red Steagall Show, to name a few, are scheduled to appear throughout the festival.

Some of the finest craftsmen in their respective fields will provide demonstrations, share their knowledge, and display their crafts for sale. Crafts such as Scroll Saw Art, Country Décor, Fretwork & Folk Art, Glass Blowing, Bronze Sculpting, Silversmithing, woodcarving, water color and oil painting, Wheat Weaving, Feather Painting, Knives and Tomahawks, and Fiddle making are but a few of the dozens of crafts that will be presented throughout the festival. (Click here to see a complete Schedule of Visiting Craftsmen.)

All American Bluegrass Girl Rhonda
Vincent performs Oct. 4-5.

In addition to the music provided by the Cowboy Entertainers, the Festival of American Music & Crafts will have a full schedule of Traditional and Blue Grass music. There will be something for just about every musical persuasion. The Blue Grass groups, Nothin’ Fancy, The Boohers, Old School Blue Grass, Rag time pianist Don French, Six time IBMA Female Vocalist of the Year, Rhonda Vincent & The Rage represent but a few of the hundreds of visiting musicians and groups that are scheduled to perform at various times throughout the festival.

%%%%Festival of American Music & Crafts, Sep. 14 – Oct. 28%%

A feast fit for a cowboy!

The food for the festival truly represents the Tastes of America. From fried catfish to Minnesota walleye, smoked turkey legs and corn on the cob to barbecued ribs, roasted prairie chicken, buffalo chile and southwestern tacos the Taste of America Menus will have a food just about any taste. Of course there will also be great American dessert standards such as peach pie, hot apple dumplings, and black berry cobbler along with a host of other dessert choices. There’s just something about a warm piece of Miner’s Big Apple with Crunchy Nuggets with ice cream. Click here for the Taste of America menus.

The beauty of Fall in the Ozarks provide a special backdrop to the festival as guests experience sight, sound, and excitement of the festival. From sorghum making and cow milking demonstration, to music and crafts galore, from barn dancing to boot making, and so much more Silver Dollar City’s Festival of American Music & Crafts is a traditional Ozarks Fall experience not to miss.

Throughout the festival, Silver Dollar City will be open from 10 a.m. to 6 p.m. Wednesdays through Sundays except for Saturdays when it will be opened 9:30 a.m. to 7 p.m. For festival and ticket information, call 1-800-831-4FUN or visit Silver Dollar City’s website.

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Viva La Divas Review

The Divas Showcase their Talents

When you hear the term “diva” do you think of Celine Dion or Dianna Ross? If you are a regular visitor to the “Live Entertainment Capital of the World” you already know that Branson has a few “divas” of it’s own. A handful of Branson’s divas decided step out on their own this season and create a brand NEW show that will showcase their individual talents.

Viva La Diva is the vision of Branson’s undisputed Diva. Janice Copeland made her first appearance in Branson with Roy Clark in 1989. She has performed with some of the biggest names in town including Mickey Gilley, Andy Williams, Jim Stafford, and Pierce Arrow. But most will remember her from time with the hilarious Ray Stevens. At least that is where I remember her. When she would step out on the stage, you knew something special was about to happen. She has one of those voices that commands your full attention.

The other performers in the show include Cindi Barr, Michele Sevryn, Dee Dee Hamilton and the ever-funny Harley Worthit. All are worthy Divas with impressive performance histories.

Cindi has performed with Buck Trent and with the 70 Music Show, Arron Patrick Elvis Show, also at Thunderbird Theater, now the Moe Bandy Theater, and was part of the late 1980’s TV show You Can Be A Star. Besides Viva La Divas, she is also currently performing in Elvis and the Superstars at the Owens Theatre in Downtown Branson.

Michele Sevryn has been in Branson form many years. One of the first big shows was a USO type show called The Golden Girls. She has also preformed with Magic of The Top Dogs, Peter Lemonjello and Larry Musgrave: The Great Pretender.

Dee Dee Hamilton was a member of the World Famous Platters for many years. This year she finds herself a very busy woman. She lends her vocal talents to three different Branson shows. Two of those shows, Viva La Divas and a vaudeville style variety show called Blast, are part of the Showcase Theatre lineup. At noon, she is a headliner in The Ladies of Motown at the Owens Theatre.

Finally, Harley Worthit (Perry Edenburg), the diva wanta be has been in Branson for as long as I can remember. He got started in Branson with the Plummer Show. He also pent 20 years with Presley’s. His other credits include a run with Pierce Arrow, the Splinter Middleton Show, Delene Show, and Pam Tillis. Currently, he is also doing the Keeping it Country Show at the Imax and occasionally filling in for Homer Lee at the Branson Brothers.

You will feel like you really get to know the stars. Each presents a musical scrapbook. As the pictures of their life and family appear on the screen, they share from their heart where they are coming from. I have not seen this type of montage in a Branson show before, but it just seemed right for this production.

In this show five Branson Divas get to showcase the talent that they have not been able to share in other venues around town. Though the show title might suggest that these ladies think themselves something special, this is not really the case. All of them seem completely grounded. They are all grateful for the opportunity to share their amazing talents with the audience.

I do not want to mislead anyone to thinking that this is a huge multimillion-dollar production. You will not find high-tech special effects and frills. Not only did the ladies write the show, but they are also producing it using their own money. There is not a huge production company with tons of money making the endeavor. The budget is tight for this brand new show and the ladies never take things too serious. They even make reference to the low budget sets and props throughout the evening. The focus is always the talented performers.

%%%%Viva La Divas: About The Show%%

Which of these Divas doesn’t belong?

In the first half of the show each performer gets an opportunity to prove themselves “diva” worthy. They all have at least one featured solo. I was amazed at the level of talent on the stage.

My favorite segment in the first half included one of those inexpensive props. We learned the story of the most versatile cape in the costume shop. Without giving away too much, know that everyone gets a go at the cape as they sing. It is a great chance for them to show that these divas just want to have fun.

The opening half of the show is filled with great music like: At Last, Respect, Tears of a Clown, as well as a Diva Salute to women in the armed forces including Janice singing God Bless America.

When I was at the show (May 2006), there was a short intermission, but since then they have made some changes and there is no longer an intermission. It did give me a chance to talk with a couple of the ladies. They are all available to meet the fans and sign autographs. They said that there were several group sections in the next half. I could not wait to hear these amazing vocals combine their talents.

As the second half got started the stage was set for the OK Corral as the ladies wrangle in a very fun country music set. Dee Dee was a little reluctant to come out in a cowboy hat and boots. Though there were no guns, there was a classic western duel between Janice and Dee Dee. You will have to decide for yourself who the winner was. You also get to hear Harley Worthit sing Feels Like a Woman, and that is worth the full admission price.

The second half also included an inspirational gospel section with songs like Jesus Loves Me, Why Do You Sing, and Eye on the Sparrow. It ended with a spiritual called Stomp On The Enemy. I had never heard that song before, but loved their rendition.

As the show drew to a close we began to see what the show was truly about. It is as much about friendship as anything. These ladies are not just costars, they are also true friends. As they perform, what I believe is an original song written for the show, they share their heart with the audience. This song is called I’m Beautiful, and though very funny, the message of the song is to let your inner beauty radiate until it shows on the outside.

I had never attended a show at this theatre. I found it to be comfortable. The seats could have been a little bigger, but they were not bad. The theatre itself is very intimate, so I cannot imagine there being a bad seat in the house.

Though the seats were okay, I was not impressed with the tech side of things. There were technical problems a couple times during the show. Tracks were used and at one point Dee Dee was not able to finish a song because of problems. Also, lights, tangled wires and equipment seemed to be visible everywhere. I know there are lots of different shows with different needs in this same space, but I was just not impressed by the way the techy things were displayed. I have a background in live theatre, my wife’s degree is in theatre. I think the sign of a good theatre is one where the show is the only focus, everything else just fades away.

Viva La Divas is one of the many new show on the strip this season. With so many shows in town, some new and some that have been around forever, it is very difficult to decide which shows to see. I consider myself to be a cheerleader for the small shows. Yes, I love the huge productions like Kirby and Jim Stafford. But I especially like to the smaller shows in town. This is one of those smaller shows. The focus is the music and those talented performers. I know that this show will continue to get better as the season progresses and the ladies polish their act. I hope to be able to return and see the show again at the end of the season. I am willing to bet it will almost look like a different production.

My wife and I had a great time. The audience was not very big on the day we were there, but the girls performed like it was a full house. I agreed with my wife when she said that these had to be some of the most talented ladies in Branson. What a privilege to get to see them all together in one show.

If you can only see one show while in Branson, then I suggest that you see one of the big production shows like the Priestley’s, Kirby or Dixie Stampede. However, if you have the chance to see more than one, consider seeing the only women’s quartet in Branson – Viva La Divas.

Viva La Divas is performed at the Showcase Theatre. The theatre is very easy to find. It is located on Hwy 76 in the Branson Mall between Wal-Mart and Jubilee Foods. The theatre is near the back of the mall, past the open-air stage. Viva La Divas is performed in the 5:30 p.m. time slot throughout the season. For more information, reserve tickets or check the show schedule call the theatre at (417) 339-1960. Tell them that Heath from the 1Branson sent you.

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Branson skyscraper resort project needs final approval

At its Sep. 11, 2006 meeting, by a vote of four to two, the Branson Board of Aldermen gave initial approval for the planning and zoning changes necessary for the construction of Branson’s first skyscraper, a 300 foot, 25 story building, to be constructed as part of a proposed $ 100 million multi use retail and resort complex. Proposed for construction at the junction of U.S. Highway 65 and State Highway 248 in Branson, the complex is being jointly developed by HCW Development Company, of Branson, and Evergreen Investments, of Lebanon.

Because of a deadline to purchase the property, that the proposed complex will be located on, of Sep. 15, the developers asked the board for a “second reading”, which would have constituted final approval of the planning and zoning issues necessary for the project to proceed. After objections to the project were raised by opponents, and discussion, the board voted unanimously to delay the final vote until its Sep. 25 meeting.

The major objections to the project relate to its compatibility with the existing Branson and the expectation of Branson’s current guests. Most were concerned with the impact of the proposed skyscraper on the areas beauty and that one of the first things that people would see as they came into Branson would be concrete and glass, not the beauty of the Ozarks. Alderman Ron Huff, who voted for the project, indicated that project like this keep Branson alive and vibrant and will become an attraction just like Branson Landing and “The Strip.”

The proposed up scale complex would include one of the tallest buildings south of Kansas City and St. Louis containing, among other things a spa, office paces, hotel rooms, condominiums, a restaurant and bar, and parking facilities. Earlier reports also indicated that the complex would have a museum that would feature the classic car collection of Bob Plaster, one of the principals of Evergreen Investments and a restaurant, located on the 25th floor, with a water feature shooting streams of water.


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B.J. Thomas & Billy Joe Royal “Raindrops to Boondocks” Tour –

B.J. Thomas, one of the most recognized and respected voices of the American musical landscape, and Billy Joe Royal, best known for his country-flavored rock hit “Down In The Boondocks,” are bringing their “Raindrops to Boondocks” tour to Branson’s Welk Resort Theatre on Saturday, September 23rd at 8:00 p.m. Tickets range from $35.50 to $40.50 and are available at the Welk Resort Theatre Box Office or by phone at 417-337-7469.

B.J. Thomas

With over 70 million records sold, B. J. Thomas’ vocal versatility is as apparent today as it was when he recorded his first hit in 1967, “I’m So Lonesome I Could Cry.” By 1968, he recorded four gold records: “The Eyes Of A New York Woman,” “Hooked On A Feeling,” “It’s Only Love” and “Raindrops Keep Falling On My Head,” from the movie “Butch Cassidy and the Sundance Kid” starring Paul Newman and Robert Redford. More recently, movie-goers have heard the B.J. Thomas rendition of “Raindrops…” in the movie soundtracks of “Forrest Gump” and “Spider Man 2.”

Thomas has impacted many areas of popular music with 14 Top-40 pop hits; 10 Top-40 country hits including “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” “Whatever Happened To Old Fashioned Love,” and “New Looks From An Old Lover;” five Grammy awards, two Dove awards and 15 Gold and Platinum records.

Thomas became the 60th member of the Grand Ole Opry on his 40th birthday and in 1989 he recorded “As Long As We Got Each Other,” the theme song for the ABC sitcom “Growing Pains.” He is the only artist to successfully move to the top of three music genres — not as a crossover — but to also have crossover success.

Billy Joe Royal

Billy Joe Royal

With success in both the pop and country fields, and hits that stretch from the ‘60s to the ‘90s, Billy Joe Royal continues to thrill radio listeners and concert-goers with his R&B-tinged tenor. By the age of 14, the Georgia native was a regular on the Georgia Jubilee with the likes of Ray Stevens, Jerry Reed, Joe South, Freddy Weller and regular guest stars from the Grand Old Opry. His 1965 hit, “Down In The Boondocks,” made him a teen idol and he enjoyed additional hits on the pop charts including “I Knew You When” and “Cherry Hill Park.” In the ‘80s, Royal began making his mark on country music with six well-received albums and more than a dozen hit singles including “I’ll Pin A Note On Your Pillow,” “Tell It Like It Is,” “Till I Can’t Take It Anymore,” “Love Has No Right,” and “It Keeps Right On Hurtin’.”

Throughout his career, Royal has masterfully blended the musical styles that first excited him and his fans – a combination of influences ranging from hometown country radio shows and black gospel to Motown and the rest of the ‘60s pop explosion. His instantly-recognizable voice is still fresh and delivers the hits with flair and sincerity that make for high-powered showmanship that audiences love.

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Will Missouri’s proposed Stem Cell Research Amendment “clone” either good law, common sense, or human beings?

When voters go to the polls on Nov. 7 they will have an opportunity to vote on a proposal to amend Missouri’s Constitution to “allow and set limitations on stem cell research, therapies, and cures.” The Official Ballot Title of the Initiative is “Constitutional Amendment 2 – Stem Cell Initiative.” Although, as is the case with most issues, there are pros and cons, it seems that both supporters and opponents alike have forgotten the old adage attributed to Abraham Lincoln, “You can fool some of the people all of the time, and all of the people some of the time, but you can not fool all of the people all of the time.”

To avoid being fooled by supporters, opponents, or Old Seagulls, an examination of the information on the web sites of both those supporting and opposing the amendment could be beneficial in keeping voters from becoming “cloned drones” of one side or the other. Besides, isn’t it a voter’s responsibility to know what it is that they are voting on? A major website for supporters of the issue is www.missouricures.com and a major website for the opposition is www.nocloning.org.

From the name of the web site, “nocloning.org,” to the very first item on the sites list of “10 Things You Should Know Before you vote in November,” it is clear that the opponents of Amendment 2 are trying to use the publics overwhelming opposition to “human cloning” to try to defeat the Stem Cell Initiative. The very first thing that opponents want potential voters to know is that “The ballot amendment seeks to protect human cloning.”

Some might call that either misleading or deceptive. Doesn’t the Official Ballot Title for Amendment 2 state that one of its purposes is “to ban human cloning or attempted cloning?” Would not an examination of Amendment 2 itself show specific language stating, “No person may clone or attempt to clone a human being?”

The Official Ballot Title for Amendment 2, the summary that the voters will see on the ballot as they vote, states that one of its purposes is to “ensure Missouri patients have access to any therapies and cures, and allow Missouri researchers to conduct any research, permitted under federal law.” Yet, in spite of that statement, if one goes through the entire “Missouricures.com” web site will they find even one example cited where it is alleged that Missourians don’t “have access to any federally approved stem cell cures that are available to patients in other states?”

It’s even worse than that because the information on the website very plainly states that “The research and cures protected by the Initiative are already allowed under federal and state law.” In view of the above might not a reasonable person have a basis for believing that the official ballot language is either misleading or deceitful?

As one works through the arguments both sides present, a couple of questions become glaringly apparent. The first would be, if it passes, will the stem cell research Amendment 2 covers bring Missouri any closer to cloning a human being, as most people interpret the term, than the average population of Rockaway Beach is to the average population of New York City? And secondly, if it does not pass, exactly what “access to any federally approved stem cell cures that are available to patients in other states,” will Missourians lose?

Does language prohibiting any state or local law, regulation, rule, “or other governmental action” to “prevent, restrict, obstruct, or discourage any stem cell research or stem cell therapies and cures etc.” have any place in Missouri’s State Constitution? Is it even good law? What do terms like “other governmental action” and “discourage” mean? If a business applied to the state for a grant for stem cell research and the grant was either turned down or granted in an amount of less than they asked could that be interpreted as a “government action” that “discouraged” stem cell research?

One thing for sure, once passed by the voters, it will not be them or their elected representatives who will determine how the amendment is interpreted. That will be done solely by the courts, the same courts that interpreted Missouri’s river boat gambling amendment to the point where the vast majority of Missouri’s “river boat casinos” have about as much resemblance to a river boat as Table Rock Lake does to the Mojave Desert.

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Lake Taneycomo Fishing Report for September 2, 2006

This report contains the Ole Seagull’s Journal, which is simply some fishing notes by Gary J. Groman, a.k.a. The Ole Seagull, who has lived on the banks of Lake Taneycomo for over 20 years and links to other major Lake Taneycomo sites.Together they provide access to the most comprehensive information on Lake Taneycomo available anywhere.

Water Level Information: There is nothing that effects the fishing and the way a person fishes on Lake Taneycomo than whether or not they are running water from the Table Rock Dam. The number to call for a recorded message on current conditions is 1-417-336-5083. For on line information about water condtitions go to http://www.swl-wc.usace.army.mil/WCDS/plots/Web/tab.htm.click.

The Ole Seagull’s Journal – Aug.19– Things were beautifully "ugly" click here for the complete journal entry.

Other Lake Taneycomo Fishing Reports

River Run Outfitters – For their latest fishing report click here.

Chartered Waters Guide Service and Fly Shop .-For the latest fishing report click here.

Lilly’s Landing – For the latest fishing report click here.

Scotty’s Lakefrom Trout Dock – For latest fishing report click here.

Guide Bob Klein of “Bob’s Guide Service” – Aug. 13– Talked with Bob on Aug 11. He has been using power eggs down near the mouth of Bull Creek because of the numbers of fish. The following standard default techniques produces fish routinely:

Water Off Conditions (not generating power from Table Rock Dam) – Air injected night crawlers or Orange and Chartreuse Power Eggs, with the Chartreuse on shank of hook and the Orange on tip. Fish them off the bottom with no heavier than 4 pound leader, size 8 or smaller hooks, and just enough split shot to cast. Place the shot so that the bait floats 12-18 inches off the bottom. Spin-A-Lures and Little Cleos have been working well.

Water On Conditions – Orange and Chartreuse Power eggs with the Chartreuse on shank of hook and the Orange on tip, white Power Eggs, bubble gum power bait, or inflated night crawlers bounced off the bottom using the standard "Lake Taneycomo Drift Rig." which is readily available at all Marinas and most resorts on the Lake.

General Comments: Very little affects the fishing on Lake Taneycomo like the generation of power at the Table Rock Dam. Call 417-336-5083 for up to the moment information on generation and lake levels or click here.

Special Regulations apply to the Trophy Trout Area running from Table Rock Dam to the mouth of Fall Creek. Click here for an overview of these regulations.

An excellent place to get your Lake Taneycomo Questions answered, or any question relating to the fishing and other outdoor topics in the Branson area, is the “Branson Outdoors Activities Forum” which is monitored by your editor and other local outdoor enthusiasts.

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Tanya Tucker Returns to Branson’s Grand Palace

The Grand Palace in Branson, MO is proud to announce that legendary superstar Tanya Tucker will perform two spectacular shows on Saturday, September 23rd 8PM and Sunday, October 8th at 8PM.

She’s been called one of the finest song stylists in any genre, a singer who owns the patent on any song she sings. Tanya Tucker’s inimitable vocal styling and soulful performances have resulted in a string of hit albums and singles, garnered hundreds of honors and awards and made her a country music legend. In 1972 renowned music critic Nat Hentoff wrote in Cosmopolitan magazine: “Tanya’s voice is vibrato-full and tangy, with the kind of restless intensity that stays in your mind long after the song is done. This teenager has become one of the most dramatic presences in all of music, not just country.”

Tanya was thirteen when a Las Vegas songwriter introduced her to legendary record producer Billy Sherill. He soon signed her to Columbia Records and recorded the first big hit song: “Delta Dawn.” Tanya followed that with “Love’s the Answer” and “Jamestown Ferry,” then came out of the chute with another mega hit: “What’s Your Mama’s Name?” She was fifteen years old with a Country Music Association and Grammy nomination, a Greatest Hits package in the works, and her face on the cover of the Rolling Stone.

That public image and those hits caused MCA Records to offer Tanya what we then the most lucrative recording contract ever awarded in country music, 1.5 million dollars. The hits kept on coming: “Lizzie and the Rainman,” “San Antonio Stroll,” “Don’t Believe My Heart Can Stand Another You,” “Texas When I Die,” and “Pecos Promenade,” to name but a few during her MCA years.

In 1986 she signed with Capitol Records, and recorded over a decade of hits including “Strong Enough to Bend,” “Down To My Last Teardrop,” “Two Sparrows in a Hurricane,” “It’s a Little Too Late,” and “Tell Me About It” with Delbert McClinton.

In 1991 she was named the Country Music Association’s Female Vocalist of the Year” and the following year she was Country Music Television’s Video Artist of the Year. In 1996 she was one of the Top Ten overall most played artists of the year, and Capitol Records biggest selling signed female country artist.

On March 26, 1997, Hyperion released Tanya’s New York Times Best Selling autobiography, Nickel Dreams. The Miami Herald called it compelling. Newsweek dubbed it, “…feisty and good-humored.”

After several years devoted to heavy touring, Tanya released a self-titled album in 2002 on Tuckertime Records. Audiences welcomed signature Tanya performances on songs like “A Memory Like I’m Gonna Be” and “Old Weakness (Coming On Strong).” Billboard said “Tanya Tucker’s throaty vocal has been sorely missed on contemporary country airwaves too often populated with female vocalist either blatantly going for crossover or trying out for cheerleader. Her first album in five years is a fine return to form with A-list writers and personality for days.” In that year she was named to the Texas Country Music Hall of Fame.

In 2005 Tanya released a new book, 100 Ways to Beat the Blues on Fireside, a division of Simon & Schuster. The book includes tips on pulling yourself out of the dumps from Tanya’s friends including Willie Nelson, Little Richard, Jerry Lee Lewis, Brenda Lee, Roseanne, Burt Reynolds and Wynonna.

It was a short jump from Tuckertime to Tuckerville. That feisty, good-natured star Newsweek wrote about is now welcoming fans into her home, via one of 2006’s hit reality shows: Welcome to Tuckerville. On The Learning Channel, Welcome to Tuckerville is an in-depth; behind the scenes visit the star. Fans follow along with Tanya on tour, working her horses, playing with her large family of dogs (including a white Lab given to her by Kevin Costner) and, of course, her irrepressible and talented children, daughters Presley and Layla and son Grayson.

There is no mistaking that voice or the charismatic personality behind it. Tanya Tucker is one of the music world’s most distinctive stylists. And with a track record of more than 40 top-10 hits, she has long since proven herself as a brilliant judge of songs.

Don’t miss country-music superstar Tanya Tucker at Branson’s Grand Palace! For tickets and additional information call 1-800-884-4536 or visit our website at www.thegrandpalace.com.

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